Book 3. When Fields Lie Fallow - Chapter 1

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_ BOOK III. WHEN FIELDS LIE FALLOW
CHAPTER I

On an October afternoon Nicholas Burr was walking along the branch road that led to his father's farm. He carried a well filled bag upon his shoulder, the musty surface of which betrayed that it contained freshly ground meal, but, despite the additional weight, his figure was unflinchingly erect. There was a splendid vigour in his thick-set frame and in the swinging strides of his hardy limbs. His face--the square-jawed, large-featured face of a philosopher or a farmer--possessed, with its uncompromising ugliness, a certain eccentric power. Rugged, gray, alert-eyed as it was, large-browed and overhung by his waving red hair--it was a face to attract or to repel--not to be ignored.

Now, as he swung on vigorously in the October light, there was about him a joyousness of purpose which belonged to his age and his aspirations. It was an atmosphere, an emanation thrown off by respiring vitality.

Across the road the sunshine fell in long, level shafts. The spirit of October was abroad in the wood--veiling itself in a faint, bluish haze like the smoke of the greenwood when it burns. Overhead, crimson and yellow ran riot among the trees, the flame of the maple extinguishing the dull red of the oak, the clear gold of the hickory flashing through the gloss of the holly. As yet the leaves had not begun to fall; they held tenaciously to the living branches, fluttering light heads in the first autumn chill. In the underbrush, where the deerberry showed hectic blotches, a squirrel worked busily, completing its winter store, while in the slanting sun rays a tawny butterfly, like a wind-blown, loosened tiger lily, danced its last mad dance with death.

To Nicholas the scene was without significance. With a gesture he threw off the spell of its beauty, as he shifted the "sack" of corn meal upon his shoulder. He had found Uncle Ish tottering homeward with the load, and he had taken it from him with a careless promise to leave it at the old negro's cabin door--then, passing him by a stride, he had gone on his kindly, confident way. He forgot Uncle Ish as readily as he forgot the bag he carried. His mind was busily reviewing the points of his last case and the possible facts of a more important one he believed to be coming to him. In this connection he went back to his first fight in the little court-house, and he laughed with an appreciation of the humour of his success. It was Turner, after all, who had given it to him; Turner, who, having bought a horse that died upon the journey home, wanted revenge as well as recompense. He remembered his perturbation as he rose to cross-examine the defendant--the nervousness with which he drove his weapons home. It had all seemed so important to him then--the court, his client, the great, greasy horse dealer forced into the witness stand.

He had proved his case by the defendant, and he had won as well a mild reputation among the farmers who had assembled for the day. Since then he had done well, and the judge's patronage had placed much in his hands that, otherwise, would have gone elsewhere.

Beyond the wood, the uncultivated wasteland sported its annual carnival of golden rod and sumach, and across the brilliant plumes a round, red sun hung suspended in a quiet sky. In the corn field, where the late crop was fast maturing, negro women chanted shrilly as they pulled the "fodder," their high-coloured kerchiefs blending, like autumn foliage, with the landscape. Around them the bared stalks rose boldly row on row, reserving their scarred and yellow husks for the last harvest of the year.

When Nicholas reached his father's house he did not enter the little whitewashed gate, but kept on to the log cabin on the edge of General Battle's land, where Uncle Ish was passing his declining years in poverty and independence. The cabin stood above a little gully which skirted the dividing line of the pastures, facing, in its primitive nudity, the level stretch of the shadowless highway. It was a rotting, one-room dwelling, with a wide doorway opening upon a small, bare strip of ground where a gnarled oak grew. In the rear there was a small garden, denuded now of its modest vegetables, only the leafy foliage of a late pea crop retaining a semblance of fruitfulness.

Nicholas went up the narrow path leading from the road to the hut, and placed the bag on the smooth, round stone which served for a step. As he did so, the doorway abruptly darkened, and a girl came from the interior and paused with her foot upon the threshold. He saw, in an upward glance, that it was Eugenia Battle, and, from the light wicker basket on her arm, he inferred that, in the absence of Uncle Ish, she had been engaged in supplying his simple wants. That the old negro was still cared for by the Battles he was aware, though upon the means of his livelihood Uncle Ish, himself, was singularly reticent.

As Eugenia saw him she flushed slightly, as one caught in a secret charity, and promptly pointed to the bag of meal.

"Whose is that?"

He looked from the girl to the bag and back again, his own cheek reddening. At the instant it occurred to him that it was a peculiar greeting after a separation of years.

"It belongs to Uncle Ish," he answered, with unreasonable embarrassment. "I believe your father gave it to him."

"He might have brought it home for him," was her comment, and immediately:

"Where is he?"

"Uncle Ish? He's on the road."

Her next remark probed deeper, and he winced.

"What were you doing with it?"

Her gaze was warming upon him. He met it and laughed aloud.

"Toting it," he responded lightly.

She was still warming. He saw the glow kindle in her eyes and illumine her sombre face; it was like the leaping of light to the surface. As she stood midway of the entrance, in a frame of unpolished logs, her white and black beauty against the smoky gloom of the interior, the red sunset before her feet, he recalled swiftly an allegorical figure of Night he had once seen in an old engraving. Then, before the charm of her smile, the recollection passed as it had come.

"You may bring in the bag," she said, with the authority of one accustomed to much service. "I found he had very little left to eat. We have to bring him things secretly, and he pretends the Lord feeds him as He fed the prophet."

She reentered the hut, and Nicholas, stepping lightly in the fear that his weight might hasten the fall of the logs, deposited the bag upon a pine table, where an ash cake lay ready for the embers. In a little cupboard he saw the contents of Eugenia's basket--a cold fried chicken and some coffee and sugar. Before the hearth there was a comfortable rocking chair, and a bright coloured quilt was upon the bed. As he turned away the girl spoke swiftly:

"It _was_ good of you," she said.

"Good of me?" He met her approbation almost haughtily; then he impulsively added: "I always liked Uncle Ish--and he reminds me of old times."

She turned frankly to him. In the noble poise of her head she had seemed strangely far off; now she appeared to stoop.

"Of our old times?"

Her cordial eyes arrested him.

"Of yours and mine," he answered. "Do you remember the hare traps he set for us and the straw mats he taught us to plait? Once you said you had stolen a watermelon to save Jake a whipping, and he found you out--do you remember?"

He pressed the recollections upon her eagerly, almost violently.

Eugenia shook her head, half laughing.

"No, no," she said; "but I remember you carried me home once when I had hurt my foot, and you jumped into the ice pond to save my kitten, and--"

"You shared your lunch with me at school," he broke in.

"And you dug me a little garden all yourself--"

"And you bought me a Jew's harp on my birthday--"

"And you always left half the eggs in a bird's nest because I begged you to--"

"And you were an out and out angel," he concluded triumphantly.

"An angel, black-haired and a tomboy?"

He assented. "A little tyrannical angel with a temper."

Her confessions multiplied.

"I scratched your face once."

"Yes."

"I got mad and smashed your best hawk's egg."

"You did."

"I threw your fishing line into the brook when you wouldn't let me fish."

"I have never seen it since."

"I was horrid and mean."

"Such were your angelic characteristics."

She thoughtfully swung the basket on her arm, her white sleeve fluttering above her wrist. Her head, with its wave, from the clear brow, of dead-black hair, was bent frankly towards him.

"It has been so long since I saw you," she said suddenly, "and when I last saw you, you were horrid, not I."

He flushed quickly.

"I was a brute," he admitted.

"And you hurt me so, I cried all night."

"Not because you cared?" he asked breathlessly.

"Of course not--because I didn't care a--a rap. I cried for the fun of it."

He was sufficiently abashed.

"If I had known--" he began, and stopped.

"You might have known!" she flashed out.

He was at a disadvantage, which he admitted by a blank regard.

"But things were desperate then, and--"

"So were you."

"Not as desperate as I might have been."

In her equable unconsciousness she threw off the meaning of his retort.

"But I like desperateness."

She had crossed the threshold and stood now in the ambient glow, gazing across the quiet pasture, where a stray sheep bleated. She reached up and broke a bunch of red leaves from the oak, fastening them in her belt as they descended the narrow path.

In the road they came upon Uncle Ish, who was hobbling slowly towards them. He was wrinkled with age and bent with rheumatism, and his voice sounded cracked and querulous.

"Is de Lawd done sont dem vittles?" he demanded suspiciously. "Ef He ain', I dunno how I'se gwine ter git mo'n a'er ash cake fur supper. 'Pears like He's gittin' monst'ous ondependible dese yer las' days. I ain' lay eyes on er dish er kebbage sence I lef dat ar patch on Hick'ry Hill, en all de blackeye peas I'se done seen is what I raise right dar behint dat do'. Es long es Gord A'mighty ondertecks ter feed you, He mought es well feed you ter yo' tase."

"There are some eggs in the cupboard," said Eugenia seriously. "You must cook some for supper."

Uncle Ish grunted.

"En egg's er wishwashy creeter es ain' got ernuff tase er its own ter stan' alont widout salt," he remarked contemptuously; after which he grew hospitable.

"Ain' you gwine ter step in es you'se passin'?" he inquired.

Eugenia shook her head.

"Not to-day, Uncle Ish," she responded cheerfully. "I know you're tired--and how is your rheumatism?"

"Wuss en wuss," responded the old negro gloomily. "I'se done cyar'ed one er dese yer I'sh taters in my pocket twell hit sprouted, en de rhematiks ain' never knowed 'twuz dar. Hit's wuss en wuss."

As they passed on, he hobbled painfully up the rocky path, leaning heavily upon his stick and grunting audibly at each rheumatic twinge.

Nicholas and Eugenia followed the highway and turned into the avenue of cedars. When the house was in sight, he stopped and held out his hand.

"May I see you sometimes?" he asked diffidently.

She spoke eagerly.

"Oh, do come to see us," she said. "Papa would enjoy talking about Judge Bassett. He half worships him."

"So do I."

She nodded sympathetically.

"I know--I know. He is splendid! And you are doing well, aren't you?"

"I have work to do, thank God, and I do it. I can't say how."

"What does Judge Bassett say?"

He laughed boyishly. "He says silence."

She was puzzled.

"I don't understand--but I must go--I really must. It is quite dark."

And she passed from him into the box-bordered walk. He watched her tall figure until it ascended the stone steps and paused upon the porch, whence came the sound of voices. Through the wide open doors he could see the swinging lamp in the centre of the great hall and the broad stairway leading to the floor above. For a moment he stood motionless; then, turning back into the avenue, he retraced his steps to his father's house.

In the kitchen, where the table was laid for supper, his half-sister, Nannie, was sewing on her wedding clothes. She was to be married in the fulness of the winter to young Nat Turner--one of the Turners of Nicholas's boyhood. By the light of the kerosene lamp she looked wonderfully fair and fresh, her auburn curls hanging heavily against her cheek as she bent over the cambric in her lap.

As Nicholas entered she looked up brightly, exclaiming: "Oh, it's you!" in disappointed accents.

Nicholas looked about the kitchen inquiringly.

"Where's ma?" he asked, and at the instant Marthy Burr appeared in the doorway, a pat of butter in her hand.

"Air you home, Nick?" was her greeting, as she placed the butter upon the table. Then she went across to Nannie and examined the hem on the cambric ruffle.

"It seems to me you might have done them stitches a little finer," she observed critically. "Old Mrs. Turner's got powerful sharp eyes for stitches, an' she's goin' to look mighty hard at yours. If thar's one stitch shorter'n another, it's goin' to stand out plainer than all the rest. It's the nater of a woman to be far-sighted at seeing the flaws in her son's wife, an' old Mrs. Turner ain't no better'n God made her, if she ain't no worse. 'Tain't my way to be wishin' harm to folks, but I al'ays said the only thing to Amos Burr's credit I ever heerd of is that he's an orphan--which he ain't responsible for."

"But the sewing's all right," returned Nannie in wounded pride. "Nat ain't marrying me for my sewing, anyway."

Her mother shook her head.

"What a man marries for's hard to tell," she returned; "an' what a woman marries for's past find-in' out. I ain't never seen an old maid yet that ain't had a mighty good opinion of men--an' I ain't never seen a married woman that ain't had a feelin' that a few improvements wouldn't be out of place. I don't want to turn you agin Nat Turner--he's a man an' he's got a mother, an' that's all I've got agin him. No talkin's goin' to turn anybody that's got their mind set on marryin', any more than it's goin' to turn anybody that's got their mind set on drink. So I ain't goin' to open my mouth."

Here Amos Burr appeared, and as he seated himself beside Nannie she drew her ruffles away. "You're so dusty, pa," she exclaimed half pettishly.

He fixed his heavy, admiring eyes upon her, receiving the reproof as meekly as he received all feminine utterances. He might bully a man, but he would always be bullied by a woman.

"I reckon you're pretty near ready," he observed cheerfully, rubbing his great hairy hands. "You've got 'most a trunk full of finery. I reckon Turner'll know I ain't in the poorhouse yet--or near it."

It was a speech of unusual length, and, after making it, he slowly settled into silence.

"Nat wouldn't mind if I was in the poorhouse, so long as he could get me out," said his daughter, taking up the cudgels in defence of her lover's disinterestedness.

Amos Burr chuckled.

"Don't you set no store by that," he rejoined.

"An' don't you set about judgin' other folks by yourself, Amos Burr," retorted his wife sharply. "'Tain't likely you'd ever pull anybody out o' the poorhouse 'thout slippin' in yourself, seein' as I've slaved goin' on twenty years to keep you from land-in' thar at last. The less you say about some things the better. Now, you'd jest as well set down an' eat your supper." _

Read next: Book 3. When Fields Lie Fallow: Chapter 2

Read previous: Book 2. A Rainy Season: Chapter 6

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