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_ IT still lacked half an hour of sunrise, when Miss Hepzibah
Pyncheon--we will not say awoke, it being doubtful whether the
poor lady had so much as closed her eyes during the brief night
of midsummer--but, at all events, arose from her solitary pillow,
and began what it would be mockery to term the adornment of her
person. Far from us be the indecorum of assisting, even in
imagination, at a maiden lady's toilet! Our story must therefore
await Miss Hepzibah at the threshold of her chamber; only presuming,
meanwhile, to note some of the heavy sighs that labored from her
bosom, with little restraint as to their lugubrious depth and
volume of sound, inasmuch as they could be audible to nobody save
a disembodied listener like ourself. The Old Maid was alone in
the old house. Alone, except for a certain respectable and orderly
young man, an artist in the daguerreotype line, who, for about
three months back, had been a lodger in a remote gable,--quite a
house by itself, indeed,--with locks, bolts, and oaken bars on
all the intervening doors. Inaudible, consequently, were poor
Miss Hepzibah's gusty sighs. Inaudible the creaking joints of
her stiffened knees, as she knelt down by the bedside. And
inaudible, too, by mortal ear, but heard with all-comprehending
love and pity in the farthest heaven, that almost agony of prayer
--now whispered, now a groan, now a struggling silence--wherewith
she besought the Divine assistance through the day Evidently, this
is to be a day of more than ordinary trial to Miss Hepzibah, who,
for above a quarter of a century gone by, has dwelt in strict
seclusion, taking no part in the business of life, and just as
little in its intercourse and pleasures. Not with such fervor
prays the torpid recluse, looking forward to the cold, sunless,
stagnant calm of a day that is to be like innumerable yesterdays.
The maiden lady's devotions are concluded. Will she now issue
forth over the threshold of our story? Not yet, by many moments.
First, every drawer in the tall, old-fashioned bureau is to be
opened, with difficulty, and with a succession of spasmodic jerks
then, all must close again, with the same fidgety reluctance.
There is a rustling of stiff silks; a tread of backward and
forward footsteps to and fro across the chamber. We suspect Miss
Hepzibah, moreover, of taking a step upward into a chair, in order
to give heedful regard to her appearance on all sides, and at full
length, in the oval, dingy-framed toilet-glass, that hangs above
her table. Truly! well, indeed! who would have thought it! Is all
this precious time to be lavished on the matutinal repair and
beautifying of an elderly person, who never goes abroad, whom
nobody ever visits, and from whom, when she shall have done her
utmost, it were the best charity to turn one's eyes another way?
Now she is almost ready. Let us pardon her one other pause; for it
is given to the sole sentiment, or, we might better say, --heightened
and rendered intense, as it has been, by sorrow and seclusion,--to the
strong passion of her life. We heard the turning of a key in a small
lock; she has opened a secret drawer of an escritoire, and is probably
looking at a certain miniature, done in Malbone's most perfect style,
and representing a face worthy of no less delicate a pencil. It was
once our good fortune to see this picture. It is a likeness of a
young man, in a silken dressing-gown of an old fashion, the soft
richness of which is well adapted to the countenance of reverie,
with its full, tender lips, and beautiful eyes, that seem to
indicate not so much capacity of thought, as gentle and voluptuous
emotion. Of the possessor of such features we shall have a right
to ask nothing, except that he would take the rude world easily,
and make himself happy in it. Can it have been an early lover of
Miss Hepzibah? No; she never had a lover--poor thing, how could she?
--nor ever knew, by her own experience, what love technically means.
And yet, her undying faith and trust, her freshremembrance,
and continual devotedness towards the original of that miniature,
have been the only substance for her heart to feed upon.
She seems to have put aside the miniature, and is standing again
before the toilet-glass. There are tears to be wiped off. A few
more footsteps to and fro; and here, at last,--with another pitiful
sigh, like a gust of chill, damp wind out of a long-closed vault,
the door of which has accidentally been set, ajar--here comes Miss
Hepzibah Pyncheon! Forth she steps into the dusky, time-darkened
passage; a tall figure, clad in black silk, with a long and shrunken
waist, feeling her way towards the stairs like a near-sighted person,
as in truth she is.
The sun, meanwhile, if not already above the horizon, was
ascending nearer and nearer to its verge. A few clouds, floating
high upward, caught some of the earliest light, and threw down its
golden gleam on the windows of all the houses in the street, not
forgetting the House of the Seven Gables, which--many such sunrises
as it had witnessed--looked cheerfully at the present one. The
reflected radiance served to show, pretty distinctly, the aspect
and arrangement of the room which Hepzibah entered, after
descending the stairs. It was a low-studded room, with a beam
across the ceiling, panelled with dark wood, and having a large
chimney-piece, set round with pictured tiles, but now closed by
an iron fire-board, through which ran the funnel of a modern stove.
There was a carpet on the floor, originally of rich texture,
but so worn and faded in these latter years that its once brilliant
figure had quite vanished into one indistinguishable hue. In the
way of furniture, there were two tables: one, constructed with
perplexing intricacy and exhibiting as many feet as a centipede;
the other, most delicately wrought, with four long and slender
legs, so apparently frail that it was almost incredible what a
length of time the ancient tea-table had stood upon them. Half a
dozen chairs stood about the room, straight and stiff, and so
ingeniously contrived for the discomfort of the human person
that they were irksome even to sight, and conveyed the ugliest
possible idea of the state of society to which they could have
been adapted. One exception there was, however, in a very
antique elbow-chair, with a high back, carved elaborately in oak,
and a roomy depth within its arms, that made up, by its spacious
comprehensiveness, for the lack of any of those artistic curves
which abound in a modern chair.
As for ornamental articles of furniture, we recollect but two, if
such they may be called. One was a map of the Pyncheon territory
at the eastward, not engraved, but the handiwork of some skilful
old draughtsman, and grotesquely illuminated with pictures of Indians
and wild beasts, among which was seen a lion; the natural history
of the region being as little known as its geography, which was
put down most fantastically awry. The other adornment was the
portrait of old Colonel Pyncheon, at two thirds length, representing
the stern features of a Puritanic-looking personage, in a skull-cap,
with a laced band and a grizzly beard; holding a Bible with one hand,
and in the other uplifting an iron sword-hilt. The latter object,
being more successfully depicted by the artist, stood out in far
greater prominence than the sacred volume. Face to face with this
picture, on entering the apartment, Miss Hepzibah Pyncheon came
to a pause; regarding it with a singular scowl, a strange
contortion of the brow, which, by people who did not know her,
would probably have been interpreted as an expression of bitter
anger and ill-will. But it was no such thing. She, in fact, felt
a reverence for the pictured visage, of which only a far-descended
and time-stricken virgin could be susceptible; and this forbidding
scowl was the innocent result of her near-sightedness, and an
effort so to concentrate her powers of vision as to substitute a
firm outline of the object instead of a vague one.
We must linger a moment on this unfortunate expression of poor
Hepzibah's brow. Her scowl,--as the world, or such part of it as
sometimes caught a transitory glimpse of her at the window, wickedly
persisted in calling it,--her scowl had done Miss Hepzibah a very
ill office, in establishing her character as an ill-tempered old maid;
nor does it appear improbable that, by often gazing at herself in a
dim looking-glass, and perpetually encountering her own frown with
its ghostly sphere, she had been led to interpret the expression
almost as unjustly as the world did. "How miserably cross I look!"
she must often have whispered to herself; and ultimately have fancied
herself so, by a sense of inevitable doom. But her heart never frowned.
It was naturally tender, sensitive, and full of little tremors and
palpitations; all of which weaknesses it retained, while her visage
was growing so perversely stern, and even fierce. Nor had Hepzibah
ever any hardihood, except what came from the very warmest nook in
her affections.
All this time, however, we are loitering faintheartedly on the
threshold of our story. In very truth, we have an invincible
reluctance to disclose what Miss Hepzibah Pyncheon was about to do.
It has already been observed, that, in the basement story of the
gable fronting on the street, an unworthy ancestor, nearly a
century ago, had fitted up a shop. Ever since the old gentleman
retired from trade, and fell asleep under his coffin-lid, not only
the shop-door, but the inner arrangements, had been suffered to
remain unchanged; while the dust of ages gathered inch-deep over
the shelves and counter, and partly filled an old pair of scales,
as if it were of value enough to be weighed. It treasured itself
up, too, in the half-open till, where there still lingered a base
sixpence, worth neither more nor less than the hereditary pride
which had here been put to shame. Such had been the state and
condition of the little shop in old Hepzibah's childhood, when
she and her brother used to play at hide-and-seek in its forsaken
precincts. So it had remained, until within a few days past.
But Now, though the shop-window was still closely
curtained from the public gaze, a remarkable change had taken
place in its interior. The rich and heavy festoons of cobweb,
which it had cost a long ancestral succession of spiders their
life's labor to spin and weave, had been carefully brushed away
from the ceiling. The counter, shelves, and floor had all been
scoured, and the latter was overstrewn with fresh blue sand. The
brown scales, too, had evidently undergone rigid discipline, in an
unavailing effort to rub off the rust, which, alas! had eaten
through and through their substance. Neither was the little old
shop any longer empty of merchantable goods. A curious eye,
privileged to take an account of stock and investigate behind the
counter, would have discovered a barrel, yea, two or three barrels
and half ditto,--one containing flour, another apples, and a third,
perhaps, Indian meal. There was likewise a square box of
pine-wood, full of soap in bars; also, another of the same size,
in which were tallow candles, ten to the pound. A small stock of
brown sugar, some white beans and split peas, and a few other
commodities of low price, and such as are constantly in demand,
made up the bulkier portion of the merchandise. It might have
been taken for a ghostly or phantasmagoric reflection of the old
shopkeeper Pyncheon's shabbily provided shelves, save that some
of the articles were of a description and outward form which
could hardly have been known in his day. For instance, there was
a glass pickle-jar, filled with fragments of Gibraltar rock; not,
indeed, splinters of the veritable stone foundation of the famous
fortress, but bits of delectable candy, neatly done up in white
paper. Jim Crow, moreover, was seen executing his world-renowned
dance, in gingerbread. A party of leaden dragoons were galloping
along one of the shelves, in equipments and uniform of modern cut;
and there were some sugar figures, with no strong resemblance to
the humanity of any epoch, but less unsatisfactorily representing
our own fashions than those of a hundred years ago. Another
phenomenon, still more strikingly modern, was a package of lucifer
matches, which, in old times, would have been thought actually to
borrow their instantaneous flame from the nether fires of Tophet.
In short, to bring the matter at once to a point, it was
incontrovertibly evident that somebody had taken the shop and
fixtures of the long-retired and forgotten Mr. Pyncheon, and
was about to renew the enterprise of that departed worthy, with
a different set of customers. Who could this bold adventurer be?
And, of all places in the world, why had he chosen the House of
the Seven Gables as the scene of his commercial speculations?
We return to the elderly maiden. She at length withdrew her eyes
from the dark countenance of the Colonel's portrait, heaved a sigh,
--indeed, her breast was a very cave of Aolus that morning, --and
stept across the room on tiptoe, as is the customary gait of elderly
women. Passing through an intervening passage, she opened a door
that communicated with the shop, just now so elaborately described.
Owing to the projection of the upper story--and still more to the
thick shadow of the Pyncheon Elm, which stood almost directly in
front of the gable--the twilight, here, was still as much akin to
night as morning. Another heavy sigh from Miss Hepzibah! After a
moment's pause on the threshold, peering towards the window with
her near-sighted scowl, as if frowning down some bitter enemy, she
suddenly projected herself into the shop. The haste, and, as it were,
the galvanic impulse of the movement, were really quite startling.
Nervously--in a sort of frenzy, we might almost say--she began to
busy herself in arranging some children's playthings, and other
little wares, on the shelves and at the shop-window. In the aspect
of this dark-arrayed, pale-faced, ladylike old figure there was a
deeply tragic character that contrasted irreconcilably with the
ludicrous pettiness of her employment. It seemed a queer anomaly,
that so gaunt and dismal a personage should take a toy in hand;
a miracle, that the toy did not vanish in her grasp; a miserably
absurd idea, that she should go on perplexing her stiff and sombre
intellect with the question how to tempt little boys into her premises!
Yet such is undoubtedly her object. Now she places a gingerbread
elephant against the window, but with so tremulous a touch that it
tumbles upon the floor, with the dismemberment of three legs and its
trunk; it has ceased to be an elephant, and has become a few bits of
musty gingerbread. There, again, she has upset a tumbler of marbles,
all of which roll different ways, and each individual marble,
devil-directed, into the most difficult obscurity that it can find.
Heaven help our poor old Hepzibah, and forgive us for taking a ludicrous
view of her position! As her rigid and rusty frame goes down upon its
hands and knees, in quest of the absconding marbles, we positively
feel so much the more inclined to shed tears of sympathy, from the
very fact that we must needs turn aside and laugh at her. For
here,--and if we fail to impress it suitably upon the reader, it
is our own fault, not that of the theme, here is one of the truest
points of melancholy interest that occur in ordinary life. It was
the final throe of what called itself old gentility. A, lady--who
had fed herself from childhood with the shadowy food of aristocratic
reminiscences, and whose religion it was that a lady's hand soils
itself irremediably by doing aught for bread,--this born lady,
after sixty years of narrowing means, is fain to step down from
her pedestal of imaginary rank. Poverty, treading closely at her
heels for a lifetime, has come up with her at last. She must earn
her own food, or starve! And we have stolen upon Miss Hepzibah
Pyncheon, too irreverently, at the instant of time when the
patrician lady is to be transformed into the plebeian woman.
In this republican country, amid the fluctuating waves of our social
life, somebody is always at the drowning-point. The tragedy is enacted
with as continual a repetition as that of a popular drama on a holiday,
and, nevertheless, is felt as deeply, perhaps, as when an hereditary
noble sinks below his order. More deeply; since, with us, rank is the
grosser substance of wealth and a splendid establishment, and has no
spiritual existence after the death of these, but dies hopelessly along
with them. And, therefore, since we have been unfortunate enough to
introduce our heroine at so inauspicious a juncture, we would entreat
for a mood of due solemnity in the spectators of her fate. Let us behold,
in poor Hepzibah, the immemorial, lady--two hundred years old, on this
side of the water, and thrice as many on the other, --with her antique
portraits, pedigrees, coats of arms, records and traditions, and her
claim, as joint heiress, to that princely territory at the eastward,
no longer a wilderness, but a populous fertility,--born, too, in
Pyncheon Street, under the Pyncheon Elm, and in the Pyncheon House,
where she has spent all her days, --reduced. Now, in that very house,
to be the hucksteress of a cent-shop.
This business of setting up a petty shop is almost the only
resource of women, in circumstances at all similar to those of
our unfortunate recluse. With her near-sightedness, and those
tremulous fingers of hers, at once inflexible and delicate, she
could not be a seamstress; although her sampler, of fifty years
gone by, exhibited some of the most recondite specimens of
ornamental needlework. A school for little children had been
often in her thoughts; and, at one time, she had begun a review
of her early studies in the New England Primer, with a view to
prepare herself for the office of instructress. But the love of
children had never been quickened in Hepzibah's heart, and was
now torpid, if not extinct; she watched the little people of the
neighborhood from her chamber-window, and doubted whether she
could tolerate a more intimate acquaintance with them. Besides,
in our day, the very A B C has become a science greatly too abstruse
to be any longer taught by pointing a pin from letter to letter.
A modern child could teach old Hepzibah more than old Hepzibah
could teach the child. So--with many a cold, deep heart-quake
at the idea of at last coming into sordid contact with the world,
from which she had so long kept aloof, while every added day of
seclusion had rolled another stone against the cavern door of her
hermitage--the poor thing bethought herself of the ancient shop-window,
the rusty scales, and dusty till. She might have held back a little
longer; but another circumstance, not yet hinted at, had somewhat
hastened her decision. Her humble preparations, therefore, were
duly made, and the enterprise was now to be commenced. Nor was
she entitled to complain of any remarkable singularity in her fate;
for, in the town of her nativity, we might point to several little
shops of a similar description, some of them in houses as ancient
as that of the Seven Gables; and one or two, it may be, where a
decayed gentlewoman stands behind the counter, as grim an image
of family pride as Miss Hepzibah Pyncheon herself.
It was overpoweringly ridiculous,--we must honestly confess it,
--the deportment of the maiden lady while setting her shop in
order for the public eye. She stole on tiptoe to the window,
as cautiously as if she conceived some bloody-minded villain to
be watching behind the elm-tree, with intent to take her life.
Stretching out her long, lank arm, she put a paper of pearl
buttons, a jew's-harp, or whatever the small article might be,
in its destined place, and straightway vanished back into the dusk,
as if the world need never hope for another glimpse of her. It
might have been fancied, indeed, that she expected to minister to
the wants of the community unseen, like a disembodied divinity
or enchantress, holding forth her bargains to the reverential and
awe-stricken purchaser in an invisible hand. But Hepzibah had no
such flattering dream. She was well aware that she must ultimately
come forward, and stand revealed in her proper individuality; but,
like other sensitive persons, she could not bear to be observed
in the gradual process, and chose rather to flash forth on the
world's astonished gaze at once.
The inevitable moment was not much longer to be delayed. The
sunshine might now be seen stealing down the front of the opposite
house, from the windows of which came a reflected gleam, struggling
through the boughs of the elm-tree, and enlightening the interior
of the shop more distinctly than heretofore. The town appeared
to be waking up. A baker's cart had already rattled through the
street, chasing away the latest vestige of night's sanctity with the
jingle-jangle of its dissonant bells. A milkman was distributing
the contents of his cans from door to door; and the harsh peal of a
fisherman's conch shell was heard far off, around the corner. None
of these tokens escaped Hepzibah's notice. The moment had arrived.
To delay longer would be only to lengthen out her misery. Nothing
remained, except to take down the bar from the shop-door, leaving
the entrance free--more than free--welcome, as if all were household
friends--to every passer-by, whose eyes might be attracted by the
commodities at the window. This last act Hepzibah now performed,
letting the bar fall with what smote upon her excited nerves as a
most astounding clatter. Then--as if the only barrier betwixt herself
and the world had been thrown down, and a flood of evil consequences
would come tumbling through the gap--she fled into the inner parlor,
threw herself into the ancestral elbow-chair, and wept.
Our miserable old Hepzibah! It is a heavy annoyance to a writer,
who endeavors to represent nature, its various attitudes and
circumstances, in a reasonably correct outline and true coloring,
that so much of the mean and ludicrous should be hopelessly mixed
up with the purest pathos which life anywhere supplies to him.
What tragic dignity, for example, can be wrought into a scene
like this! How can we elevate our history of retribution for the
sin of long ago, when, as one of our most prominent figures, we
are compelled to introduce--not a young and lovely woman, nor even
the stately remains of beauty, storm-shattered by affliction--but
a gaunt, sallow, rusty-jointed maiden, in a long-waisted silk gown,
and with the strange horror of a turban on her head! Her visage is
not evenugly. It is redeemed from insignificance only by the
contraction of her eyebrows into a near-sighted scowl. And, finally,
her great life-trial seems to be, that, after sixty years of idleness,
she finds it convenient to earn comfortable bread by setting up a
shop in a small way. Nevertheless, if we look through all the
heroic fortunes of mankind, we shall find this same entanglement
of something mean and trivial with whatever is noblest in joy or
sorrow. Life is made up of marble and mud. And, without all
the deeper trust in a comprehensive sympathy above us, we might
hence be led to suspect the insult of a sneer, as well as an
immitigable frown, on the iron countenance of fate. What is
called poetic insight is the gift of discerning, in this sphere
of strangely mingled elements, the beauty and the majesty which
are compelled to assume a garb so sordid. _
Read next: CHAPTER III - THE FIRST CUSTOMER
Read previous: CHAPTER I - THE OLD PYNCHEON FAMILY
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