CHAPTER II - A DEAN, AND A CHAPTER ALSO

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CHAPTER II - A DEAN, AND A CHAPTER ALSO

Whosoever has observed that sedate and clerical bird, the rook, may
perhaps have noticed that when he wings his way homeward towards
nightfall, in a sedate and clerical company, two rooks will
suddenly detach themselves from the rest, will retrace their flight
for some distance, and will there poise and linger; conveying to
mere men the fancy that it is of some occult importance to the body
politic, that this artful couple should pretend to have renounced
connection with it.

Similarly, service being over in the old Cathedral with the square
tower, and the choir scuffling out again, and divers venerable
persons of rook-like aspect dispersing, two of these latter retrace
their steps, and walk together in the echoing Close.

Not only is the day waning, but the year. The low sun is fiery and
yet cold behind the monastery ruin, and the Virginia creeper on the
Cathedral wall has showered half its deep-red leaves down on the
pavement. There has been rain this afternoon, and a wintry shudder
goes among the little pools on the cracked, uneven flag-stones, and
through the giant elm-trees as they shed a gust of tears. Their
fallen leaves lie strewn thickly about. Some of these leaves, in a
timid rush, seek sanctuary within the low arched Cathedral door;
but two men coming out resist them, and cast them forth again with
their feet; this done, one of the two locks the door with a goodly
key, and the other flits away with a folio music-book.

'Mr. Jasper was that, Tope?'

'Yes, Mr. Dean.'

'He has stayed late.'

'Yes, Mr. Dean. I have stayed for him, your Reverence. He has
been took a little poorly.'

'Say "taken," Tope--to the Dean,' the younger rook interposes in a
low tone with this touch of correction, as who should say: 'You
may offer bad grammar to the laity, or the humbler clergy, not to
the Dean.'

Mr. Tope, Chief Verger and Showman, and accustomed to be high with
excursion parties, declines with a silent loftiness to perceive
that any suggestion has been tendered to him.

'And when and how has Mr. Jasper been taken--for, as Mr. Crisparkle
has remarked, it is better to say taken--taken--' repeats the Dean;
'when and how has Mr. Jasper been Taken--'

'Taken, sir,' Tope deferentially murmurs.

'--Poorly, Tope?'

'Why, sir, Mr. Jasper was that breathed--'

'I wouldn't say "That breathed," Tope,' Mr. Crisparkle interposes
with the same touch as before. 'Not English--to the Dean.'

'Breathed to that extent,' the Dean (not unflattered by this
indirect homage) condescendingly remarks, 'would be preferable.'

'Mr. Jasper's breathing was so remarkably short'--thus discreetly
does Mr. Tope work his way round the sunken rock--'when he came in,
that it distressed him mightily to get his notes out: which was
perhaps the cause of his having a kind of fit on him after a
little. His memory grew DAZED.' Mr. Tope, with his eyes on the
Reverend Mr. Crisparkle, shoots this word out, as defying him to
improve upon it: 'and a dimness and giddiness crept over him as
strange as ever I saw: though he didn't seem to mind it
particularly, himself. However, a little time and a little water
brought him out of his DAZE.' Mr. Tope repeats the word and its
emphasis, with the air of saying: 'As I HAVE made a success, I'll
make it again.'

'And Mr. Jasper has gone home quite himself, has he?' asked the
Dean.

'Your Reverence, he has gone home quite himself. And I'm glad to
see he's having his fire kindled up, for it's chilly after the wet,
and the Cathedral had both a damp feel and a damp touch this
afternoon, and he was very shivery.'

They all three look towards an old stone gatehouse crossing the
Close, with an arched thoroughfare passing beneath it. Through its
latticed window, a fire shines out upon the fast-darkening scene,
involving in shadow the pendent masses of ivy and creeper covering
the building's front. As the deep Cathedral-bell strikes the hour,
a ripple of wind goes through these at their distance, like a
ripple of the solemn sound that hums through tomb and tower, broken
niche and defaced statue, in the pile close at hand.

'Is Mr. Jasper's nephew with him?' the Dean asks.

'No, sir,' replied the Verger, 'but expected. There's his own
solitary shadow betwixt his two windows--the one looking this way,
and the one looking down into the High Street--drawing his own
curtains now.'

'Well, well,' says the Dean, with a sprightly air of breaking up
the little conference, 'I hope Mr. Jasper's heart may not be too
much set upon his nephew. Our affections, however laudable, in
this transitory world, should never master us; we should guide
them, guide them. I find I am not disagreeably reminded of my
dinner, by hearing my dinner-bell. Perhaps, Mr. Crisparkle, you
will, before going home, look in on Jasper?'

'Certainly, Mr. Dean. And tell him that you had the kindness to
desire to know how he was?'

'Ay; do so, do so. Certainly. Wished to know how he was. By all
means. Wished to know how he was.'

With a pleasant air of patronage, the Dean as nearly cocks his
quaint hat as a Dean in good spirits may, and directs his comely
gaiters towards the ruddy dining-room of the snug old red-brick
house where he is at present, 'in residence' with Mrs. Dean and
Miss Dean.

Mr. Crisparkle, Minor Canon, fair and rosy, and perpetually
pitching himself head-foremost into all the deep running water in
the surrounding country; Mr. Crisparkle, Minor Canon, early riser,
musical, classical, cheerful, kind, good-natured, social,
contented, and boy-like; Mr. Crisparkle, Minor Canon and good man,
lately 'Coach' upon the chief Pagan high roads, but since promoted
by a patron (grateful for a well-taught son) to his present
Christian beat; betakes himself to the gatehouse, on his way home
to his early tea.

'Sorry to hear from Tope that you have not been well, Jasper.'

'O, it was nothing, nothing!'

'You look a little worn.'

'Do I? O, I don't think so. What is better, I don't feel so.
Tope has made too much of it, I suspect. It's his trade to make
the most of everything appertaining to the Cathedral, you know.'

'I may tell the Dean--I call expressly from the Dean--that you are
all right again?'

The reply, with a slight smile, is: 'Certainly; with my respects
and thanks to the Dean.'

'I'm glad to hear that you expect young Drood.'

'I expect the dear fellow every moment.'

'Ah! He will do you more good than a doctor, Jasper.'

'More good than a dozen doctors. For I love him dearly, and I
don't love doctors, or doctors' stuff.'

Mr. Jasper is a dark man of some six-and-twenty, with thick,
lustrous, well-arranged black hair and whiskers. He looks older
than he is, as dark men often do. His voice is deep and good, his
face and figure are good, his manner is a little sombre. His room
is a little sombre, and may have had its influence in forming his
manner. It is mostly in shadow. Even when the sun shines
brilliantly, it seldom touches the grand piano in the recess, or
the folio music-books on the stand, or the book-shelves on the
wall, or the unfinished picture of a blooming schoolgirl hanging
over the chimneypiece; her flowing brown hair tied with a blue
riband, and her beauty remarkable for a quite childish, almost
babyish, touch of saucy discontent, comically conscious of itself.
(There is not the least artistic merit in this picture, which is a
mere daub; but it is clear that the painter has made it humorously-
-one might almost say, revengefully--like the original.)

'We shall miss you, Jasper, at the "Alternate Musical Wednesdays"
to-night; but no doubt you are best at home. Good-night. God
bless you! "Tell me, shep-herds, te-e-ell me; tell me-e-e, have
you seen (have you seen, have you seen, have you seen) my-y-y Flo-
o-ora-a pass this way!"' Melodiously good Minor Canon the Reverend
Septimus Crisparkle thus delivers himself, in musical rhythm, as he
withdraws his amiable face from the doorway and conveys it down-
stairs.

Sounds of recognition and greeting pass between the Reverend
Septimus and somebody else, at the stair-foot. Mr. Jasper listens,
starts from his chair, and catches a young fellow in his arms,
exclaiming:

'My dear Edwin!'

'My dear Jack! So glad to see you!'

'Get off your greatcoat, bright boy, and sit down here in your own
corner. Your feet are not wet? Pull your boots off. Do pull your
boots off.'

'My dear Jack, I am as dry as a bone. Don't moddley-coddley,
there's a good fellow. I like anything better than being moddley-
coddleyed.'

With the check upon him of being unsympathetically restrained in a
genial outburst of enthusiasm, Mr. Jasper stands still, and looks
on intently at the young fellow, divesting himself of his outward
coat, hat, gloves, and so forth. Once for all, a look of
intentness and intensity--a look of hungry, exacting, watchful, and
yet devoted affection--is always, now and ever afterwards, on the
Jasper face whenever the Jasper face is addressed in this
direction. And whenever it is so addressed, it is never, on this
occasion or on any other, dividedly addressed; it is always
concentrated.

'Now I am right, and now I'll take my corner, Jack. Any dinner,
Jack?'

Mr. Jasper opens a door at the upper end of the room, and discloses
a small inner room pleasantly lighted and prepared, wherein a
comely dame is in the act of setting dishes on table.

'What a jolly old Jack it is!' cries the young fellow, with a clap
of his hands. 'Look here, Jack; tell me; whose birthday is it?'

'Not yours, I know,' Mr. Jasper answers, pausing to consider.

'Not mine, you know? No; not mine, _I_ know! Pussy's!'

Fixed as the look the young fellow meets, is, there is yet in it
some strange power of suddenly including the sketch over the
chimneypiece.

'Pussy's, Jack! We must drink Many happy returns to her. Come,
uncle; take your dutiful and sharp-set nephew in to dinner.'

As the boy (for he is little more) lays a hand on Jasper's
shoulder, Jasper cordially and gaily lays a hand on HIS shoulder,
and so Marseillaise-wise they go in to dinner.

'And, Lord! here's Mrs. Tope!' cries the boy. 'Lovelier than
ever!'

'Never you mind me, Master Edwin,' retorts the Verger's wife; 'I
can take care of myself.'

'You can't. You're much too handsome. Give me a kiss because it's
Pussy's birthday.'

'I'd Pussy you, young man, if I was Pussy, as you call her,' Mrs.
Tope blushingly retorts, after being saluted. 'Your uncle's too
much wrapt up in you, that's where it is. He makes so much of you,
that it's my opinion you think you've only to call your Pussys by
the dozen, to make 'em come.'

'You forget, Mrs. Tope,' Mr. Jasper interposes, taking his place at
the table with a genial smile, 'and so do you, Ned, that Uncle and
Nephew are words prohibited here by common consent and express
agreement. For what we are going to receive His holy name be
praised!'

'Done like the Dean! Witness, Edwin Drood! Please to carve, Jack,
for I can't.'

This sally ushers in the dinner. Little to the present purpose, or
to any purpose, is said, while it is in course of being disposed
of. At length the cloth is drawn, and a dish of walnuts and a
decanter of rich-coloured sherry are placed upon the table.

'I say! Tell me, Jack,' the young fellow then flows on: 'do you
really and truly feel as if the mention of our relationship divided
us at all? _I_ don't.'

'Uncles as a rule, Ned, are so much older than their nephews,' is
the reply, 'that I have that feeling instinctively.'

'As a rule! Ah, may-be! But what is a difference in age of half-
a-dozen years or so? And some uncles, in large families, are even
younger than their nephews. By George, I wish it was the case with
us!'

'Why?'

'Because if it was, I'd take the lead with you, Jack, and be as
wise as Begone, dull Care! that turned a young man gray, and
Begone, dull Care! that turned an old man to clay.--Halloa, Jack!
Don't drink.'

'Why not?'

'Asks why not, on Pussy's birthday, and no Happy returns proposed!
Pussy, Jack, and many of 'em! Happy returns, I mean.'

Laying an affectionate and laughing touch on the boy's extended
hand, as if it were at once his giddy head and his light heart, Mr.
Jasper drinks the toast in silence.

'Hip, hip, hip, and nine times nine, and one to finish with, and
all that, understood. Hooray, hooray, hooray!--And now, Jack,
let's have a little talk about Pussy. Two pairs of nut-crackers?
Pass me one, and take the other.' Crack. 'How's Pussy getting on
Jack?'

'With her music? Fairly.'

'What a dreadfully conscientious fellow you are, Jack! But _I_
know, Lord bless you! Inattentive, isn't she?'

'She can learn anything, if she will.'

'IF she will! Egad, that's it. But if she won't?'

Crack!--on Mr. Jasper's part.

'How's she looking, Jack?'

Mr. Jasper's concentrated face again includes the portrait as he
returns: 'Very like your sketch indeed.'

'I AM a little proud of it,' says the young fellow, glancing up at
the sketch with complacency, and then shutting one eye, and taking
a corrected prospect of it over a level bridge of nut-crackers in
the air: 'Not badly hit off from memory. But I ought to have
caught that expression pretty well, for I have seen it often
enough.'

Crack!--on Edwin Drood's part.

Crack!--on Mr. Jasper's part.

'In point of fact,' the former resumes, after some silent dipping
among his fragments of walnut with an air of pique, 'I see it
whenever I go to see Pussy. If I don't find it on her face, I
leave it there.--You know I do, Miss Scornful Pert. Booh!' With a
twirl of the nut-crackers at the portrait.

Crack! crack! crack. Slowly, on Mr. Jasper's part.

Crack. Sharply on the part of Edwin Drood.

Silence on both sides.

'Have you lost your tongue, Jack?'

'Have you found yours, Ned?'

'No, but really;--isn't it, you know, after all--'

Mr. Jasper lifts his dark eyebrows inquiringly.

'Isn't it unsatisfactory to be cut off from choice in such a
matter? There, Jack! I tell you! If I could choose, I would
choose Pussy from all the pretty girls in the world.'

'But you have not got to choose.'

'That's what I complain of. My dead and gone father and Pussy's
dead and gone father must needs marry us together by anticipation.
Why the--Devil, I was going to say, if it had been respectful to
their memory--couldn't they leave us alone?'

'Tut, tut, dear boy,' Mr. Jasper remonstrates, in a tone of gentle
deprecation.

'Tut, tut? Yes, Jack, it's all very well for YOU. YOU can take it
easily. YOUR life is not laid down to scale, and lined and dotted
out for you, like a surveyor's plan. YOU have no uncomfortable
suspicion that you are forced upon anybody, nor has anybody an
uncomfortable suspicion that she is forced upon you, or that you
are forced upon her. YOU can choose for yourself. Life, for YOU,
is a plum with the natural bloom on; it hasn't been over-carefully
wiped off for YOU--'

'Don't stop, dear fellow. Go on.'

'Can I anyhow have hurt your feelings, Jack?'

'How can you have hurt my feelings?'

'Good Heaven, Jack, you look frightfully ill! There's a strange
film come over your eyes.'

Mr. Jasper, with a forced smile, stretches out his right hand, as
if at once to disarm apprehension and gain time to get better.
After a while he says faintly:

'I have been taking opium for a pain--an agony--that sometimes
overcomes me. The effects of the medicine steal over me like a
blight or a cloud, and pass. You see them in the act of passing;
they will be gone directly. Look away from me. They will go all
the sooner.'

With a scared face the younger man complies by casting his eyes
downward at the ashes on the hearth. Not relaxing his own gaze on
the fire, but rather strengthening it with a fierce, firm grip upon
his elbow-chair, the elder sits for a few moments rigid, and then,
with thick drops standing on his forehead, and a sharp catch of his
breath, becomes as he was before. On his so subsiding in his
chair, his nephew gently and assiduously tends him while he quite
recovers. When Jasper is restored, he lays a tender hand upon his
nephew's shoulder, and, in a tone of voice less troubled than the
purport of his words--indeed with something of raillery or banter
in it--thus addresses him:

'There is said to be a hidden skeleton in every house; but you
thought there was none in mine, dear Ned.'

'Upon my life, Jack, I did think so. However, when I come to
consider that even in Pussy's house--if she had one--and in mine--
if I had one--'

'You were going to say (but that I interrupted you in spite of
myself) what a quiet life mine is. No whirl and uproar around me,
no distracting commerce or calculation, no risk, no change of
place, myself devoted to the art I pursue, my business my
pleasure.'

'I really was going to say something of the kind, Jack; but you
see, you, speaking of yourself, almost necessarily leave out much
that I should have put in. For instance: I should have put in the
foreground your being so much respected as Lay Precentor, or Lay
Clerk, or whatever you call it, of this Cathedral; your enjoying
the reputation of having done such wonders with the choir; your
choosing your society, and holding such an independent position in
this queer old place; your gift of teaching (why, even Pussy, who
don't like being taught, says there never was such a Master as you
are!), and your connexion.'

'Yes; I saw what you were tending to. I hate it.'

'Hate it, Jack?' (Much bewildered.)

'I hate it. The cramped monotony of my existence grinds me away by
the grain. How does our service sound to you?'

'Beautiful! Quite celestial!'

'It often sounds to me quite devilish. I am so weary of it. The
echoes of my own voice among the arches seem to mock me with my
daily drudging round. No wretched monk who droned his life away in
that gloomy place, before me, can have been more tired of it than I
am. He could take for relief (and did take) to carving demons out
of the stalls and seats and desks. What shall I do? Must I take
to carving them out of my heart?'

'I thought you had so exactly found your niche in life, Jack,'
Edwin Drood returns, astonished, bending forward in his chair to
lay a sympathetic hand on Jasper's knee, and looking at him with an
anxious face.

'I know you thought so. They all think so.'

'Well, I suppose they do,' says Edwin, meditating aloud. 'Pussy
thinks so.'

'When did she tell you that?'

'The last time I was here. You remember when. Three months ago.'

'How did she phrase it?'

'O, she only said that she had become your pupil, and that you were
made for your vocation.'

The younger man glances at the portrait. The elder sees it in him.

'Anyhow, my dear Ned,' Jasper resumes, as he shakes his head with a
grave cheerfulness, 'I must subdue myself to my vocation: which is
much the same thing outwardly. It's too late to find another now.
This is a confidence between us.'

'It shall be sacredly preserved, Jack.'

'I have reposed it in you, because--'

'I feel it, I assure you. Because we are fast friends, and because
you love and trust me, as I love and trust you. Both hands, Jack.'

As each stands looking into the other's eyes, and as the uncle
holds the nephew's hands, the uncle thus proceeds:

'You know now, don't you, that even a poor monotonous chorister and
grinder of music--in his niche--may be troubled with some stray
sort of ambition, aspiration, restlessness, dissatisfaction, what
shall we call it?'

'Yes, dear Jack.'

'And you will remember?'

'My dear Jack, I only ask you, am I likely to forget what you have
said with so much feeling?'

'Take it as a warning, then.'

In the act of having his hands released, and of moving a step back,
Edwin pauses for an instant to consider the application of these
last words. The instant over, he says, sensibly touched:

'I am afraid I am but a shallow, surface kind of fellow, Jack, and
that my headpiece is none of the best. But I needn't say I am
young; and perhaps I shall not grow worse as I grow older. At all
events, I hope I have something impressible within me, which feels-
-deeply feels--the disinterestedness of your painfully laying your
inner self bare, as a warning to me.'

Mr. Jasper's steadiness of face and figure becomes so marvellous
that his breathing seems to have stopped.

'I couldn't fail to notice, Jack, that it cost you a great effort,
and that you were very much moved, and very unlike your usual self.
Of course I knew that you were extremely fond of me, but I really
was not prepared for your, as I may say, sacrificing yourself to me
in that way.'

Mr. Jasper, becoming a breathing man again without the smallest
stage of transition between the two extreme states, lifts his
shoulders, laughs, and waves his right arm.

'No; don't put the sentiment away, Jack; please don't; for I am
very much in earnest. I have no doubt that that unhealthy state of
mind which you have so powerfully described is attended with some
real suffering, and is hard to bear. But let me reassure you,
Jack, as to the chances of its overcoming me. I don't think I am
in the way of it. In some few months less than another year, you
know, I shall carry Pussy off from school as Mrs. Edwin Drood. I
shall then go engineering into the East, and Pussy with me. And
although we have our little tiffs now, arising out of a certain
unavoidable flatness that attends our love-making, owing to its end
being all settled beforehand, still I have no doubt of our getting
on capitally then, when it's done and can't be helped. In short,
Jack, to go back to the old song I was freely quoting at dinner
(and who knows old songs better than you?), my wife shall dance,
and I will sing, so merrily pass the day. Of Pussy's being
beautiful there cannot be a doubt;--and when you are good besides,
Little Miss Impudence,' once more apostrophising the portrait,
'I'll burn your comic likeness, and paint your music-master
another.'

Mr. Jasper, with his hand to his chin, and with an expression of
musing benevolence on his face, has attentively watched every
animated look and gesture attending the delivery of these words.
He remains in that attitude after they, are spoken, as if in a kind
of fascination attendant on his strong interest in the youthful
spirit that he loves so well. Then he says with a quiet smile:

'You won't be warned, then?'

'No, Jack.'

'You can't be warned, then?'

'No, Jack, not by you. Besides that I don't really consider myself
in danger, I don't like your putting yourself in that position.'

'Shall we go and walk in the churchyard?'

'By all means. You won't mind my slipping out of it for half a
moment to the Nuns' House, and leaving a parcel there? Only gloves
for Pussy; as many pairs of gloves as she is years old to-day.
Rather poetical, Jack?'

Mr. Jasper, still in the same attitude, murmurs: '"Nothing half so
sweet in life," Ned!'

'Here's the parcel in my greatcoat-pocket. They must be presented
to-night, or the poetry is gone. It's against regulations for me
to call at night, but not to leave a packet. I am ready, Jack!'

Mr. Jasper dissolves his attitude, and they go out together.

Content of CHAPTER II - A DEAN, AND A CHAPTER ALSO [Charles Dickens' novel: The Mystery of Edwin Drood]

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