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Hortus Inclusus, a non-fiction book by John Ruskin |
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Preface |
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_ The ladies to whom these letters were written have been, throughout their brightly tranquil lives, at once sources and loadstones of all good to the village in which they had their home, and to all loving people who cared for the village and its vale and secluded lake, and whatever remained in them or around of the former peace, beauty, and pride of English Shepherd Land. Sources they have been of good, like one of its mountain springs, ever to be found at need. They did not travel; they did not go up to London in its season; they did not receive idle visitors to jar or waste their leisure in the waning year. The poor and the sick could find them always; or rather, they watched for and prevented all poverty and pain that care or tenderness could relieve or heal. Loadstones they were, as steadily bringing the light of gentle and wise souls about them as the crest of their guardian mountain gives pause to the morning clouds: in themselves, they were types of perfect womanhood in its constant happiness, queens alike of their own hearts and of a Paradise in which they knew the names and sympathized with the spirits of every living creature that God had made to play therein, or to blossom in its sunshine or shade. They had lost their dearly-loved younger sister, Margaret, before I knew them. Mary and Susie, alike in benevolence, serenity, and practical judgment, were yet widely different, nay, almost contrary, in tone and impulse of intellect. Both of them capable of understanding whatever women should know, the elder was yet chiefly interested in the course of immediate English business, policy, and progressive science, while Susie lived an aerial and enchanted life, possessing all the highest joys of imagination, while she yielded to none of its deceits, sicknesses, or errors. She saw, and felt, and believed all good, as it had ever been, and was to be, in the reality and eternity of its goodness, with the acceptance and the hope of a child; the least things were treasures to her, and her moments fuller of joy than some people's days. What she had been to me, in the days and years when other friendship has been failing, and others' "loving, mere folly," the reader will enough see from these letters, written certainly for her only, but from which she has permitted my Master of the Rural Industries at Loughrigg, Albert Fleming, to choose what he thinks, among the tendrils of clinging thought, and mossy cups for dew in the Garden of Herbs where Love is, may be trusted to the memorial sympathy of the readers of "Frondes Agrestes." J. R.
In the Royal Order of Gardens, as Bacon puts it, there was always a quiet resting-place called the Pleasaunce; there the daisies grew unchecked, and the grass was ever the greenest. Such a Pleasaunce do these Letters seem to me. Here and there, indeed, there are shadows on the grass, but no shadow ever falls between the two dear friends who walk together hand in hand along its pleasant paths. So may they walk in peace till they stand at the gate of another Garden, where "Co' fiori eterni, eterno il frutto dura."
Since these letters were published fourteen years ago, both Mr. Ruskin and Miss Beever have passed to the country he longed to find, "where the flowers do not fade." In this new Edition some of the earlier letters have been withdrawn, and others, of possibly wider interest, are inserted in their place. I have also added a reproduction of Mr. Ruskin's last letter to Miss Beever. It was written about the 20th October, 1893, and was read to her on her death-bed. He was then himself in broken health, and it took him three weary hours to write this little note of eight lines. I believe this to be the last complete letter that ever came from his pen. Miss Beever sent it to me with the wish "that some day I might use it," and I now fulfill that wish by inserting it here as the pathetic close to a correspondence, in which there was so much of a gay and playful nature; commending it to the "memorial sympathy" claimed by him for his earlier letters. The word "Phoca" is a signature often used by him in writing to his old friend. I have been asked to add illustrations to this Edition; and some fresh explanatory notes and dates will also be found. A. F. |