Volume 2 - Chapter 2. Niceboots

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_ VOLUME II CHAPTER II. NICEBOOTS

The next morning the captain of the lost vessel called upon me early to thank me for himself and his men. He was a fine honest-looking burly fellow, dressed in blue from head to heel. He might have sat for a portrait of Chaucer's shipman, as far as his hue and the first look of him went. It was clear that "in many a tempest had his beard be shake," and certainly "the hote somer had made his hew all broun;" but farther the likeness would hardly go, for the "good fellow" which Chaucer applies with such irony to the shipman of his time, who would filch wine, and drown all the captives he made in a sea-fight, was clearly applicable in good earnest to this shipman. Still, I thought I had something to bring against him, and therefore before we parted I said to him--

"They tell me, captain, that your vessel was not seaworthy, and that you could not but have known that."

"She was my own craft, sir, and I judged her fit for several voyages more. If she had been A 1 she couldn't have been mine; and a man must do what he can for his family."

"But you were risking your life, you know."

"A few chances more or less don't much signify to a sailor, sir. There ain't nothing to be done without risk. You'll find an old tub go voyage after voyage, and she beyond bail, and a clipper fresh off the stocks go down in the harbour. It's all in the luck, sir, I assure you."

"Well, if it were your own life I should have nothing to say, seeing you have a family to look after; but what about the poor fellows who made the voyage with you? Did they know what kind of a vessel they were embarking in?"

"Wherever the captain's ready to go he'll always find men ready to follow him. Bless you, sir, they never asks no questions. If a sailor was always to be thinking of the chances, he'd never set his foot off shore."

"Still, I don't think it's right they shouldn't know."

"I daresay they knowed all about the old brig as well as I did myself. You gets to know all about a craft just as you do about her captain. She's got a character of her own, and she can't hide it long, any more than you can hide yours, sir, begging your pardon."

"I daresay that's all correct, but still I shouldn't like anyone to say to me, 'You ought to have told me, captain.' Therefore, you see, I'm telling you, captain, and now I'm clear.--Have a glass of wine before you go," I concluded, ringing the bell.

"Thank you, sir. I'll turn over what you've been saying, and anyhow I take it kind of you."

So we parted. I have never seen him since, and shall not, most likely, in this world. But he looked like a man that could understand why and wherefore I spoke as I did. And I had the advantage of having had a chance of doing something for him first of all. Let no man who wants to do anything for the soul of a man lose a chance of doing something for his body. He ought to be willing, and ready, which is more than willing, to do that whether or not; but there are those who need this reminder. Of many a soul Jesus laid hold by healing the suffering the body brought upon it. No one but himself can tell how much the nucleus of the church was composed of and by those who had received health from his hands, loving-kindness from the word of his mouth. My own opinion is that herein lay the very germ of the kernel of what is now the ancient, was then the infant church; that from them, next to the disciples themselves, went forth the chief power of life in love, for they too had seen the Lord, and in their own humble way could preach and teach concerning him. What memories of him theirs must have been!

Things went on very quietly, that is, as I mean now, from the view-point of a historian, without much to record bearing notably upon after events, for the greater part of the next week. I wandered about my parish, making acquaintance with different people in an outside sort of way, only now and then finding an opportunity of seeing into their souls except by conclusion. But I enjoyed endlessly the aspects of the country. It was not picturesque except in parts. There was little wood and there were no hills, only undulations, though many of them were steep enough even from a pedestrian's point of view. Neither, however, were there any plains except high moorland tracts. But the impression of the whole country was large, airy, sunshiny, and it was clasped in the arms of the infinite, awful, yet how bountiful sea--if one will look at the ocean in its world-wide, not to say its eternal aspects, and not out of the fears of a hidebound love of life! The sea and the sky, I must confess, dwarfed the earth, made it of small account beside them; but who could complain of such an influence? At least, not I.

My children bathed in this sea every day, and gathered strength and knowledge from it. It was, as I have indicated, a dangerous coast to bathe upon. The sweep of the tides varied with the varying sands that were cast up. There was now in one place, now in another, a strong _undertow_, as they called it--a reflux, that is, of the inflowing waters, which was quite sufficient to carry those who could not swim out into the great deep, and rendered much exertion necessary, even in those who could, to regain the shore. But there was a fine strong Cornish woman to take charge of the ladies and the little boys, and she, watching the ways of the wild monster, knew the when and the where, and all about it.

Connie got out upon the downs every day. She improved in health certainly, and we thought a little even in her powers of motion. The weather continued superb. What rain there was fell at night, just enough for Nature to wash her face with and so look quite fresh in the morning. We contrived a dinner on the sands on the other side of the bay, for the Friday of this same week.

The morning rose gloriously. Harry and Charlie were turning the house upside down, to judge by their noise, long before I was in the humour to get up, for I had been reading late the night before. I never made much objection to mere noise, knowing that I could stop it the moment I pleased, and knowing, which was of more consequence, that so far from there being anything wrong in making a noise, the sea would make noise enough in our ears before we left Kilkhaven. The moment, however, that I heard a thread of whining or a burst of anger in the noise, I would interfere at once--treating these just as things that must be dismissed at once. Harry and Charlie were, I say, to use their own form of speech, making such a row that morning, however, that I was afraid of some injury to the house or furniture, which were not our own. So I opened my door and called out--

"Harry! Charlie! What on earth are you about?"

"Nothing, papa," answered Charlie. "Only it's so jolly!"

"What is jolly, my boy?" I asked.

"O, I don't know, papa! It's _so_ jolly!"

"Is it the sunshine?" thought I; "and the wind? God's world all over? The God of gladness in the hearts of the lads? Is it that? No wonder, then, that they cannot tell yet what it is!"

I withdrew into my room; and so far from seeking to put an end to the noise--I knew Connie did not mind it--listened to it with a kind of reverence, as the outcome of a gladness which the God of joy had kindled in their hearts. Soon after, however, I heard certain dim growls of expostulation from Harry, and having, from experience, ground for believing that the elder was tyrannising over the younger, I stopped that and the noise together, sending Charlie to find out where the tide would be between one and two o'clock, and Harry to run to the top of the hill, and find out the direction of the wind. Before I was dressed, Charlie was knocking at my door with the news that it would he half-tide about one; and Harry speedily followed with the discovery that the wind was north-east by south-west, which of course determined that the sun would shine all day.

As the dinner-hour drew near, the servants went over, with Walter at their head, to choose a rock convenient for a table, under the shelter of the rocks on the sands across the bay. Thither, when Walter returned, we bore our Connie, carrying her litter close by the edge of the retreating tide, which sometimes broke in a ripple of music under her, wetting our feet with innocuous rush. The child's delight was extreme, as she thus skimmed the edge of the ocean, with the little ones gambolling about her, and her mamma and Wynnie walking quietly on the landward side, for she wished to have no one between her and the sea.

After scrambling with difficulty over some rocky ledges, and stopping at Connie's request, to let her look into a deep pool in the sand, which somehow or other retained the water after the rest had retreated, we set her down near the mouth of a cave, in the shadow of a rock. And there was our dinner nicely laid for us on a flat rock in front of the cave. The cliffs rose behind us, with curiously curved and variously angled strata. The sun in his full splendour threw dark shadows on the brilliant yellow sand, more and more of which appeared as the bright blue water withdrew itself, now rippling over it as if it meant to hide it all up again, now uncovering more as it withdrew for another rush. Before we had finished our dinner, the foremost wavelets appeared so far away over the plain of the sand, that it seemed a long walk to the edge that had been almost at our feet a little while ago. Between us and it lay a lovely desert of glittering sand.

When even Charlie and Harry had arrived at the conclusion that it was time to stop eating, we left the shadow and went out into the sun, carrying Connie and laying her down in the midst of "the ribbed sea-sand," which was very ribby to-day. On a shawl a little way off from her lay her baby, crowing and kicking with the same jollity that had possessed the boys ever since the morning. I wandered about with Wynnie on the sands, picking up amongst other things strange creatures in thin shells ending in vegetable-like tufts, if I remember rightly. My wife sat on the end of Connie's litter, and Dora and the boys, a little way off, were trying how far the full force of three wooden spades could, in digging a hole, keep ahead of the water which was ever tumbling in the sand from the sides of the same. Behind, the servants were busy washing the plates in a pool, and burying the fragments of the feast; for I made it a rule wherever we went that the fair face of nature was not to be defiled. I have always taken the part of excursionists in these latter days of running to and fro, against those who complain that the loveliest places are being destroyed by their inroads. But there is one most offensive, even disgusting habit amongst them--that of leaving bones, fragments of meat pies, and worse than all, pieces of greasy paper about the place, which I cannot excuse, or at least defend. Even the surface of Cumberland and Westmoreland lakes will be defiled with these floating abominations--not abominations at all if they are decently burned or buried when done with, but certainly abominations when left to be cast hither and thither in the wind, over the grass, or on the eddy and ripple of the pure water, for days after those who have thus left their shame behind them have returned to their shops or factories. I forgive them for trampling down the grass and the ferns. That cannot be helped, and in comparison of the good they get, is not to be considered at all. But why should they leave such a savage trail behind them as this, forgetting too that though they have done with the spot, there are others coming after them to whom these remnants must be an offence?

At length in our roaming, Wynnie and I approached a long low ridge of rock, rising towards the sea into which it ran. Crossing this, we came suddenly upon the painter whom Dora had called Niceboots, sitting with a small easel before him. We were right above him ere we knew. He had his back towards us, so that we saw at once what he was painting.

"O, papa!" cried Wynnie involuntarily, and the painter looked round.

"I beg your pardon," I said. "We came over from the other side, and did not see you before. I hope we have not disturbed you much."

"Not in the least," he answered courteously, and rose as he spoke.

I saw that the subject on his easel suggested that of which Wynnie had been making a sketch at the same time, on the day when Connie first lay on the top of the opposite cliff. But he was not even looking in the same direction now.

"Do you mind having your work seen before it is finished?"

"Not in the least, if the spectators will do me the favour to remember that most processes have to go through a seemingly chaotic stage," he answered.

I was struck with the mode and tone of the remark.

"Here is no common man," I said to myself, and responded to him in something of a similar style.

"I wish we could always keep that in mind with regard to human beings themselves, as well as their works," I said aloud.

The painter looked at me, and I looked at him.

"We speak each from the experience of his own profession, I presume," he said.

"But," I returned, glancing at the little picture in oils upon his easel, "your work here, though my knowledge of painting is next to nothing-- perhaps I ought to say nothing at all--this picture must have long ago passed the chaotic stage."

"It is nearly as much finished as I care to make it," he returned. "I hardly count this work at all. I am chiefly amusing, or rather pleasing, my own fancy at present."

"Apparently," I remarked, "you had the conical rock outside the hay for your model, and now you are finishing it with your back turned towards it. How is that?"

"I will soon explain," he answered. "The moment I saw this rock, it reminded me of Dante's Purgatory."

"Ah, you are a reader of Dante?" I said. "In the original, I hope."

"Yes. A friend of mine, a brother painter, an Italian, set me going with that, and once going with Dante, nobody could well stop. I never knew what intensity _per se_ was till I began to read Dante."

"That is quite my own feeling. Now, to return to your picture."

"Without departing at all from natural forms, I thought to make it suggest the Purgatorio to anyone who remembered the description given of the place _ab extra_ by Ulysses, in the end of the twenty-sixth canto of the Inferno. Of course, that thing there is a mere rock, yet it has certain mountain forms about it. I have put it at a much greater distance, you see, and have sought to make it look a solitary mountain in the midst of a great water. You will discover even now that the circles of the Purgatory are suggested without any approach, I think, to artificial structure; and there are occasional hints at figures, which you cannot definitely detach from the rocks--which, by the way, you must remember, were in one part full of sculptures. I have kept the mountain near enough, however, to indicate the great expanse of wild flowers on the top, which Matilda was so busy gathering. I want to indicate too the wind up there in the terrestrial paradise, ever and always blowing one way. You remember, Mr. Walton?"-- for the young man, getting animated, began to talk as if we had known each other for some time--and here he repeated the purport of Dante's words in English:

"An air of sweetness, changeless in its flow,
With no more strength than in a soft wind lies,
Smote peacefully against me on the brow.
By which the leaves all trembling, level-wise,
Did every one bend thitherward to where
The high mount throws its shadow at sunrise."

"I thought you said you did not use translations?"

"I thought it possible that--Miss Walton (?)" interrogatively this--"might not follow the Italian so easily, and I feared to seem pedantic."

"She won't lag far behind, I flatter myself," I returned. "Whose translation do you quote?"

He hesitated a moment; then said carelessly:

"I have cobbled a few passages after that fashion myself."

"It has the merit of being near the original at least," I returned; "and that seems to me one of the chief merits a translation can possess."

"Then," the painter resumed, rather hastily, as if to avoid any further remark upon his verses, "you see those white things in the air above?" Here he turned to Wynnie. "Miss Walton will remember--I think she was making a drawing of the rock at the same time I was--how the seagulls, or some such birds--only two or three of them--kept flitting about the top of it?"

"I remember quite well," answered Wynnie, with a look of appeal to me.

"Yes," I interposed; "my daughter, in describing what she had been attempting to draw, spoke especially of the birds over the rock. For she said the white lapping of the waves looked like spirits trying to get loose, and the white birds like foam that had broken its chains, and risen in triumph into the air."

Here Mr. Niceboots, for as yet I did not know what else to call him, looked at Wynnie almost with a start.

"How wonderfully that falls in with my fancy about the rock!" he said. "Purgatory indeed! with imprisoned souls lapping at its foot, and the free souls winging their way aloft in ether. Well, this world is a kind of purgatory anyhow--is it not, Mr. Walton?"

"Certainly it is. We are here tried as by fire, to see what our work is--whether wood, hay, and stubble, or gold and silver and precious stones."

"You see," resumed the painter, "if anybody only glanced at my little picture, he would take those for sea-birds; but if he looked into it, and began to suspect me, he would find out that they were Dante and Beatrice on their way to the sphere of the moon."

"In one respect at least, then, your picture has the merit of corresponding to fact; for what thing is there in the world, or what group of things, in which the natural man will not see merely the things of nature, but the spiritual man the things of the spirit?"

"I am no theologian," said the painter, turning away, I thought somewhat coldly.

But I could see that Wynnie was greatly interested in him. Perhaps she thought that here was some enlightenment of the riddle of the world for her, if she could but get at what he was thinking. She was used to my way of it: here might be something new.

"If I can be of any service to Miss Walton with her drawing, I shall be happy," he said, turning again towards me.

But his last gesture had made me a little distrustful of him, and I received his advances on this point with a coldness which I did not wish to make more marked than his own towards my last observation.

"You are very kind," I said; "but Miss Walton does not presume to be an artist."

I saw a slight shade pass over Wynnie's countenance. When I turned to Mr. Niceboots, a shade of a different sort was on his. Surely I had said something wrong to cast a gloom on two young faces. I made haste to make amends.

"We are just going to have some coffee," I said, "for my servants, I see, have managed to kindle a fire. Will you come and allow me to introduce you to Mrs. Walton?"

"With much pleasure," he answered, rising from the rock whereon, as he spoke about his picture, he had again seated himself. He was a fine-built, black-bearded, sunburnt fellow, with clear gray eyes notwithstanding, a rather Roman nose, and good features generally. But there was an air of suppression, if not of sadness, about him, however, did not in the least interfere with the manliness of his countenance, or of its expression.

"But," I said, "how am I to effect an introduction, seeing I do not yet know your name."

I had had to keep a sharp look-out on myself lest I should call him Mr. Niceboots. He smiled very graciously and replied,

"My name is Percivale--Charles Percivale."

"A descendant of Sir Percivale of King Arthur's Round Table?"

"I cannot count quite so far back," he answered, "as that--not quite to the Conquest," he added, with a slight deepening of his sunburnt hue. "I do come of a fighting race, but I cannot claim Sir Percivale."

We were now walking along the edge of the still retreating waves towards the group upon the sands, Mr. Percivale and I foremost, and Wynnie lingering behind.

"O, do look here papa!" she cried, from some little distance.

We turned and saw her gazing at something on the sand at her feet. Hastening back, we found it to be a little narrow line of foam-bubbles, which the water had left behind it on the sand, slowly breaking and passing out of sight. Why there should be foam-bubbles there then, and not always, I do not know. But there they were--and such colours! deep rose and grassy green and ultramarine blue; and, above all, one dark, yet brilliant and intensely-burnished, metallic gold. All of them were of a solid-looking burnished colour, like opaque body-colour laid on behind translucent crystal. Those little ocean bubbles were well worth turning to see; and so I said to Wynnie. But, as we gazed, they went on vanishing, one by one. Every moment a heavenly glory of hue burst, and was nowhere.

We walked away again towards the rest of our party.

"Don't you think those bubbles more beautiful than any precious stones you ever saw, papa?"

"Yes, my love, I think they are, except it be the opal. In the opal, God seems to have fixed the evanescent and made the vanishing eternal."

"And flowers are more beautiful things than jewels?' she said interrogatively.

"Many--perhaps most flowers are," I granted. "And did you ever see such curves and delicate textures anywhere else as in the clouds, papa?"

"I think not--in the cirrhous clouds at least--the frozen ones. But what are you putting me to my catechism for in this way, my child?"

"O, papa, I could go on a long time with that catechism; but I will end with one question more, which you will perhaps find a little harder to answer. Only I daresay you have had an answer ready for years lest one of us should ask you some day."

"No, my love. I never got an answer ready for anything lest one of my children should ask me. But it is not surprising either that children should be puzzled about the things that have puzzled their father, or that by the time they are able to put the questions, he should have found out some sort of an answer to most of them. Go on with your catechism, Wynnie. Now for your puzzle!"

"It's not a funny question, papa; it's a very serious one. I can't think why the unchanging God should have made all the most beautiful things wither and grow ugly, or burst and vanish, or die somehow and be no more. Mamma is not so beautiful as she once was, is she?"

"In one way, no; but in another and better way, much more so. But we will not talk about her kind of beauty just now; we will keep to the more material loveliness of which you have been speaking--though, in truth, no loveliness can be only material. Well, then, for my answer; it is, I think, because God loves the beauty so much that he makes all beautiful things vanish quickly."

"I do not understand you, papa."

"I daresay not, my dear. But I will explain to you a little, if Mr. Percivale will excuse me."

"On the contrary, I am greatly interested, both in the question and the answer."

"Well, then, Wynnie; everything has a soul and a body, or something like them. By the body we know the soul. But we are always ready to love the body instead of the soul. Therefore, God makes the body die continually, that we may learn to love the soul indeed. The world is full of beautiful things, but God has saved many men from loving the mere bodies of them, by making them poor; and more still by reminding them that if they be as rich as Croesus all their lives, they will be as poor as Diogenes--poorer, without even a tub--when this world, with all its pictures, scenery, books, and--alas for some Christians!--bibles even, shall have vanished away."

"Why do you say _alas_, papa--if they are Christians especially?"

"I say _alas_ only from their point of view, not from mine. I mean such as are always talking and arguing from the Bible, and never giving themselves any trouble to do what it tells them. They insist on the anise and cummin, and forget the judgment, mercy, and faith. These worship the body of the truth, and forget the soul of it. If the flowers were not perishable, we should cease to contemplate their beauty, either blinded by the passion for hoarding the bodies of them, or dulled by the hebetude of commonplaceness that the constant presence of them would occasion. To compare great things with small, the flowers wither, the bubbles break, the clouds and sunsets pass, for the very same holy reason, in the degree of its application to them, for which the Lord withdrew from his disciples and ascended again to his Father--that the Comforter, the Spirit of Truth, the Soul of things, might come to them and abide with them, and so the Son return, and the Father be revealed. The flower is not its loveliness, and its loveliness we must love, else we shall only treat them as flower-greedy children, who gather and gather, and fill hands and baskets, from a mere desire of acquisition, excusable enough in them, but the same in kind, however harmless in mode, and degree, and object, as the avarice of the miser. Therefore God, that we may always have them, and ever learn to love their beauty, and yet more their truth, sends the beneficent winter that we may think about what we have lost, and welcome them when they come again with greater tenderness and love, with clearer eyes to see, and purer hearts to understand, the spirit that dwells in them. We cannot do without the 'winter of our discontent.' Shakspere surely saw that when he makes Titania say, in _A Midsummer Night's Dream_:

'The human mortals want their winter here'--

namely, to set things right; and none of those editors who would alter the line seem to have been capable of understanding its import."

"I think I understand you a little," answered Wynnie. Then, changing her tone, "I told you, papa, you would have an answer ready; didn't I?"

"Yes, my child; but with this difference--I found the answer to meet my own necessities, not yours."

"And so you had it ready for me when I wanted it."

"Just so. That is the only certainty you have in regard to what you give away. No one who has not tasted it and found it good has a right to offer any spiritual dish to his neighbour."

Mr. Percivale took no part in our conversation. The moment I had presented him to Mrs. Walton and Connie, and he had paid his respects by a somewhat stately old-world obeisance, he merged the salutation into a farewell, and, either forgetting my offer of coffee, or having changed his mind, withdrew, a little to my disappointment, for, notwithstanding his lack of response where some things he said would have led me to expect it, I had begun to feel much interested in him.

He was scarcely beyond hearing, when Dora came up to me from her digging, with an eager look on her sunny face.

"Hasn't he got nice boots, papa?"

"Indeed, my dear, I am unable to support you in that assertion, for I never saw his boots."

"I did, then," returned the child; "and I never saw such nice boots."

"I accept the statement willingly," I replied; and we heard no more of the boots, for his name was now substituted for his nickname. Nor did I see himself again for some days--not in fact till next Sunday--though why he should come to church at all was something of a puzzle to me, especially when I knew him better. _

Read next: Volume 2: Chapter 3. The Blacksmith

Read previous: Volume 2: Chapter 1. Another Sunday Evening

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