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The Ancien Regime, a non-fiction book by Charles Kingsley |
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Lecture 2. Centralisation |
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_ LECTURE II. CENTRALISATION The degradation of the European nobility caused, of course, the increase of the kingly power, and opened the way to central despotisms. The bourgeoisie, the commercial middle class, whatever were its virtues, its value, its real courage, were never able to stand alone against the kings. Their capital, being invested in trade, was necessarily subject to such sudden dangers from war, political change, bad seasons, and so forth, that its holders, however individually brave, were timid as a class. They could never hold out on strike against the governments, and had to submit to the powers that were, whatever they were, under penalty of ruin. But on the Continent, and especially in France and Germany, unable to strengthen itself by intermarriage with the noblesse, they retained that timidity which is the fruit of the insecurity of trade; and had to submit to a more and more centralised despotism, and grow up as they could, in the face of exasperating hindrances to wealth, to education, to the possession, in many parts of France, of large landed estates; leaving the noblesse to decay in isolated uselessness and weakness, and in many cases debt and poverty. The system--or rather anarchy--according to which France was governed during this transitional period, may be read in that work of M. de Tocqueville's which I have already quoted, and which is accessible to all classes, through Mr. H. Reeve's excellent translation. Every student of history is, of course, well acquainted with that book. But as there is reason to fear, from language which is becoming once more too common, both in speech and writing, that the general public either do not know it, or have not understood it, I shall take the liberty of quoting from it somewhat largely. I am justified in so doing by the fact that M. de Tocqueville's book is founded on researches into the French Archives, which have been made (as far as I am aware) only by him; and contains innumerable significant facts, which are to be found (as far as I am aware) in no other accessible work. The French people--says M. de Tocqueville--made, in 1789, the greatest effort which was ever made by any nation to cut, so to speak, their destiny in halves, and to separate by an abyss that which they had heretofore been, from that which they sought to become hereafter. But he had long thought that they had succeeded in this singular attempt much less than was supposed abroad; and less than they had at first supposed themselves. He was convinced that they had unconsciously retained, from the former state of society, most of the sentiments, the habits, and even the opinions, by means of which they had effected the destruction of that state of things; and that, without intending it, they had used its remains to rebuild the edifice of modern society. This is his thesis, and this he proves, it seems to me, incontestably by documentary evidence. Not only does he find habits which we suppose--or supposed till lately--to have died with the eighteenth century, still living and working, at least in France, in the nineteenth, but the new opinions which we look on usually as the special children of the nineteenth century, he shows to have been born in the eighteenth. France, he considers, is still at heart what the Ancien Regime made her. He shows that the hatred of the ruling caste, the intense determination to gain and keep equality, even at the expense of liberty, had been long growing up, under those influences of which I spoke in my first lecture. He shows, moreover, that the acquiescence in a centralised administration; the expectation that the government should do everything for the people, and nothing for themselves; the consequent loss of local liberties, local peculiarities; the helplessness of the towns and the parishes: and all which issued in making Paris France, and subjecting the whole of a vast country to the arbitrary dictates of a knot of despots in the capital, was not the fruit of the Revolution, but of the Ancien Regime which preceded it; and that Robespierre and his "Comite de Salut Public," and commissioners sent forth to the four winds of heaven in bonnet rouge and carmagnole complete, to build up and pull down, according to their wicked will, were only handling, somewhat more roughly, the same wires which had been handled for several generations by the Comptroller-General and Council of State, with their provincial intendants. "Do you know," said Law to the Marquis d'Argenson, "that this kingdom of France is governed by thirty intendants? You have neither parliament, nor estates, nor governors. It is upon thirty masters of request, despatched into the provinces, that their evil or their good, their fertility or their sterility, entirely depend." To do everything for the people, and let them do nothing for themselves--this was the Ancien Regime. To be more wise and more loving than Almighty God, who certainly does not do everything for the sons of men, but forces them to labour for themselves by bitter need, and after a most Spartan mode of education; who allows them to burn their hands as often as they are foolish enough to put them into the fire; and to be filled with the fruits of their own folly, even though the folly be one of necessary ignorance; treating them with that seeming neglect which is after all the most provident care, because by it alone can men be trained to experience, self-help, science, true humanity; and so become not tolerably harmless dolls, but men and women worthy of the name; with
But alas! the poor sub-delegates seem to have found either very little news, or very little which it was politic to publish. One reports that a smuggler of salt has been hung, and has displayed great courage; another that a woman in his district has had three girls at a birth; another that a dreadful storm has happened, but--has done no mischief; a fourth--living in some specially favoured Utopia--declares that in spite of all his efforts he has found nothing worth recording, but that he himself will subscribe to so useful a journal, and will exhort all respectable persons to follow his example: in spite of which loyal endeavours, the journal seems to have proved a failure, to the great disgust of the king and his minister, who had of course expected to secure fine weather by nailing, like the schoolboy before a holiday, the hand of the weather-glass. Well had it been, if the intermeddling of this bureaucracy had stopped there. But, by a process of evocation (as it was called), more and more causes, criminal as well as civil, were withdrawn from the regular tribunals, to those of the intendants and the Council. Before the intendant all the lower order of people were generally sent for trial. Bread-riots were a common cause of such trials, and M. de Tocqueville asserts that he has found sentences, delivered by the intendant, and a local council chosen by himself, by which men were condemned to the galleys, and even to death. Under such a system, under which an intendant must have felt it his interest to pretend at all risks, that all was going right, and to regard any disturbance as a dangerous exposure of himself and his chiefs--one can understand easily enough that scene which Mr. Carlyle has dramatised from Lacretelle, concerning the canaille, the masses, as we used to call them a generation since: "A dumb generation--their voice only an inarticulate cry. Spokesman, in the king's council, in the world's forum, they have none that finds credence. At rare intervals (as now, in 1775) they will fling down their hoes, and hammers; and, to the astonishment of mankind, flock hither and thither, dangerous, aimless, get the length even of Versailles. Turgot is altering the corn trade, abrogating the absurdest corn laws; there is dearth, real, or were it even factitious, an indubitable scarcity of broad. And so, on the 2nd day of May, 1775, these waste multitudes do here, at Versailles chateau, in widespread wretchedness, in sallow faces, squalor, winged raggedness, present as in legible hieroglyphic writing their petition of grievances. The chateau-gates must be shut; but the king will appear on the balcony and speak to them. They have seen the king's face; their petition of grievances has been, if not read, looked at. In answer, two of them are hanged, on a new gallows forty feet high, and the rest driven back to their dens for a time." Of course. What more exasperating and inexpiable insult to the ruling powers was possible than this? To persist in being needy and wretched, when a whole bureaucracy is toiling day and night to make them prosperous and happy? An insult only to be avenged in blood. Remark meanwhile, that this centralised bureaucracy was a failure; that after all the trouble taken to govern these masses, they were not governed, in the sense of being made better, and not worse. The truth is, that no centralised bureaucracy, or so-called "paternal government," yet invented on earth, has been anything but a failure, or is it like to be anything else: because it is founded on an error; because it regards and treats men as that which they are not, as things; and not as that which they are, as persons. If the bureaucracy were a mere Briareus giant, with a hundred hands, helping the weak throughout the length and breadth of the empire, the system might be at least tolerable. But what if the Government were not a Briareus with a hundred hands, but a Hydra with a hundred heads and mouths, each far more intent on helping itself than on helping the people? What if sub-delegates and other officials, holding office at the will of the intendant, had to live, and even provide against a rainy day? What if intendants, holding office at the will of the Comptroller-General, had to do more than live, and found it prudent to realise as large a fortune as possible, not only against disgrace, but against success, and the dignity fit for a new member of the Noblesse de la Robe? Would not the system, then, soon become intolerable? Would there not be evil times for the masses, till they became something more than masses? It is an ugly name, that of "The Masses," for the great majority of human beings in a nation. He who uses it speaks of them not as human beings, but as things; and as things not bound together in one living body, but lying in a fortuitous heap. A swarm of ants is not a mass. It has a polity and a unity. Not the ants but the fir-needles and sticks, of which the ants have piled their nest, are a mass. The term, I believe, was invented during the Ancien Regime. Whether it was or not, it expresses very accurately the life of the many in those days. No one would speak, if he wished to speak exactly, of the masses of the United States; for there every man is, or is presumed to be, a personage; with his own independence, his own activities, his own rights and duties. No one, I believe, would have talked of the masses in the old feudal times; for then each individual was someone's man, bound to his master by ties of mutual service, just or unjust, honourable or base, but still giving him a personality of duties and rights, and dividing him from his class. Dividing, I say. The poor of the Middle Age had little sense of a common humanity. Those who owned allegiance to the lord in the next valley were not their brothers; and at their own lord's bidding, they buckled on sword and slew the next lord's men, with joyful heart and good conscience. Only now and then misery compressed them into masses; and they ran together, as sheep run together to face a dog. Some wholesale wrong made them aware that they were brothers, at least in the power of starving; and they joined in the cry which was heard, I believe, in Mecklenburg as late as 1790: "Den Edelman wille wi dodschlagen." Then, in Wat Tyler's insurrections, in Munster Anabaptisms, in Jacqueries, they proved themselves to be masses, if nothing better, striking for awhile, by the mere weight of numbers, blows terrible, though aimless--soon to be dispersed and slain in their turn by a disciplined and compact aristocracy. Yet not always dispersed, if they could find a leader; as the Polish nobles discovered to their cost in the middle of the seventeenth century. Then Bogdan the Cossack, a wild warrior, not without his sins, but having deserved well of James Sobieski and the Poles, found that the neighbouring noble's steward had taken a fancy to his windmill and his farm upon the Dnieper. He was thrown into prison on a frivolous charge, and escaped to the Tatars, leaving his wife dishonoured, his house burnt, his infant lost in the flames, his eldest son scourged for protesting against the wrong. And he returned, at the head of an army of Tatars, Socinians, Greeks, or what not, to set free the serfs, and exterminate Jesuits, Jews, and nobles, throughout Podolia, Volhynia, Red Russia; to desecrate the altars of God, and slay his servants; to destroy the nobles by lingering tortures; to strip noble ladies and maidens, and hunt them to death with the whips of his Cossacks; and after defeating the nobles in battle after battle, to inaugurate an era of misery and anarchy from which Poland never recovered. Thus did the masses of Southern Poland discover, for one generation at least, that they were not many things, but one thing; a class, capable of brotherhood and unity, though, alas! only of such as belongs to a pack of wolves. But such outbursts as this were rare exceptions. In general, feudalism kept the people divided, and therefore helpless. And as feudalism died out, and with it the personal self-respect and loyalty which were engendered by the old relations of master and servant, the division still remained; and the people, in France especially, became merely masses, a swarm of incoherent and disorganised things intent on the necessaries of daily bread, like mites crawling over each other in a cheese. Out of this mass were struggling upwards perpetually, all who had a little ambition, a little scholarship, or a little money, endeavouring to become members of the middle class by obtaining a Government appointment. "A man," says M. de Tocqueville, "endowed with some education and small means, thought it not decorous to die without having been a Government officer." "Every man, according to his condition," says a contemporary writer, "wants to be something by command of the king." It was not merely the "natural vanity" of which M. de Tocqueville accuses his countrymen, which stirred up in them this eagerness after place; for we see the same eagerness in other nations of the Continent, who cannot be accused (as wholes) of that weakness. The fact is, a Government place, or a Government decoration, cross, ribbon, or what not, is, in a country where self-government is unknown or dead, the only method, save literary fame, which is left to men in order to assert themselves either to themselves or their fellow-men. A British or American shopkeeper or farmer asks nothing of his Government. He can, if he chooses, be elected to some local office (generally unsalaried) by the votes of his fellow-citizens. But that is his right, and adds nothing to his respectability. The test of that latter, in a country where all honest callings are equally honourable, is the amount of money he can make; and a very sound practical test that is, in a country where intellect and capital are free. Beyond that, he is what he is, and wishes to be no more, save what he can make himself. He has his rights, guaranteed by law and public opinion; and as long as he stands within them, and (as he well phrases it) behaves like a gentleman, he considers himself as good as any man; and so he is. But under the bureaucratic Regime of the Continent, if a man had not "something by command of the king," he was nothing; and something he naturally wished to be, even by means of a Government which he disliked and despised. So in France, where innumerable petty posts were regular articles of sale, anyone, it seems, who had saved a little money, found it most profitable to invest it in a beadledom of some kind--to the great detriment of the country, for he thus withdrew his capital from trade; but to his own clear gain, for he thereby purchased some immunity from public burdens, and, as it were, compounded once and for all for his taxes. The petty German princes, it seems, followed the example of France, and sold their little beadledoms likewise; but even where offices were not sold, they must be obtained by any and every means, by everyone who desired not to be as other men were, and to become Notables, as they were called in France; so he migrated from the country into the nearest town, and became a member of some small body-guild, town council, or what not, bodies which were infinite in number. In one small town M. de Tocqueville discovers thirty-six such bodies, "separated from each other by diminutive privileges, the least honourable of which was still a mark of honour." Quarrelling perpetually with each other for precedence, despising and oppressing the very _menu peuple_ from whom they had for the most part sprung, these innumerable small bodies, instead of uniting their class, only served to split it up more and more; and when the Revolution broke them up, once and for all, with all other privileges whatsoever, no bond of union was left; and each man stood alone, proud of his "individuality"--his complete social isolation; till he discovered that, in ridding himself of superiors, he had rid himself also of fellows; fulfilling, every man in his own person, the old fable of the bundle of sticks; and had to submit, under the Consulate and the Empire, to a tyranny to which the Ancien Regime was freedom itself. For, in France at least, the Ancien Regime was no tyranny. The middle and upper classes had individual liberty--it may be, only too much; the liberty of disobeying a Government which they did not respect. "However submissive the French may have been before the Revolution to the will of the king, one sort of obedience was altogether unknown to them. They knew not what it was to bow before an illegitimate and contested power--a power but little honoured, frequently despised, but willingly endured because it may be serviceable, or because it may hurt. To that degrading form of servitude they were ever strangers. The king inspired them with feelings . . . which have become incomprehensible to this generation . . .They loved him with the affection due to a father; they revered him with the respect due to God. In submitting to the most arbitrary of his commands, they yielded less to compulsion than to loyalty; and thus they frequently preserved great freedom of mind, even in the most complete dependence. This liberty, irregular, intermittent," says M. de Tocqueville, "helped to form those vigorous characters, those proud and daring spirits, which were to make the French Revolution at once the object of the admiration and the terror of succeeding generations." This liberty--too much akin to anarchy, in which indeed it issued for awhile--seems to have asserted itself in continual petty resistance to officials whom they did not respect, and who, in their turn, were more than a little afraid of the very men out of whose ranks they had sprung. The French Government--one may say, every Government on the Continent in those days--had the special weakness of all bureaucracies; namely, that want of moral force which compels them to fall back at last on physical force, and transforms the ruler into a bully, and the soldier into a policeman and a gaoler. A Government of parvenus, uncertain of its own position, will be continually trying to assert itself to itself, by vexatious intermeddling and intruding pretensions; and then, when it meets with the resistance of free and rational spirits, will either recoil in awkward cowardice, or fly into a passion, and appeal to the halter and the sword. Such a Government can never take itself for granted, because it knows that it is not taken for granted by the people. It never can possess the quiet assurance, the courteous dignity, without swagger, yet without hesitation, which belongs to hereditary legislators; by which term is to be understood, not merely kings, not merely noblemen, but every citizen of a free nation, however democratic, who has received from his forefathers the right, the duty, and the example of self-government. Such was the political and social state of the Ancien Regime, not only in France, but if we are to trust (as we must trust) M. de Tocqueville, in almost every nation in Europe, except Britain. And as for its moral state. We must look for that--if we have need, which happily all have not--in its lighter literature. I shall not trouble you with criticisms on French memoirs--of which those of Madame de Sevigne are on the whole, the most painful (as witness her comments on the Marquise de Brinvilliers's execution), because written by a woman better and more human than ordinary. Nor with "Menagiana," or other 'ana's--as vain and artificial as they are often foul; nor with novels and poems, long since deservedly forgotten. On the first perusal of this lighter literature, you will be charmed with the ease, grace, lightness with which everything is said. On the second, you will be somewhat cured of your admiration, as you perceive how little there is to say. The head proves to be nothing but a cunning mask, with no brains inside. Especially is this true of a book, which I must beg those who have read it already, to recollect. To read it I recommend no human being. We may consider it, as it was considered in its time, the typical novel of the Ancien Regime. A picture of Spanish society, written by a Frenchman, it was held to be--and doubtless with reason--a picture of the whole European world. Its French editor (of 1836) calls it a _grande epopee_; "one of the most prodigious efforts of intelligence, exhausting all forms of humanity"--in fact, a second Shakespeare, according to the lights of the year 1715. I mean, of course, "Gil Blas." So picturesque is the book, that it has furnished inexhaustible motifs to the draughtsman. So excellent is its workmanship, that the enthusiastic editor of 1836 tells us--and doubtless he knows best--that it is the classic model of the French tongue; and that, as Le Sage "had embraced all that belonged to man in his composition, he dared to prescribe to himself to embrace the whole French language in his work." It has been the parent of a whole school of literature--the Bible of tens of thousands, with admiring commentators in plenty; on whose souls may God have mercy! And no wonder. The book has a solid value, and will always have, not merely from its perfect art (according to its own measure and intention), but from its perfect truthfulness. It is the Ancien Regime itself. It set forth to the men thereof, themselves, without veil or cowardly reticence of any kind; and inasmuch as every man loves himself, the Ancien Regime loved "Gil Blas," and said, "The problem of humanity is solved at last." But, ye long-suffering powers of heaven, what a solution! It is beside the matter to call the book ungodly, immoral, base. Le Sage would have answered: "Of course it is; for so is the world of which it is a picture." No; the most notable thing about the book is its intense stupidity; its dreariness, barrenness, shallowness, ignorance of the human heart, want of any human interest. If it be an epos, the actors in it are not men and women, but ferrets--with here and there, of course, a stray rabbit, on whose brains they may feed. It is the inhuman mirror of an inhuman age, in which the healthy human heart can find no more interest than in a pathological museum. That last, indeed, "Gil Blas" is; a collection of diseased specimens. No man or woman in the book, lay or clerical, gentle or simple, as far as I can remember, do their duty in any wise, even if they recollect that they have any duty to do. Greed, chicane, hypocrisy, uselessness are the ruling laws of human society. A new book of Ecclesiastes, crying, "Vanity of vanity, all is vanity;" the "conclusion of the whole matter" being left out, and the new Ecclesiastes rendered thereby diabolic, instead of like that old one, divine. For, instead of "Fear God and keep his commandments, for that is the whole duty of main," Le Sage sends forth the new conclusion, "Take care of thyself, and feed on thy neighbours, for that is the whole duty of man." And very faithfully was his advice (easy enough to obey at all times) obeyed for nearly a century after "Gil Blas" appeared. About the same time there appeared, by a remarkable coincidence, another work, like it the child of the Ancien Regime, and yet as opposite to it as light to darkness. If Le Sage drew men as they were, Fenelon tried at least to draw them as they might have been and still might be, were they governed by sages and by saints, according to the laws of God. "Telemaque" is an ideal--imperfect, doubtless, as all ideals must be in a world in which God's ways and thoughts are for ever higher than man's; but an ideal nevertheless. If its construction is less complete than that of "Gil Blas," it is because its aim is infinitely higher; because the form has to be subordinated, here and there, to the matter. If its political economy be imperfect, often chimerical, it is because the mind of one man must needs have been too weak to bring into shape and order the chaos, social and economic, which he saw around him. M. de Lamartine, in his brilliant little life of Fenelon, does not hesitate to trace to the influence of "Telemaque," the Utopias which produced the revolutions of 1793 and 1848. "The saintly poet was," he says, "without knowing it, the first Radical and the first communist of his century." But it is something to have preached to princes doctrines till then unknown, or at least forgotten for many a generation--free trade, peace, international arbitration, and the "carriere ouverte aux talents" for all ranks. It is something to have warned his generation of the dangerous overgrowth of the metropolis; to have prophesied, as an old Hebrew might have done, that the despotism which he saw around him would end in a violent revolution. It is something to have combined the highest Christian morality with a hearty appreciation of old Greek life; of its reverence for bodily health and prowess; its joyous and simple country society; its sacrificial feasts, dances, games; its respect for the gods; its belief that they helped, guided, inspired the sons of men. It is something to have himself believed in God; in a living God, who, both in this life and in all lives to come, rewarded the good and punished the evil by inevitable laws. It is something to have warned a young prince, in an age of doctrinal bigotry and practical atheism, that a living God still existed, and that his laws were still in force; to have shown him Tartarus crowded with the souls of wicked monarchs, while a few of kingly race rested in Elysium, and among them old pagans--Inachus, Cecrops, Erichthon, Triptolemus, and Sesostris--rewarded for ever for having done their duty, each according to his light, to the flocks which the gods had committed to their care. It is something to have spoken to a prince, in such an age, without servility, and without etiquette, of the frailties and the dangers which beset arbitrary rulers; to have told him that royalty, "when assumed to content oneself, is a monstrous tyranny; when assumed to fulfil its duties, and to conduct an innumerable people as a father conducts his children, a crushing slavery, which demands an heroic courage and patience." Let us honour the courtier who dared speak such truths; and still more the saintly celibate who had sufficient catholicity of mind to envelop them in old Grecian dress, and, without playing false for a moment to his own Christianity, seek in the writings of heathen sages a wider and a healthier view of humanity than was afforded by an ascetic creed. No wonder that the appearance of "Telemaque," published in Holland without the permission of Fenelon, delighted throughout Europe that public which is always delighted with new truths, as long as it is not required to practise them. To read "Telemaque" was the right and the enjoyment of everyone. To obey it, the duty only of princes. No wonder that, on the other hand, this "Vengeance de peuples, lecon des rois," as M. de Lamartine calls it, was taken for the bitterest satire by Louis XIV., and completed the disgrace of one who had dared to teach the future king of France that he must show himself, in all things, the opposite of his grandfather. No wonder if Madame de Maintenon and the court looked on its portraits of wicked ministers and courtiers as caricatures of themselves; portraits too, which, "composed thus in the palace of Versailles, under the auspices of that confidence which the king had placed in the preceptor of his heir, seemed a domestic treason." No wonder, also, if the foolish and envious world outside was of the same opinion; and after enjoying for awhile this exposure of the great ones of the earth, left "Telemaque" as an Utopia with which private folks had no concern; and betook themselves to the easier and more practical model of "Gil Blas." But there are solid defects in "Telemaque"--indicating corresponding defects in the author's mind--which would have, in any case, prevented its doing the good work which Fenelon desired; defects which are natural, as it seems to me, to his position as a Roman Catholic priest, however saintly and pure, however humane and liberal. The king, with him, is to be always the father of his people; which is tantamount to saying, that the people are to be always children, and in a condition of tutelage; voluntary, if possible: if not, of tutelage still. Of self-government, and education of human beings into free manhood by the exercise of self- government, free will, free thought--of this Fenelon had surely not a glimpse. A generation or two passed by, and then the peoples of Europe began to suspect that they were no longer children, but come to manhood; and determined (after the example of Britain and America) to assume the rights and duties of manhood, at whatever risk of excesses or mistakes: and then "Telemaque" was relegated--half unjustly--as the slavish and childish dream of a past age, into the schoolroom, where it still remains. But there is a defect in "Telemaque" which is perhaps deeper still. No woman in it exercises influence over man, except for evil. Minerva, the guiding and inspiring spirit, assumes of course, as Mentor, a male form; but her speech and thought is essentially masculine, and not feminine. Antiope is a mere lay-figure, introduced at the end of the book because Telemachus must needs be allowed to have hope of marrying someone or other. Venus plays but the same part as she does in the Tannenhauser legends of the Middle Age. Her hatred against Telemachus is an integral element of the plot. She, with the other women or nymphs of the romance, in spite of all Fenelon's mercy and courtesy towards human frailties, really rise no higher than the witches of the Malleus Maleficanum. Woman--as the old monk held who derived femina from fe, faith, and minus, less, because women have less faith than men--is, in "Telemaque," whenever she thinks or acts, the temptress, the enchantress; the victim (according to a very ancient calumny) of passions more violent, often more lawless, than man's. Such a conception of women must make "Telemaque," to the end of time, useless as a wholesome book of education. It must have crippled its influence, especially in France, in its own time. For there, for good and for evil, woman was asserting more and more her power, and her right to power, over the mind and heart of man. Rising from the long degradation of the Middle Ages, which had really respected her only when unsexed and celibate, the French woman had assumed, often lawlessly, always triumphantly, her just freedom; her true place as the equal, the coadjutor, the counsellor of man. Of all problems connected with the education of a young prince, that of the influence of woman was, in the France of the Ancien Regime, the most important. And it was just that which Fenelon did not, perhaps dared not, try to touch; and which he most certainly could not have solved. Meanwhile, not only Madame de Maintenon, but women whose names it were a shame to couple with hers, must have smiled at, while they hated, the saint who attempted to dispense not only with them, but with the ideal queen who should have been the helpmeet of the ideal king. To those who believe that the world is governed by a living God, it may seem strange, at first sight, that this moral anarchy was allowed to endure; that the avenging, and yet most purifying storm of the French Revolution, inevitable from Louis XIV.'s latter years, was not allowed to burst two generations sooner than it did. Is not the answer--that the question always is not of destroying the world, but of amending it? And that amendment must always come from within, and not from without? That men must be taught to become men, and mend their world themselves? To educate men into self-government--that is the purpose of the government of God; and some of the men of the eighteenth century did not learn that lesson. As the century rolled on, the human mind arose out of the slough in which Le Sage found it, into manifold and beautiful activity, increasing hatred of shams and lies, increasing hunger after truth and usefulness. With mistakes and confusions innumerable they worked: but still they worked; planting good seed; and when the fire of the French Revolution swept over the land, it burned up the rotten and the withered, only to let the fresh herbage spring up from underneath. But that purifying fire was needed. If we inquire why the many attempts to reform the Ancien Regime, which the eighteenth century witnessed, were failures one and all; why Pombal failed in Portugal, Aranda in Spain, Joseph II. in Austria, Ferdinand and Caroline in Naples--for these last, be it always remembered, began as humane and enlightened sovereigns, patronising liberal opinions, and labouring to ameliorate the condition of the poor, till they were driven by the murder of Marie Antoinette into a paroxysm of rage and terror--why, above all, Louis XVI., who attempted deeper and wiser reforms than any other sovereign, failed more disastrously than any--is not the answer this, that all these reforms would but have cleansed the outside of the cup and the platter, while they left the inside full of extortion and excess? It was not merely institutions which required to be reformed, but men and women. The spirit of "Gil Blas" had to be cast out. The deadness, selfishness, isolation of men's souls; their unbelief in great duties, great common causes, great self-sacrifices--in a word, their unbelief in God, and themselves, and mankind--all that had to be reformed; and till that was done all outward reform would but have left them, at best, in brute ease and peace, to that soulless degradation, which (as in the Byzantine empire of old, and seeming in the Chinese empire of to-day) hides the reality of barbarism under a varnish of civilisation. Men had to be awakened; to be taught to think for themselves, act for themselves, to dare and suffer side by side for their country and for their children; in a word, to arise and become men once more. And, what is more, men had to punish--to avenge. Those are fearful words. But there is, in this God-guided universe, a law of retribution, which will find men out, whether men choose to find it out or not; a law of retribution; of vengeance inflicted justly, though not necessarily by just men. The public executioner was seldom a very estimable personage, at least under the old Regime; and those who have been the scourges of God have been, in general, mere scourges, and nothing better; smiting blindly, rashly, confusedly; confounding too often the innocent with the guilty, till they have seemed only to punish crime by crime, and replace old sins by new. But, however insoluble, however saddening that puzzle be, I must believe--as long as I believe in any God at all--that such men as Robespierre were His instruments, even in their crimes. In the case of the French Revolution, indeed, the wickedness of certain of its leaders was part of the retribution itself. For the noblesse existed surely to make men better. It did, by certain classes, the very opposite. Therefore it was destroyed by wicked men, whom it itself had made wicked. For over and above all political, economic, social wrongs, there were wrongs personal, human, dramatic; which stirred not merely the springs of covetousness or envy, or even of a just demand for the freedom of labour and enterprise: but the very deepest springs of rage, contempt, and hate; wrongs which caused, as I believe, the horrors of the Revolution. It is notorious how many of the men most deeply implicated in those horrors were of the artist class--by which I signify not merely painters and sculptors--as the word artist has now got, somewhat strangely, to signify, at least in England--but what the French meant by _artistes_--producers of luxuries and amusements, play-actors, musicians, and suchlike, down to that "distracted peruke-maker with two fiery torches," who, at the storm of the Bastile, "was for burning the saltpetres of the Arsenal, had not a woman run screaming; had not a patriot, with some tincture of natural philosophy, instantly struck the wind out of him, with butt of musket on pit of stomach, overturned the barrels, and stayed the devouring element." The distracted peruke-maker may have had his wrongs--perhaps such a one as that of poor Triboulet the fool, in "Le Roi s'amuse"--and his own sound reasons for blowing down the Bastile, and the system which kept it up. For these very ministers of luxury--then miscalled art--from the periwig- maker to the play-actor--who like them had seen the frivolity, the baseness, the profligacy, of the rulers to whose vices they pandered, whom they despised while they adored! Figaro himself may have looked up to his master the Marquis as a superior being as long as the law enabled the Marquis to send him to the Bastile by a lettre de cachet; yet Figaro may have known and seen enough to excuse him, when lettres de cachet were abolished, for handing the Marquis over to a Comite de Salut Public. Disappointed play-actors, like Collet d'Herbois; disappointed poets, like Fabre d'Olivet, were, they say, especially ferocious. Why not? Ingenious, sensitive spirits, used as lap-dogs and singing-birds by men and women whom they felt to be their own flesh and blood, they had, it may be, a juster appreciation of the actual worth of their patrons than had our own Pitt and Burke. They had played the valet: and no man was a hero to them. They had seen the nobleman expose himself before his own helots: they would try if the helot was not as good as the nobleman. The nobleman had played the mountebank: why should not the mountebank, for once, play the nobleman? The nobleman's God had been his five senses, with (to use Mr. Carlyle's phrase) the sixth sense of vanity: why should not the mountebank worship the same God, like Carriere at Nantes, and see what grace and gifts he too might obtain at that altar? But why so cruel? Because, with many of these men, I more than suspect, there were wrongs to be avenged deeper than any wrongs done to the sixth sense of vanity. Wrongs common to them, and to a great portion of the respectable middle class, and much of the lower class: but wrongs to which they and their families, being most in contact with the noblesse, would be especially exposed; namely, wrongs to women. Everyone who knows the literature of that time, must know what I mean: what had gone on for more than a century, it may be more than two, in France, in Italy, and--I am sorry to have to say it--Germany likewise. All historians know what I mean, and how enormous was the evil. I only wonder that they have so much overlooked that item in the causes of the Revolution. It seems to me to have been more patent and potent in the sight of men, as it surely was in the sight of Almighty God, than all the political and economic wrongs put together. They might have issued in a change of dynasty or of laws. That, issued in the blood of the offenders. Not a girl was enticed into Louis XV.'s Petit Trianon, or other den of aristocratic iniquity, but left behind her, parents nursing shame and sullen indignation, even while they fingered the ill-gotten price of their daughter's honour; and left behind also, perhaps, some unhappy boy of her own class, in whom disappointment and jealousy were transformed--and who will blame him?--into righteous indignation, and a very sword of God; all the more indignant, and all the more righteous, if education helped him to see, that the maiden's acquiescence, her pride in her own shame, was the ugliest feature in the whole crime, and the most potent reason for putting an end, however fearful, to a state of things in which such a fate was thought an honour and a gain, and not a disgrace and a ruin; in which the most gifted daughters of the lower classes had learnt to think it more noble to become--that which they became--than the wives of honest men. If you will read fairly the literature of the Ancien Regime, whether in France or elsewhere, you will see that my facts are true. If you have human hearts in you, you will see in them, it seems to me, an explanation of many a guillotinade and fusillade, as yet explained only on the ground of madness--an hypothesis which (as we do not yet in the least understand what madness is) is no explanation at all. An age of decay, incoherence, and makeshift, varnish and gilding upon worm-eaten furniture, and mouldering wainscot, was that same Ancien Regime. And for that very reason a picturesque age; like one of its own landscapes. A picturesque bit of uncultivated mountain, swarming with the prince's game; a picturesque old robber schloss above, now in ruins; and below, perhaps, the picturesque new schloss, with its French fountains and gardens, French nymphs of marble, and of flesh and blood likewise, which the prince has partially paid for, by selling a few hundred young men to the English to fight the Yankees. The river, too, is picturesque, for the old bridge has not been repaired since it was blown up in the Seven Years' War; and there is but a single lazy barge floating down the stream, owing to the tolls and tariffs of his Serene Highness; the village is picturesque, for the flower of the young men are at the wars, and the place is tumbling down; and the two old peasants in the foreground, with the single goat and the hamper of vine-twigs, are very picturesque likewise, for they are all in rags. How sad to see the picturesque element eliminated, and the quiet artistic beauty of the scene destroyed;--to have steamers puffing up and down the river, and a railroad hurrying along its banks the wealth of the Old World, in exchange for the wealth of the New--or hurrying, it may be, whole regiments of free and educated citizen-soldiers, who fight, they know for what. How sad to see the alto schloss desecrated by tourists, and the neue schloss converted into a cold-water cure. How sad to see the village, church and all, built up again brand-new, and whitewashed to the very steeple-top;--a new school at the town-end--a new crucifix by the wayside. How sad to see the old folk well clothed in the fabrics of England or Belgium, doing an easy trade in milk and fruit, because the land they till has become their own, and not the prince's; while their sons are thriving farmers on the prairies of the far West. Very unpicturesque, no doubt, is wealth and progress, peace and safety, cleanliness and comfort. But they possess advantages unknown to the Ancien Regime, which was, if nothing else, picturesque. Men could paint amusing and often pretty pictures of its people and its places. Consider that word, "picturesque." It, and the notion of art which it expresses, are the children of the Ancien Regime--of the era of decay. The healthy, vigorous, earnest, progressive Middle Age never dreamed of admiring, much less of painting, for their own sake, rags and ruins; the fashion sprang up at the end of the seventeenth century; it lingered on during the first quarter of our century, kept alive by the reaction from 1815-25. It is all but dead now, before the return of vigorous and progressive thought. An admirer of the Middle Ages now does not build a sham ruin in his grounds; he restores a church, blazing with colour, like a medieval illumination. He has learnt to look on that which went by the name of picturesque in his great-grandfather's time, as an old Greek or a Middle Age monk would have done--as something squalid, ugly, a sign of neglect, disease, death; and therefore to be hated and abolished, if it cannot be restored. At Carcassone, now, M. Viollet-le-Duc, under the auspices of the Emperor of the French, is spending his vast learning, and much money, simply in abolishing the picturesque; in restoring stone for stone, each member of that wonderful museum of Middle Age architecture: Roman, Visigothic, Moslem, Romaine, Early English, later French, all is being reproduced exactly as it must have existed centuries since. No doubt that is not the highest function of art: but it is a preparation for the highest, a step toward some future creative school. As the early Italian artists, by careful imitation, absorbed into their minds the beauty and meaning of old Greek and Roman art; so must the artists of our days by the art of the Middle Age and the Renaissance. They must learn to copy, before they can learn to surpass; and, meanwhile, they must learn--indeed they have learnt--that decay is ugliness, and the imitation of decay, a making money out of the public shame. The picturesque sprang up, as far as I can discover, suddenly, during the time of exhaustion and recklessness which followed the great struggles of the sixteenth century. Salvator Rosa and Callot, two of the earliest professors of picturesque art, have never been since surpassed. For indeed, they drew from life. The rags and the ruins, material, and alas! spiritual, were all around them; the lands and the creeds alike lay waste. There was ruffianism and misery among the masses of Europe; unbelief and artificiality among the upper classes; churches and monasteries defiled, cities sacked, farmsteads plundered and ruinate, and all the wretchedness which Callot has immortalised--for a warning to evil rulers--in his Miseres de la Guerre. The world was all gone wrong: but as for setting it right again--who could do that? And so men fell into a sentimental regret for the past, and its beauties, all exaggerated by the foreshortening of time; while they wanted strength or faith to reproduce it. At last they became so accustomed to the rags and ruins, that they looked on them as the normal condition of humanity, as the normal field for painters. Only now and then, and especially toward the latter half of the eighteenth century, when thought began to revive, and men dreamed of putting the world to rights once more, there rose before them glimpses of an Arcadian ideal. Country life--the primaeval calling of men--how graceful and pure it might be! How graceful--if not pure--it once had been! The boors of Teniers and the beggars of Murillo might be true to present fact; but there was a fairer ideal, which once had been fact, in the Eclogues of Theocritus, and the Loves of Daphnis and Chloe. And so men took to dreaming of shepherds and shepherdesses, and painting them on canvas, and modelling them in china, according to their cockney notions of what they had been once, and always ought to be. We smile now at Sevres and Dresden shepherdesses; but the wise man will surely see in them a certain pathos. They indicated a craving after something better than boorishness; and the many men and women may have become the gentler and purer by looking even at them, and have said sadly to themselves: "Such might have been the peasantry of half Europe, had it not been for devastations of the Palatinate, wars of succession, and the wicked wills of emperors and kings." _ |
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