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The Disowned, a novel by Edward Bulwer-Lytton |
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Chapter 22 |
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_ CHAPTER XXII He talked with open heart and tongue,
Want of rest, abstinence from food, the impatience of the strained spirit and jaded nerves, all contributed to waste the health while they excited the genius of the artist. A crimson spot, never before seen there, burned in the centre of his pale cheek; his eye glowed with a brilliant but unnatural fire; his features grew sharp and attenuated; his bones worked from his whitening and transparent skin; and the soul and frame, turned from their proper and kindly union, seemed contesting, with fierce struggles, which should obtain the mastery and the triumph. But neither his new prospects nor the coldness of his friend diverted the warm heart of Clarence from meditating how he could most effectually serve the artist before he departed from the country, It was a peculiar object of desire to Warner that the most celebrated painter of the day, who was on terms of intimacy with Talbot, and who with the benevolence of real superiority was known to take a keen interest in the success of more youthful and inexperienced genius,--it was a peculiar object of desire to Warner, that Sir Joshua Reynolds should see his picture before it was completed; and Clarence, aware of this wish, easily obtained from Talbot a promise that it should be effected. That was the least service of his zeal touched by the earnestness of Linden's friendship, anxious to oblige in any way his preserver, and well pleased himself to be the patron of merit, Talbot readily engaged to obtain for Warner whatever the attention and favour of high rank or literary distinction could bestow. "As for his picture," said Talbot (when, the evening before Clarence's departure, the latter was renewing the subject), "I shall myself become the purchaser, and at a price which will enable our friend to afford leisure and study for the completion of his next attempt; but even at the risk of offending your friendship, and disappointing your expectations, I will frankly tell you that I think Warner overrates, perhaps not his talents, but his powers; not his ability for doing something great hereafter, but his capacity of doing it at present. In the pride of his heart, he has shown me many of his designs, and I am somewhat of a judge: they want experience, cultivation, taste, and, above all, a deeper study of the Italian masters. They all have the defects of a feverish colouring, an ambitious desire of effect, a wavering and imperfect outline, an ostentatious and unnatural strength of light and shadow; they show, it is true, a genius of no ordinary stamp, but one ill regulated, inexperienced, and utterly left to its own suggestions for a model. However, I am glad he wishes for the opinion of one necessarily the best judge: let him bring the picture here by Thursday; on that day my friend has promised to visit me; and now let us talk of you and your departure." The intercourse of men of different ages is essentially unequal: it must always partake more or less of advice on one side and deference on the other; and although the easy and unpedantic turn of Talbot's conversation made his remarks rather entertaining than obviously admonitory, yet they were necessarily tinged by his experience, and regulated by his interest in the fortunes of his young friend. "My dearest Clarence," said he, affectionately, "we are about to bid each other a long farewell. I will not damp your hopes and anticipations by insisting on the little chance there is that you should ever see me again. You are about to enter upon the great world, and have within you the desire and power of success; let me flatter myself that you can profit by my experience. Among the 'Colloquia' of Erasmus, there is a very entertaining dialogue between Apicius and a man who, desirous of giving a feast to a very large and miscellaneous party, comes to consult the epicure what will be the best means to give satisfaction to all. Now you shall be this Spudaeus (so I think he is called), and I will be Apicius; for the world, after all, is nothing more than a great feast of different strangers, with different tastes and of different ages, and we must learn to adapt ourselves to their minds, and our temptations to their passions, if we wish to fascinate or even to content them. Let me then call your attention to the hints and maxims which I have in this paper amused myself with drawing up for your instruction. Write to me from time to time, and I will, in replying to your letters, give you the best advice in my power. For the rest, my dear boy, I have only to request that you will be frank, and I, in my turn, will promise that when I cannot assist, I will never reprove. And now, Clarence, as the hour is late and you leave us early tomorrow, I will no longer detain you. God bless you and keep you. You are going to enjoy life,--I to anticipate death; so that you can find in me little congenial to yourself; but as the good Pope said to our Protestant countryman, 'Whatever the difference between us, I know well that an old man's blessing is never without its value.'" As Clarence clasped his benefactor's hand, the tears gushed from his eyes. Is there one being, stubborn as the rock to misfortune, whom kindness does not affect? For my part, kindness seems to me to come with a double grace and tenderness from the old; it seems in them the hoarded and long purified benevolence of years; as if it had survived and conquered the baseness and selfishness of the ordeal it had passed; as if the winds, which had broken the form, had swept in vain across the heart, and the frosts which had chilled the blood and whitened the thin locks had possessed no power over the warm tide of the affections. It is the triumph of nature over art; it is the voice of the angel which is yet within us. Nor is this all: the tenderness of age is twice blessed,--blessed in its trophies over the obduracy of encrusting and withering years, blessed because it is tinged with the sanctity of the grave; because it tells us that the heart will blossom even upon the precincts of the tomb, and flatters us with the inviolacy and immortality of love. _ |