Part 6

________________________________________________
_ Lucien had essayed to deify his beloved in an ode, dedicated to her under a title in favor with all lads who write verse after leaving school. This ode, so fondly cherished, so beautiful--since it was the outpouring of all the love in his heart, seemed to him to be the one piece of his own work that could hold its own with Chenier's verse; and with a tolerably fatuous glance at Mme. de Bargeton, he announced "TO HER!" He struck an attitude proudly for the delivery of the ambitious piece, for his author's self-love felt safe and at ease behind Mme. de Bargeton's petticoat. And at the selfsame moment Mme. de Bargeton betrayed her own secret to the women's curious eyes. Although she had always looked down upon this audience from her own loftier intellectual heights, she could not help trembling for Lucien. Her face was troubled, there was a sort of mute appeal for indulgence in her glances, and while the verses were recited she was obliged to lower her eyes and dissemble her pleasure as stanza followed stanza.

TO HER.

Out of the glowing heart of the torrent of glory and light,
At the foot of Jehovah's throne where the angels stand afar,
Each on a seistron of gold repeating the prayers of the night,
Put up for each by his star.

Out from the cherubim choir a bright-haired Angel springs,
Veiling the glory of God that dwells on a dazzling brow,
Leaving the courts of heaven to sink upon silver wings
Down to our world below.

God looked in pity on earth, and the Angel, reading His thought,
Came down to lull the pain of the mighty spirit at strife,
Reverent bent o'er the maid, and for age left desolate brought
Flowers of the springtime of life.

Bringing a dream of hope to solace the mother's fears,
Hearkening unto the voice of the tardy repentant cry,
Glad as angels are glad, to reckon Earth's pitying tears,
Given with alms of a sigh.

One there is, and but one, bright messenger sent from the skies
Whom earth like a lover fain would hold from the hea'nward flight;
But the angel, weeping, turns and gazes with sad, sweet eyes
Up to the heaven of light.

Not by the radiant eyes, not by the kindling glow
Of virtue sent from God, did I know the secret sign,
Nor read the token sent on a white and dazzling brow
Of an origin divine.

Nay, it was Love grown blind and dazed with excess of light,
Striving and striving in vain to mingle Earth and Heaven,
Helpless and powerless against the invincible armor bright
By the dread archangel given.

Ah! be wary, take heed, lest aught should be seen or heard
Of the shining seraph band, as they take the heavenward way;
Too soon the Angel on Earth will learn the magical word
Sung at the close of the day.

Then you shall see afar, rifting the darkness of night,
A gleam as of dawn that spread across the starry floor,
And the seaman that watch for a sign shall mark the track of their flight,
A luminous pathway in Heaven and a beacon for evermore.

"Do you read the riddle?" said Amelie, giving M. du Chatelet a coquettish glance.

"It is the sort of stuff that we all of us wrote more or less after we left school," said the Baron with a bored expression--he was acting his part of arbiter of taste who has seen everything. "We used to deal in Ossianic mists, Malvinas and Fingals and cloudy shapes, and warriors who got out of their tombs with stars above their heads. Nowadays this poetical frippery has been replaced by Jehovah, angels, seistrons, the plumes of seraphim, and all the paraphernalia of paradise freshened up with a few new words such as 'immense, infinite, solitude, intelligence'; you have lakes, and the words of the Almighty, a kind of Christianized Pantheism, enriched with the most extraordinary and unheard-of rhymes. We are in quite another latitude, in fact; we have left the North for the East, but the darkness is just as thick as before."

"If the ode is obscure, the declaration is very clear, it seems to me," said Zephirine.

"And the archangel's armor is a tolerably thin gauze robe," said Francis.

Politeness demanded that the audience should profess to be enchanted with the poem; and the women, furious because they had no poets in their train to extol them as angels, rose, looked bored by the reading, murmuring, "Very nice!" "Charming!" "Perfect!" with frigid coldness.

"If you love me, do not congratulate the poet or his angel," Lolotte laid her commands on her dear Adrien in imperious tones, and Adrien was fain to obey.

"Empty words, after all," Zephirine remarked to Francis, "and love is a poem that we live."

"You have just expressed the very thing that I was thinking, Zizine, but I should not have put it so neatly," said Stanislas, scanning himself from top to toe with loving attention.

"I would give, I don't know how much, to see Nais' pride brought down a bit," said Amelie, addressing Chatelet. "Nais sets up to be an archangel, as if she were better than the rest of us, and mixes us up with low people; his father was an apothecary, and his mother is a nurse; his sister works in a laundry, and he himself is a printer's foreman."

"If his father sold biscuits for worms" (_vers_), said Jacques, "he ought to have made his son take them."

"He is continuing in his father's line of business, for the stuff that he has just been reading to us is a drug in the market, it seems," said Stanislas, striking one of his most killing attitudes. "Drug for drug, I would rather have something else."

Every one apparently combined to humiliate Lucien by various aristocrats' sarcasms. Lili the religious thought it a charitable deed to use any means of enlightening Nais, and Nais was on the brink of a piece of folly. Francis the diplomatist undertook the direction of the silly conspiracy; every one was interested in the progress of the drama; it would be something to talk about to-morrow. The ex-consul, being far from anxious to engage in a duel with a young poet who would fly into a rage at the first hint of insult under his lady's eyes, was wise enough to see that the only way of dealing Lucien his deathblow was by the spiritual arm which was safe from vengeance. He therefore followed the example set by Chatelet the astute, and went to the Bishop. Him he proceeded to mystify.

He told the Bishop that Lucien's mother was a woman of uncommon powers and great modesty, and that it was she who found the subjects for her son's verses. Nothing pleased Lucien so much, according to the guileful Francis, as any recognition of her talents--he worshiped his mother. Then, having inculcated these notions, he left the rest to time. His lordship was sure to bring out the insulting allusion, for which he had been so carefully prepared, in the course of conversation.

When Francis and the Bishop joined the little group where Lucien stood, the circle who gave him the cup of hemlock to drain by little sips watched him with redoubled interest. The poet, luckless young man, being a total stranger, and unaware of the manners and customs of the house, could only look at Mme. de Bargeton and give embarrassed answers to embarrassing questions. He knew neither the names nor condition of the people about him; the women's silly speeches made him blush for them, and he was at his wits' end for a reply. He felt, moreover, how very far removed he was from these divinities of Angouleme when he heard himself addressed sometimes as M. Chardon, sometimes as M. de Rubempre, while they addressed each other as Lolotte, Adrien, Astolphe, Lili and Fifine. His confusion rose to a height when, taking Lili for a man's surname, he addressed the coarse M. de Senonches as M. Lili; that Nimrod broke in upon him with a "_MONSIEUR LULU?_" and Mme. de Bargeton flushed red to the eyes.

"A woman must be blind indeed to bring this little fellow among us!" muttered Senonches.

Zephirine turned to speak to the Marquise de Pimentel--"Do you not see a strong likeness between M. Chardon and M. de Cante-Croix, madame?" she asked in a low but quite audible voice.

"The likeness is ideal," smiled Mme. de Pimentel.

"Glory has a power of attraction to which we can confess," said Mme. de Bargeton, addressing the Marquise. "Some women are as much attracted by greatness as others by littleness," she added, looking at Francis.

The was beyond Zephirine's comprehension; she thought her consul a very great man; but the Marquise laughed, and her laughter ranged her on Nais' side.

"You are very fortunate, monsieur," said the Marquis de Pimentel, addressing Lucien for the purpose of calling him M. de Rubempre, and not M. Chardon, as before; "you should never find time heavy on your hands."

"Do you work quickly?" asked Lolotte, much in the way that she would have asked a joiner "if it took long to make a box."

The bludgeon stroke stunned Lucien, but he raised his head at Mme. de Bargeton's reply--

"My dear, poetry does not grow in M. de Rubempre's head like grass in our courtyards."

"Madame, we cannot feel too reverently towards the noble spirits in whom God has set some ray of this light," said the Bishop, addressing Lolotte. "Yes, poetry is something holy. Poetry implies suffering. How many silent nights those verses that you admire have cost! We should bow in love and reverence before the poet; his life here is almost always a life of sorrow; but God doubtless reserves a place in heaven for him among His prophets. This young man is a poet," he added laying a hand on Lucien's head; "do you not see the sign of Fate set on that high forehead of his?"

Glad to be so generously championed, Lucien made his acknowledgments in a grateful look, not knowing that the worthy prelate was to deal his deathblow.

Mme. de Bargeton's eyes traveled round the hostile circle. Her glances went like arrows to the depths of her rivals' hearts, and left them twice as furious as before.

"Ah, monseigneur," cried Lucien, hoping to break thick heads with his golden sceptre, "but ordinary people have neither your intellect nor your charity. No one heeds our sorrows, our toil is unrecognized. The gold-digger working in the mine does not labor as we to wrest metaphors from the heart of the most ungrateful of all languages. If this is poetry--to give ideas such definite and clear expressions that all the world can see and understand--the poet must continually range through the entire scale of human intellects, so that he can satisfy the demands of all; he must conceal hard thinking and emotion, two antagonistic powers, beneath the most vivid color; he must know how to make one word cover a whole world of thought; he must give the results of whole systems of philosophy in a few picturesque lines; indeed, his songs are like seeds that must break into blossom in other hearts wherever they find the soil prepared by personal experience. How can you express unless you first have felt? And is not passion suffering. Poetry is only brought forth after painful wanderings in the vast regions of thought and life. There are men and women in books, who seem more really alive to us than men and women who have lived and died--Richardson's Clarissa, Chenier's Camille, the Delia of Tibullus, Ariosto's Angelica, Dante's Francesca, Moliere's Alceste, Beaumarchais' Figaro, Scott's Rebecca the Jewess, the Don Quixote of Cervantes,--do we not owe these deathless creations to immortal throes?"

"And what are you going to create for us?" asked Chatelet.

"If I were to announce such conceptions, I should give myself out for a man of genius, should I not?" answered Lucien. "And besides, such sublime creations demand a long experience of the world and a study of human passion and interests which I could not possibly have made; but I have made a beginning," he added, with bitterness in his tone, as he took a vengeful glance round the circle; "the time of gestation is long----"

"Then it will be a case of difficult labor," interrupted M. du Hautoy.

"Your excellent mother might assist you," suggested the Bishop.

The epigram, innocently made by the good prelate, the long-looked-for revenge, kindled a gleam of delight in all eyes. The smile of satisfied caste that traveled from mouth to mouth was aggravated by M. de Bargeton's imbecility; he burst into a laugh, as usual, some moments later.

"Monseigneur, you are talking a little above our heads; these ladies do not understand your meaning," said Mme. de Bargeton, and the words paralyzed the laughter, and drew astonished eyes upon her. "A poet who looks to the Bible for his inspiration has a mother indeed in the Church.--M. de Rubempre, will you recite _Saint John in Patmos_ for us, or _Belshazzar's Feast_, so that his lordship may see that Rome is still the _Magna Parens_ of Virgil?"

The women exchanged smiles at the Latin words.

The bravest and highest spirits know times of prostration at the outset of life. Lucien had sunk to the depths at the blow, but he struck the bottom with his feet, and rose to the surface again, vowing to subjugate this little world. He rose like a bull, stung to fury by a shower of darts, and prepared to obey Louise by declaiming _Saint John in Patmos_; but by this time the card-tables had claimed their complement of players, who returned to the accustomed groove to find amusement there which poetry had not afforded them. They felt besides that the revenge of so many outraged vanities would be incomplete unless it were followed up by contemptuous indifference; so they showed their tacit disdain for the native product by leaving Lucien and Mme. de Bargeton to themselves. Every one appeared to be absorbed in his own affairs; one chattered with the prefect about a new crossroad, another proposed to vary the pleasures of the evening with a little music. The great world of Angouleme, feeling that it was no judge of poetry, was very anxious, in the first place, to hear the verdict of the Pimentels and the Rastignacs, and formed a little group about them. The great influence wielded in the department by these two families was always felt on every important occasion; every one was jealous of them, every one paid court to them, foreseeing that they might some day need that influence.

"What do you think of our poet and his poetry?" Jacques asked of the Marquise. Jacques used to shoot over the lands belonging to the Pimentel family.

"Why, it is not bad for provincial poetry," she said, smiling; "and besides, such a beautiful poet cannot do anything amiss."

Every one thought the decision admirable; it traveled from lip to lip, gaining malignance by the way. Then Chatelet was called upon to accompany M. du Bartas on the piano while he mangled the great solo from _Figaro_; and the way being opened to music, the audience, as in duty bound listened while Chatelet in turn sang one of Chateaubriand's ballads, a chivalrous ditty made in the time of the Empire. Duets followed, of the kind usually left to boarding-school misses, and rescued from the schoolroom by Mme. du Brossard, who meant to make a brilliant display of her dear Camille's talents for M. de Severac's benefit.

Mme. du Bargeton, hurt by the contempt which every one showed her poet, paid back scorn for scorn by going to her boudoir during these performances. She was followed by the prelate. His Vicar-General had just been explaining the profound irony of the epigram into which he had been entrapped, and the Bishop wished to make amends. Mlle. de Rastignac, fascinated by the poetry, also slipped into the boudoir without her mother's knowledge.

Louise drew Lucien to her mattress-cushioned sofa; and with no one to see or hear, she murmured in his ear, "Dear angel, they did not understand you; but, 'Thy songs are sweet, I love to say them over.'"

And Lucien took comfort from the pretty speech, and forgot his woes for a little.

"Glory is not to be had cheaply," Mme. de Bargeton continued, taking his hand and holding it tightly in her own. "Endure your woes, my friend, you will be great one day; your pain is the price of your immortality. If only I had a hard struggle before me! God preserve you from the enervating life without battles, in which the eagle's wings have no room to spread themselves. I envy you; for if you suffer, at least you live. You will put out your strength, you will feel the hope of victory; your strife will be glorious. And when you shall come to your kingdom, and reach the imperial sphere where great minds are enthroned, then remember the poor creatures disinherited by fate, whose intellects pine in an oppressive moral atmosphere, who die and have never lived, knowing all the while what life might be; think of the piercing eyes that have seen nothing, the delicate senses that have only known the scent of poison flowers. Then tell in your song of plants that wither in the depths of the forest, choked by twining growths and rank, greedy vegetation, plants that have never been kissed by the sunlight, and die, never having put forth a blossom. It would be a terribly gloomy poem, would it not, a fanciful subject? What a sublime poem might be made of the story of some daughter of the desert transported to some cold, western clime, calling for her beloved sun, dying of a grief that none can understand, overcome with cold and longing. It would be an allegory; many lives are like that."

"You would picture the spirit which remembers Heaven," said the Bishop; "some one surely must have written such a poem in the days of old; I like to think that I see a fragment of it in the Song of Songs."

"Take that as your subject," said Laure de Rastignac, expressing her artless belief in Lucien's powers.

"The great sacred poem of France is still unwritten," remarked the Bishop. "Believe me, glory and success await the man of talent who shall work for religion."

"That task will be his," said Mme. de Bargeton rhetorically. "Do you not see the first beginnings of the vision of the poem, like the flame of dawn, in his eyes?"

"Nais is treating us very badly," said Fifine; "what can she be doing?"

"Don't you hear?" said Stanislas. "She is flourishing away, using big words that you cannot make head or tail of."

Amelie, Fifine, Adrien, and Francis appeared in the doorway with Mme. de Rastignac, who came to look for her daughter.

"Nais," cried the two ladies, both delighted to break in upon the quiet chat in the boudoir, "it would be very nice of you to come and play something for us."

"My dear child, M. de Rubempre is just about to recite his _Saint John in Patmos_, a magnificent biblical poem."

"Biblical!" echoed Fifine in amazement.

Amelie and Fifine went back to the drawing-room, taking the word back with them as food for laughter. Lucien pleaded a defective memory and excused himself. When he reappeared, nobody took the slightest notice of him; every one was chatting or busy at the card-tables; the poet's aureole had been plucked away, the landowners had no use for him, the more pretentious sort looked upon him as an enemy to their ignorance, while the women were jealous of Mme. de Bargeton, the Beatrice of this modern Dante, to use the Vicar-General's phrase, and looked at him with cold, scornful eyes.

"So this is society!" Lucien said to himself as he went down to L'Houmeau by the steps of Beaulieu; for there are times when we choose to take the longest way, that the physical exercise of walking may promote the flow of ideas.

So far from being disheartened, the fury of repulsed ambition gave Lucien new strength. Like all those whose instincts bring them to a higher social sphere which they reach before they can hold their own in it, Lucien vowed to make any sacrifice to the end that he might remain on that higher social level. One by one he drew out the poisoned shafts on his way home, talking aloud to himself, scoffing at the fools with whom he had to do, inventing neat answers to their idiotic questions, desperately vexed that the witty responses occurred to him so late in the day. By the time that he reached the Bordeaux road, between the river and the foot of the hill, he thought that he could see Eve and David sitting on a baulk of timber by the river in the moonlight, and went down the footpath towards them.

While Lucien was hastening to the torture in Mme. de Bargeton's rooms, his sister had changed her dress for a gown of pink cambric covered with narrow stripes, a straw hat, and a little silk shawl. The simple costume seemed like a rich toilette on Eve, for she was one of those women whose great nature lends stateliness to the least personal detail; and David felt prodigiously shy of her now that she had changed her working dress. He had made up his mind that he would speak of himself; but now as he gave his arm to this beautiful girl, and they walked through L'Houmeau together, he could find nothing to say to her. Love delights in such reverent awe as redeemed souls know on beholding the glory of God. So, in silence, the two lovers went across the Bridge of Saint Anne, and followed the left bank of the Charente. Eve felt embarrassed by the pause, and stopped to look along the river; a joyous shaft of sunset had turned the water between the bridge and the new powder mills into a sheet of gold.

"What a beautiful evening it is!" she said, for the sake of saying something; "the air is warm and fresh, and full of the scent of flowers, and there is a wonderful sky."

"Everything speaks to our heart," said David, trying to proceed to love by way of analogy. "Those who love find infinite delight in discovering the poetry of their own inmost souls in every chance effect of the landscape, in the thin, clear air, in the scent of the earth. Nature speaks for them."

"And loosens their tongues, too," Eve said merrily. "You were very silent as we came through L'Houmeau. Do you know, I felt quite uncomfortable----"

"You looked so beautiful, that I could not say anything," David answered candidly.

"Then, just now I am not so beautiful?" inquired she.

"It is not that," he said; "but I was so happy to have this walk alone with you, that----" he stopped short in confusion, and looked at the hillside and the road to Saintes.

"If the walk is any pleasure to you, I am delighted; for I owe you an evening, I think, when you have given up yours for me. When you refused to go to Mme. de Bargeton's, you were quite as generous as Lucien when he made the demand at the risk of vexing her."

"No, not generous, only wise," said David. "And now that we are quite alone under the sky, with no listeners except the bushes and the reeds by the edge of the Charente, let me tell you about my anxiety as to Lucien's present step, dear Eve. After all that I have just said, I hope that you will look on my fears as a refinement of friendship. You and your mother have done all that you could to put him above his social position; but when you stimulated his ambition, did you not unthinkingly condemn him to a hard struggle? How can he maintain himself in the society to which his tastes incline him? I know Lucien; he likes to reap, he does not like toil; it is his nature. Social claims will take up the whole of his time, and for a man who has nothing but his brains, time is capital. He likes to shine; society will stimulate his desires until no money will satisfy them; instead of earning money, he will spend it. You have accustomed him to believe in his great powers, in fact, but the world at large declines to believe in any man's superior intellect until he has achieved some signal success. Now success in literature is only won in solitude and by dogged work. What will Mme. de Bargeton give your brother in return for so many days spent at her feet? Lucien has too much spirit to accept help from her; and he cannot afford, as we know, to cultivate her society, twice ruinous as it is for him. Sooner or later that woman will throw over this dear brother of ours, but not before she has spoiled him for hard work, and given him a taste for luxury and a contempt for our humdrum life. She will develop his love of enjoyment, his inclination for idleness, that debauches a poetic soul. Yes, it makes me tremble to think that this great lady may make a plaything of Lucien. If she cares for him sincerely, he will forget everything else for her; or if she does not love him, she will make him unhappy, for he is wild about her."

"You have sent a chill of dread through my heart," said Eve, stopping as they reached the weir. "But so long as mother is strong enough for her tiring life, so long as I live, we shall earn enough, perhaps, between us to keep Lucien until success comes. My courage will never fail," said Eve, brightening. "There is no hardship in work when we work for one we love; it is not drudgery. It makes me happy to think that I toil so much, if indeed it is toil, for him. Oh, do not be in the least afraid, we will earn money enough to send Lucien into the great world. There lies his road to success."

"And there lies his road to ruin," returned David. "Dear Eve, listen to me. A man needs an independent fortune, or the sublime cynicism of poverty, for the slow execution of great work. Believe me, Lucien's horror of privation is so great, the savor of banquets, the incense of success is so sweet in his nostrils, his self-love has grown so much in Mme. de Bargeton's boudoir, that he will do anything desperate sooner than fall back, and you will never earn enough for his requirements.

"Then you are only a false friend to him!" Eve cried in despair, "or you would not discourage us in this way."

"Eve! Eve!" cried David, "if only I could be a brother to Lucien! You alone can give me that title; he could accept anything from me then; I should claim the right of devoting my life to him with the love that hallows your self-sacrifice, but with some worldly wisdom too. Eve, my darling, give Lucien a store from which he need not blush to draw! His brother's purse will be like his own, will it not? If you only knew all my thoughts about Lucien's position! If he means to go to Mme. de Bargeton's, he must not be my foreman any longer, poor fellow! He ought not to live in L'Houmeau; you ought not to be a working girl; and your mother must give up her employment as well. If you would consent to be my wife, the difficulties will all be smoothed away. Lucien might live on the second floor in the Place du Murier until I can build rooms for him over the shed at the back of the yard (if my father will allow it, that is.). And in that way we would arrange a free and independent life for him. The wish to support Lucien will give me a better will to work than I ever should have had for myself alone; but it rests with you to give me the right to devote myself to him. Some day, perhaps, he will go to Paris, the only place that can bring out all that is in him, and where his talents will be appreciated and rewarded. Living in Paris is expensive, and the earnings of all three of us will be needed for his support. And besides, will not you and your mother need some one to lean upon then? Dear Eve, marry me for love of Lucien; perhaps afterwards you will love me when you see how I shall strive to help him and to make you happy. We are, both of us, equally simple in our tastes; we have few wants; Lucien's welfare shall be the great object of our lives. His heart shall be our treasure-house, we will lay up all our fortune, and think and feel and hope in him."

"Worldly considerations keep us apart," said Eve, moved by this love that tried to explain away its greatness. "You are rich and I am poor. One must love indeed to overcome such a difficulty."

"Then you do not care enough for me?" cried the stricken David.

"But perhaps your father would object----"

"Never mind," said David; "if asking my father is all that is necessary, you will be my wife. Eve, my dear Eve, how you have lightened life for me in a moment; and my heart has been very heavy with thoughts that I could not utter, I did not know how to speak of them. Only tell me that you care for me a little, and I will take courage to tell you the rest."

"Indeed," she said, "you make me quite ashamed; but confidence for confidence, I will tell you this, that I have never thought of any one but you in my life. I looked upon you as one of those men to whom a woman might be proud to belong, and I did not dare to hope so great a thing for myself, a penniless working girl with no prospects."

"That is enough, that is enough," he answered, sitting down on the bar by the weir, for they had gone to and fro like mad creatures over the same length of pathway.

"What is the matter?" she asked, her voice expressing for the first time a woman's sweet anxiety for one who belongs to her.

"Nothing but good," he answered. "It is the sight of a whole lifetime of happiness that dazzles me, as it were; it is overwhelming. Why am I happier than you?" he asked, with a touch of sadness. "For I know that I am happier."

Eve looked at David with mischievous, doubtful eyes that asked an explanation.

"Dear Eve, I am taking more than I give. So I shall always love you more than you love me, because I have more reason to love. You are an angel; I am a man."

"I am not so learned," Eve said, smiling. "I love you----"

"As much as you love Lucien?" he broke in.

"Enough to be your wife, enough to devote myself to you, to try not to add anything to your burdens, for we shall have some struggles; it will not be quite easy at first."

"Dear Eve, have you known that I loved you since the first day I saw you?"

"Where is the woman who does not feel that she is loved?"

"Now let me get rid of your scruples as to my imaginary riches. I am a poor man, dear. Yes, it pleased my father to ruin me; he made a speculation of me, as a good many so-called benefactors do. If I make a fortune, it will be entirely through you. That is not a lover's speech, but sober, serious earnest. I ought to tell you about my faults, for they are exceedingly bad ones in a man who has his way to make. My character and habits and favorite occupations all unfit me for business and money-getting, and yet we can only make money by some kind of industry; if I have some faculty for the discovery of gold-mines, I am singularly ill-adapted for getting the gold out of them. But you who, for your brother's sake, went into the smallest details, with a talent for thrift, and the patient watchfulness of the born man of business, you will reap the harvest that I shall sow. The present state of things, for I have been like one of the family for a long time, weighs so heavily upon me, that I have spent days and nights in search of some way of making a fortune. I know something of chemistry, and a knowledge of commercial requirements has put me on the scent of a discovery that is likely to pay. I can say nothing as yet about it; there will be a long while to wait; perhaps for some years we may have a hard time of it; but I shall find out how to make a commercial article at last. Others are busy making the same researches, and if I am first in the field, we shall have a large fortune. I have said nothing to Lucien, his enthusiastic nature would spoil everything; he would convert my hopes into realities, and begin to live like a lord, and perhaps get into debt. So keep my secret for me. Your sweet and dear companionship will be consolation in itself during the long time of experiment, and the desire to gain wealth for you and Lucien will give me persistence and tenacity----"

"I had guessed this too," Eve said, interrupting him; "I knew that you were one of those inventors, like my poor father, who must have a woman to take care of them."

"Then you love me! Ah! say so without fear to me, who saw a symbol of my love for you in your name. Eve was the one woman in the world; if it was true in the outward world for Adam, it is true again in the inner world of my heart for me. My God! do you love me?"

"Yes," said she, lengthening out the word as if to make it cover the extent of feeling expressed by a single syllable.

"Well, let us sit here," he said, and taking Eve's hand, he went to a great baulk of timber lying below the wheels of a paper-mill. "Let me breathe the evening air, and hear the frogs croak, and watch the moonlight quivering upon the river; let me take all this world about us into my soul, for it seems to me that my happiness is written large over it all; I am seeing it for the first time in all its splendor, lighted up by love, grown fair through you. Eve, dearest, this is the first moment of pure and unmixed joy that fate has given to me! I do not think that Lucien can be as happy as I am."

David felt Eve's hand, damp and quivering in his own, and a tear fell upon it.

"May I not know the secret?" she pleaded coaxingly.

"You have a right to know it, for your father was interested in the matter, and to-day it is a pressing question, and for this reason. Since the downfall of the Empire, calico has come more and more into use, because it is so much cheaper than linen. At the present moment, paper is made of a mixture of hemp and linen rags, but the raw material is dear, and the expense naturally retards the great advance which the French press is bound to make. Now you cannot increase the output of linen rags, a given population gives a pretty constant result, and it only increases with the birth-rate. To make any perceptible difference in the population for this purpose, it would take a quarter of a century and a great revolution in habits of life, trade, and agriculture. And if the supply of linen rags is not enough to meet one-half nor one-third of the demand, some cheaper material than linen rags must be found for cheap paper. This deduction is based on facts that came under my knowledge here. The Angouleme paper-makers, the last to use pure linen rags, say that the proportion of cotton in the pulp has increased to a frightful extent of late years." _

Read next: Part 7

Read previous: Part 5

Table of content of Two Poets


GO TO TOP OF SCREEN

Post your review
Your review will be placed after the table of content of this book