Chapter 4

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_ CHAPTER IV

If Baron Volterra did not choose to sell the Palazzo Conti to the first comer, he doubtless knew his own business best, and he was not answerable to every one for his opinion that the fine old building was worth a good deal more than the highest offer he had yet received. Everybody knew that the palace was for sale, and some of the attempts made to buy it were openly discussed. A speculator had offered four hundred thousand francs for it, a rich South American had offered half a million; it was rumoured that the Vatican would give five hundred and fifty thousand, provided that the timbers of the carved ceilings were in good condition, but Volterra steadily refused to allow any of the carvings to be disturbed in order to examine the beams. During several days a snuffy little man with a clever face poked about with a light in dark places between floors, trying to find out whether the wood were sound or rotten, and asking all sorts of questions of the old porter, and of two workmen who went with him, and who had been employed in repairs in the palace, as their fathers had been before them, perhaps for generations. But their answers were never quite satisfactory, and the snuffy man disappeared to the mysterious regions beyond the Tiber, and did not come back.

Some people, knowing the ways of the Romans, might have inferred that the two workmen, a mason and a carpenter, had not been treated by Baron Volterra in such a way as to make them give a favourable report; and as he seemed perfectly indifferent about the result this is quite possible. At all events the carpenter made out that he could not get at the beams in question, without moving the decorations which covered them, and the mason affirmed that it was quite impossible to get a view of the foundations of the north-west corner of the palace, which were said to be weak, without knocking a hole through a wall upon which depended such solidity as there was. It was useless, he said. The snuffy gentleman could ask the Baron, if he pleased, and the Baron could do what he liked since the property now belonged to him: but he, the mason, would not lay hand to pick or crowbar without the Baron's express authorization. The Baron was a Senator of the Kingdom, said the mason, and could therefore of course send him to penal servitude in the galleys for life, if he pleased. That is the average Roman workman's idea of justice. The snuffy expert, who looked very much like a poor priest in plain clothes, though he evidently knew his business, made no reply, nor any attempt to help the mason's conscience with money.

But he stood a little while by the wall, with his lantern in his hands, and presently put his ear to the damp stones, and listened.

"There is running water somewhere not far off," he said, looking keenly at the workman.

"It is certainly not wine," answered the man, with a rough laugh, for he thought it a very good joke.

"Are there any 'lost waters' under the palace?" asked the expert.

"I do not know," replied the mason, looking away from the lantern towards the gloom of the cellars.

"I believe," said the snuffy gentleman, setting down his lantern, and taking a large pinch from a battered silver snuff-box, on which the arms of Pius Ninth were still distinguishable, "I believe that the nearest 'lost water' to this place is somewhere under the Vicolo del Soldati."

"I do not know."

The expert skilfully inserted the brown dust into his nostrils with his right thumb, scarcely wasting a grain in the operation.

"You do not seem to know much," he observed thoughtfully, and took up his lantern again.

"I know what I have been taught," replied the mason without resentment.

The expert glanced at him quickly, but said nothing more. His inspection was finished, and he led the way out of the intricate cellars as if he knew them by heart, though he had only passed through them once, and he left the palace on foot when he had brushed some of the dust from his shabby clothes.

The porter looked enquiringly at the two men, as they filled little clay pipes that had cane stems, standing under the deep entrance.

"Not even the price of half a litre of wine," said the mason in answer to the mute question.

"Church stuff," observed the carpenter discontentedly.

The porter nodded gravely, and the men nodded to him as they went out into the street. They had nothing more to do that day, and they turned into the dark little wine shop, where the withered bush stuck out of the blackened grating. They sat down opposite each other, with the end of the grimy board of the table between them, and the carpenter made a sign. The host brought a litre measure of thin red wine and set it down between them with two tumblers. He was ghastly pale, flabby and sullen, with a quarter of an inch of stubbly black beard on his unhealthy face.

The carpenter poured a few drops of wine into one of the tumblers, shook it about, turned it into the other, shook it again, and finally poured it on the unctuous stone floor beside him. Then he filled both glasses to the brim, and both men drank in silence.

They repeated the operation, and after the second glass there was not much left in the measure. The flabby host had retired to the gloomy vaults within, where he played cards with a crony by the light of a small smoking lamp with a cracked chimney.

"That was the very place, was it not?" asked the carpenter at last, in a low tone, and almost without moving his lips.

The mason said nothing, but shrugged his shoulders, in a sort of enigmatic assent. Both drank again, and after a long time the carpenter smiled faintly.

"He was looking for the 'lost water,'" he said, in a tone of contempt.

The faint smile slowly reflected itself in the mason's face. The two finished their wine, lit their pipes again, left the price of their drink on the table without disturbing the host and went away.

So far as any outsider could have judged, the expert's curiosity and the few words exchanged by the workmen referred to the so-called "lost water," which might be somewhere under the north-west corner of the Palazzo Conti, and no one unacquainted with subterranean Rome could possibly have understood what any of the three meant.

The "lost waters" of Rome are very mysterious. Here and there, under old streets and far down amongst the foundations of ancient palaces, there are channels of running water which have no apparent connection with any of the aqueducts now restored and in use. It is a water that comes no one knows whence and finds its way to the Tiber, no one knows how. It is generally clear and very cold, and in the days when the aqueducts were all broken and most people drank of the river, the "lost water" was highly prized. It appears in the most unexpected places, sometimes in great quantities and seriously interfering with any attempt to lay the foundations of a new building, sometimes black and silent, under a huge flagstone in an old courtyard, sometimes running with an audible rush through hidden passages deeper than the deepest cellars. It has puzzled archaeologists, hydraulic engineers and architects for generations, its presence has never been satisfactorily explained, there seems not to be any plan of the city which shows its whereabouts, and the modern improvements of the Tiber's banks do not appear to have affected its occult courses. By tradition handed down from father to son, certain workmen, chiefly masons and always genuine Romans, claim to know more about it than other people; but that is as much as can be said. It is known as the "lost water," and it rises and falls, and seeks different levels in unaccountable ways, as water will when it is confined under the earth but is here and there confronted by the pressure of the air.

But though the old-fashioned Roman workman still looks upon all traditional information about his trade as secret and never to be revealed, that fact alone might seem insufficient to account for the behaviour of Gigi the carpenter and of Toto the mason under the particular circumstances here narrated, still less for the contempt they showed for the snuffy expert who was apparently looking for the "lost water." An invisible witness would have gathered that they had something of more importance to conceal. To the expert, their conduct and answers must have been thoroughly unsatisfactory, for the Vatican was even said to have refused to pay the additional fifty thousand francs, On the ground that the state of the foundations was doubtful and that the timbers of the upper story were not sound.

Baron Volterra's equanimity was not in the least disturbed by this. On the contrary, instead of setting the price lower, he frankly told all applicants, through his agent, that he was in no hurry to sell, as he had reason to believe that the land about the Palazzo Conti would soon rise in value. He had settled with the representatives of the Conti family, and it was said that he had behaved generously. The family had nothing left after the crash, which might partially account for such an exhibition of generosity; but it was hinted that Baron Volterra had given them the option of buying back the palace and some other property upon which he had foreclosed, if they should be able to pay for it in ten years.

Soon after the visit of the snuffy expert, Volterra's agent informed the porter that a gentleman had taken the small apartment on the intermediate story, which had formerly been occupied by a chaplain but had been disused for years. It had been part of the Conti's folly that they had steadily refused to let any part of the vast building since the old Prince's death.

On the following day, the new-comer moved in, with his belongings, consisting of a small quantity of new furniture, barely sufficient for himself and his one servant, and a number of very heavy cases, which turned out to be full of books. Gigi, the carpenter, was at once sent for to put up plain shelves for these, and he took stock of the lodger while the latter was explaining what he wanted.

"He is a gentleman," said Gigi to Toto, that very evening, as they stood filling their pipes at the corner of the Vicolo del Soldati. "His name is Malipieri. He is as black as the horses at a funeral of the first-class, and he is not a Roman."

"Who knows what race of animal this may be?" Toto was not in a good humour.

"He is of the race of gentlemen," asserted Gigi confidently.

"Then he will end badly," observed Toto. "Let us go and drink. It is better."

"Let us go and drink," repeated Gigi. "You have a sensible thought sometimes. I think this man is an engineer, or an architect. He wants a draughtsman's table."

"Evil befall his little dead ones, whatever he is," returned the other, by way of welcome to the young man who had moved into the palace.

"He advanced me ten francs to buy wood for the shelves," said Gigi, who was by far the more cheerful of the two.

"Come and drink," returned Toto, relevantly or irrelevantly. "That is much better."

So they turned into the wine shop. _

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