Book 2. The Grandchildren Of The Ghetto - Chapter 2. Raphael Leon

________________________________________________
_ BOOK II. THE GRANDCHILDREN OF THE GHETTO
CHAPTER II. RAPHAEL LEON

When the gentlemen joined the ladies, Raphael instinctively returned to his companion of the dinner-table. She had been singularly silent during the meal, but her manner had attracted him. Over his black coffee and cigarette it struck him that she might have been unwell, and that he had been insufficiently attentive to the little duties of the table, and he hastened to ask if she had a headache.

"No, no," she said, with a grateful smile. "At least not more than usual." Her smile was full of pensive sweetness, which made her face beautiful. It was a face that would have been almost plain but for the soul behind. It was dark, with great earnest eyes. The profile was disappointing, the curves were not perfect, and there was a reminder of Polish origin in the lower jaw and the cheek-bone. Seen from the front, the face fascinated again, in the Eastern glow of its coloring, in the flash of the white teeth, in the depths of the brooding eyes, in the strength of the features that yet softened to womanliest tenderness and charm when flooded by the sunshine of a smile. The figure was _petite_ and graceful, set off by a simple tight-fitting, high-necked dress of ivory silk draped with lace, with a spray of Neapolitan violets at the throat. They sat in a niche of the spacious and artistically furnished drawing-room, in the soft light of the candles, talking quietly while Addie played Chopin.

Mrs. Henry Goldsmith's aesthetic instincts had had full play in the elaborate carelessness of the _ensemble_, and the result was a triumph, a medley of Persian luxury and Parisian grace, a dream of somniferous couches and arm-chairs, rich tapestry, vases, fans, engravings, books, bronzes, tiles, plaques and flowers. Mr. Henry Goldsmith was himself a connoisseur in the arts, his own and his father's fortunes having been built up in the curio and antique business, though to old Aaron Goldsmith appreciation had meant strictly pricing, despite his genius for detecting false Correggios and sham Louis Quatorze cabinets.

"Do you suffer from headaches?" inquired Raphael solicitously.

"A little. The doctor says I studied too much and worked too hard when a little girl. Such is the punishment of perseverance. Life isn't like the copy-books."

"Oh, but I wonder your parents let you over-exert yourself."

A melancholy smile played about the mobile lips. "I brought myself up," she said. "You look puzzled--Oh, I know! Confess you think I'm Miss Goldsmith!"

"Why--are--you--not?" he stammered.

"No, my name is Ansell, Esther Ansell."

"Pardon me. I am so bad at remembering names in introductions. But I've just come back from Oxford and it's the first time I've been to this house, and seeing you here without a cavalier when we arrived, I thought you lived here."

"You thought rightly, I do live here." She laughed gently at his changing expression.

"I wonder Sidney never mentioned you to me," he said.

"Do you mean Mr. Graham?" she said with a slight blush.

"Yes, I know he visits here."

"Oh, he is an artist. He has eyes only for the beautiful." She spoke quickly, a little embarrassed.

"You wrong him; his interests are wider than that."

"Do you know I am so glad you didn't pay me the obvious compliment?" she said, recovering herself. "It looked as if I were fishing for it. I'm so stupid."

He looked at her blankly.

"_I'm_ stupid," he said, "for I don't know what compliment I missed paying."

"If you regret it I shall not think so well of you," she said. "You know I've heard all about your brilliant success at Oxford."

"They put all those petty little things in the Jewish papers, don't they?"

"I read it in the _Times_," retorted Esther. "You took a double first and the prize for poetry and a heap of other things, but I noticed the prize for poetry, because it is so rare to find a Jew writing poetry."

"Prize poetry is not poetry," he reminded her. "But, considering the Jewish Bible contains the finest poetry in the world, I do not see why you should be surprised to find a Jew trying to write some."

"Oh, you know what I mean," answered Esther. "What is the use of talking about the old Jews? We seem to be a different race now. Who cares for poetry?"

"Our poet's scroll reaches on uninterruptedly through the Middle Ages. The passing phenomenon of to-day must not blind us to the real traits of our race," said Raphael.

"Nor must we be blind to the passing phenomenon of to-day," retorted Esther. "We have no ideals now."

"I see Sidney has been infecting you," he said gently.

"No, no; I beg you will not think that," she said, flushing almost resentfully. "I have thought these things, as the Scripture tells us to meditate on the Law, day and night, sleeping and waking, standing up and sitting down."

"You cannot have thought of them without prejudice, then," he answered, "if you say we have no ideals."

"I mean, we're not responsive to great poetry--to the message of a Browning for instance."

"I deny it. Only a small percentage of his own race is responsive. I would wager our percentage is proportionally higher. But Browning's philosophy of religion is already ours, for hundreds of years every Saturday night every Jew has been proclaiming the view of life and Providence in 'Pisgah Sights.'"

All's lend and borrow,
Good, see, wants evil,
Joy demands sorrow,
Angel weds devil.

"What is this but the philosophy of our formula for ushering out the Sabbath and welcoming in the days of toil, accepting the holy and the profane, the light and the darkness?"

"Is that in the prayer-book?" said Esther astonished.

"Yes; you see you are ignorant of our own ritual while admiring everything non-Jewish. Excuse me if I am frank, Miss Ansell, but there are many people among us who rave over Italian antiquities but can see nothing poetical in Judaism. They listen eagerly to Dante but despise David."

"I shall certainly look up the liturgy," said Esther. "But that will not alter my opinion. The Jew may say these fine things, but they are only a tune to him. Yes, I begin to recall the passage in Hebrew--I see my father making _Havdolah_--the melody goes in my head like a sing-song. But I never in my life thought of the meaning. As a little girl I always got my conscious religious inspiration out of the New Testament. It sounds very shocking, I know."

"Undoubtedly you put your finger on an evil. But there is religious edification in common prayers and ceremonies even when divorced from meaning. Remember the Latin prayers of the Catholic poor. Jews may be below Judaism, but are not all men below their creed? If the race which gave the world the Bible knows it least--" He stopped suddenly, for Addie was playing pianissimo, and although she was his sister, he did not like to put her out.

"It comes to this," said Esther when Chopin spoke louder, "our prayer-book needs depolarization, as Wendell Holmes says of the Bible."

"Exactly," assented Raphael. "And what our people need is to make acquaintance with the treasure of our own literature. Why go to Browning for theism, when the words of his 'Rabbi Ben Ezra' are but a synopsis of a famous Jewish argument:

"'I see the whole design.
I, who saw Power, see now Love, perfect too.
Perfect I call Thy plan,
Thanks that I was a man!
Maker, remaker, complete, I trust what thou shalt do.'

"It sounds like a bit of Bachja. That there is a Power outside us nobody denies; that this Power works for our good and wisely, is not so hard to grant when the facts of the soul are weighed with the facts of Nature. Power, Love, Wisdom--there you have a real trinity which makes up the Jewish God. And in this God we trust, incomprehensible as are His ways, unintelligible as is His essence. 'Thy ways are not My ways nor Thy thoughts My thoughts.' That comes into collision with no modern philosophies; we appeal to experience and make no demands upon the faculty for believing things 'because they are impossible.' And we are proud and happy in that the dread Unknown God of the infinite Universe has chosen our race as the medium by which to reveal His will to the world. We are sanctified to His service. History testifies that this has verily been our mission, that we have taught the world religion as truly as Greece has taught beauty and science. Our miraculous survival through the cataclysms of ancient and modern dynasties is a proof that our mission is not yet over."

The sonata came to an end; Percy Saville started a comic song, playing his own accompaniment. Fortunately, it was loud and rollicking.

"And do you really believe that we are sanctified to God's service?" said Esther, casting a melancholy glance at Percy's grimaces.

"Can there be any doubt of it? God made choice of one race to be messengers and apostles, martyrs at need to His truth. Happily, the sacred duty is ours," he said earnestly, utterly unconscious of the incongruity that struck Esther so keenly. And yet, of the two, he had by far the greater gift of humor. It did not destroy his idealism, but kept it in touch with things mundane. Esther's vision, though more penetrating, lacked this corrective of humor, which makes always for breadth of view. Perhaps it was because she was a woman, that the trivial, sordid details of life's comedy hurt her so acutely that she could scarcely sit out the play patiently. Where Raphael would have admired the lute, Esther was troubled by the little rifts in it.

"But isn't that a narrow conception of God's revelation?" she asked.

"No. Why should God not teach through a great race as through a great man?"

"And you really think that Judaism is not dead, intellectually speaking?"

"How can it die? Its truths are eternal, deep in human nature and the constitution of things. Ah, I wish I could get you to see with the eyes of the great Rabbis and sages in Israel; to look on this human life of ours, not with the pessimism of Christianity, but as a holy and precious gift, to be enjoyed heartily yet spent in God's service--birth, marriage, death, all holy; good, evil, alike holy. Nothing on God's earth common or purposeless. Everything chanting the great song of God's praise; the morning stars singing together, as we say in the Dawn Service."

As he spoke Esther's eyes filled with strange tears. Enthusiasm always infected her, and for a brief instant her sordid universe seemed to be transfigured to a sacred joyous reality, full of infinite potentialities of worthy work and noble pleasure. A thunder of applausive hands marked the end of Percy Saville's comic song. Mr. Montagu Samuels was beaming at his brother's grotesque drollery. There was an interval of general conversation, followed by a round game in which Raphael and Esther had to take part. It was very dull, and they were glad to find themselves together again.

"Ah, yes," said Esther, sadly, resuming the conversation as if there had been no break, "but this is a Judaism of your own creation. The real Judaism is a religion of pots and pans. It does not call to the soul's depths like Christianity."

"Again, it is a question of the point of view taken. From a practical, our ceremonialism is a training in self-conquest, while it links the generations 'bound each to each by natural piety,' and unifies our atoms dispersed to the four corners of the earth as nothing else could. From a theoretical, it is but an extension of the principle I tried to show you. Eating, drinking, every act of life is holy, is sanctified by some relation to heaven. We will not arbitrarily divorce some portions of life from religion, and say these are of the world, the flesh, or the devil, any more than we will save up our religion for Sundays. There is no devil, no original sin, no need of salvation from it, no need of a mediator. Every Jew is in as direct relation with God as the Chief Rabbi. Christianity is an historical failure--its counsels of perfection, its command to turn the other cheek--a farce. When a modern spiritual genius, a Tolstoi, repeats it, all Christendom laughs, as at a new freak of insanity. All practical, honorable men are Jews at heart. Judaism has never tampered with human dignity, nor perverted the moral consciousness. Our housekeeper, a Christian, once said to my sifter Addie, 'I'm so glad to see you do so much charity, Miss; _I_ need not, because I'm saved already.' Judaism is the true 'religion of humanity.' It does not seek to make men and women angels before their time. Our marriage service blesses the King of the Universe, who has created 'joy and gladness, bridegroom and bride, mirth and exultation, pleasure and delight, love, brotherhood, peace and fellowship.'"

"It is all very beautiful in theory," said Esther. "But so is Christianity, which is also not to be charged with its historical caricatures, nor with its superiority to average human nature. As for the doctrine of original sin, it is the one thing that the science of heredity has demonstrated, with a difference. But do not be alarmed, I do not call myself a Christian because I see some relation between the dogmas of Christianity and the truths of experience, nor even because"--here she smiled, wistfully--"I should like to believe in Jesus. But you are less logical. When you said there was no devil, I felt sure I was right; that you belong to the modern schools, who get rid of all the old beliefs but cannot give up the old names. You know, as well as I do, that, take away the belief in hell, a real old-fashioned hell of fire and brimstone, even such Judaism as survives would freeze to death without that genial warmth."

"I know nothing of the kind," he said, "and I am in no sense a modern. I am (to adopt a phrase which is, to me, tautologous) an orthodox Jew."

Esther smiled. "Forgive my smiling," she said. "I am thinking of the orthodox Jews I used to know, who used to bind their phylacteries on their arms and foreheads every morning."

"I bind my phylacteries on my arm and forehead every morning," he said, simply.

"What!" gasped Esther. "You an Oxford man!"

"Yes," he said, gravely. "Is it so astonishing to you?"

"Yes, it is. You are the first educated Jew I have ever met who believed in that sort of thing."

"Nonsense?" he said, inquiringly. "There are hundreds like me."

She shook her head.

"There's the Rev. Joseph Strelitski. I suppose _he_ does, but then he's paid for it."

"Oh, why will you sneer at Strelitski?" he said, pained. "He has a noble soul. It is to the privilege of his conversation that I owe my best understanding of Judaism."

"Ah, I was wondering why the old arguments sounded so different, so much more convincing, from your lips," murmured Esther. "Now I know; because he wears a white tie. That sets up all my bristles of contradiction when he opens his mouth."

"But I wear a white tie, too," said Raphael, his smile broadening in sympathy with the slow response on the girl's serious face.

"That's not a trade-mark," she protested. "But forgive me; I didn't know Strelitski was a friend of yours. I won't say a word against him any more. His sermons really are above the average, and he strives more than the others to make Judaism more spiritual."

"More spiritual!" he repeated, the pained expression returning. "Why, the very theory of Judaism has always been the spiritualization of the material."

"And the practice of Judaism has always been the materialization of the spiritual," she answered.

He pondered the saying thoughtfully, his face growing sadder.

"You have lived among your books," Esther went on. "I have lived among the brutal facts. I was born in the Ghetto, and when you talk of the mission of Israel, silent sardonic laughter goes through me as I think of the squalor and the misery."

"God works through human suffering; his ways are large," said Raphael, almost in a whisper.

"And wasteful," said Esther. "Spare me clerical platitudes a la Strelitski. I have seen so much."

"And suffered much?" he asked gently.

She nodded scarce perceptibly. "Oh, if you only knew my life!"

"Tell it me," he said. His voice was soft and caressing. His frank soul seemed to pierce through all conventionalities, and to go straight to hers.

"I cannot, not now," she murmured. "There is so much to tell."

"Tell me a little," he urged.

She began to speak of her history, scarce knowing why, forgetting he was a stranger. Was it racial affinity, or was it merely the spiritual affinity of souls that feel their identity through all differences of brain?

"What is the use?" she said. "You, with your childhood, could never realize mine. My mother died when I was seven; my father was a Russian pauper alien who rarely got work. I had an elder brother of brilliant promise. He died before he was thirteen. I had a lot of brothers and sisters and a grandmother, and we all lived, half starved, in a garret."

Her eyes grew humid at the recollection; she saw the spacious drawing-room and the dainty bric-a-brac through a mist.

"Poor child!" murmured Raphael.

"Strelitski, by the way, lived in our street then. He sold cigars on commission and earned an honest living. Sometimes I used to think that is why he never cares to meet my eye; he remembers me and knows I remember him; at other times I thought he knew that I saw through his professions of orthodoxy. But as you champion him, I suppose I must look for a more creditable reason for his inability to look me straight in the face. Well, I grew up, I got on well at school, and about ten years ago I won a prize given by Mrs. Henry Goldsmith, whose kindly interest I excited thenceforward. At thirteen I became a teacher. This had always been my aspiration: when it was granted I was more unhappy than ever. I began to realize acutely that we were terribly poor. I found it difficult to dress so as to insure the respect of my pupils and colleagues; the work was unspeakably hard and unpleasant; tiresome and hungry little girls had to be ground to suit the inspectors, and fell victims to the then prevalent competition among teachers for a high percentage of passes. I had to teach Scripture history and I didn't believe in it. None of us believed in it; the talking serpent, the Egyptian miracles, Samson, Jonah and the whale, and all that. Everything about me was sordid and unlovely. I yearned for a fuller, wider life, for larger knowledge. I hungered for the sun. In short, I was intensely miserable. At home things went from bad to worse; often I was the sole bread-winner, and my few shillings a week were our only income. My brother Solomon grew up, but could not get into a decent situation because he must not work on the Sabbath. Oh, if you knew how young lives are cramped and shipwrecked at the start by this one curse of the Sabbath, you would not wish us to persevere in our isolation. It sent a mad thrill of indignation through me to find my father daily entreating the deaf heavens."

He would not argue now. His eyes were misty.

"Go on!" he murmured.

"The rest is nothing. Mrs. Henry Goldsmith stepped in as the _dea ex machina_. She had no children, and she took it into her head to adopt me. Naturally I was dazzled, though anxious about my brothers and sisters. But my father looked upon it as a godsend. Without consulting me, Mrs. Goldsmith arranged that he and the other children should be shipped to America: she got him some work at a relative's in Chicago. I suppose she was afraid of having the family permanently hanging about the Terrace. At first I was grieved; but when the pain of parting was over I found myself relieved to be rid of them, especially of my father. It sounds shocking, I know, but I can confess all my vanities now, for I have learned all is vanity. I thought Paradise was opening before me; I was educated by the best masters, and graduated at the London University. I travelled and saw the Continent; had my fill of sunshine and beauty. I have had many happy moments, realized many childish ambitions, but happiness is as far away as ever. My old school-colleagues envy me, yet I do not know whether I would not go back without regret."

"Is there anything lacking in your life, then?" he asked gently.

"No, I happen to be a nasty, discontented little thing, that is all," she said, with a faint smile. "Look on me as a psychological paradox, or a text for the preacher."

"And do the Goldsmiths know of your discontent?"

"Heaven forbid! They have been so very kind to me. We get along very well together. I never discuss religion with them, only the services and the minister."

"And your relatives?"

"Ah, they are all well and happy. Solomon has a store in Detroit. He is only nineteen and dreadfully enterprising. Father is a pillar of a Chicago _Chevra_. He still talks Yiddish. He has escaped learning American just as he escaped learning English. I buy him a queer old Hebrew book sometimes with my pocket-money and he is happy. One little sister is a type-writer, and the other is just out of school and does the housework. I suppose I shall go out and see them all some day."

"What became of the grandmother you mentioned?"

"She had a Charity Funeral a year before the miracle happened. She was very weak and ill, and the Charity Doctor warned her that she must not fast on the Day of Atonement. But she wouldn't even moisten her parched lips with a drop of cold water. And so she died; exhorting my father with her last breath to beware of Mrs. Simons (a good-hearted widow who was very kind to us), and to marry a pious Polish woman."

"And did he?"

"No, I am still stepmotherless. Your white tie's gone wrong. It's all on one side."

"It generally is," said Raphael, fumbling perfunctorily at the little bow.

"Let me put it straight. There! And now you know all about me. I hope you are going to repay my confidences in kind."

"I am afraid I cannot oblige with anything so romantic," he said smiling. "I was born of rich but honest parents, of a family settled in England for three generations, and went to Harrow and Oxford in due course. That is all. I saw a little of the Ghetto, though, when I was a boy. I had some correspondence on Hebrew Literature with a great Jewish scholar, Gabriel Hamburg (he lives in Stockholm now), and one day when I was up from Harrow I went to see him. By good fortune I assisted at the foundation of the Holy Land League, now presided over by Gideon, the member for Whitechapel. I was moved to tears by the enthusiasm; it was there I made the acquaintance of Strelitski. He spoke as if inspired. I also met a poverty-stricken poet, Melchitsedek Pinchas, who afterwards sent me his work, _Metatoron's Flames_, to Harrow. A real neglected genius. Now there's the man to bear in mind when one speaks of Jews and poetry. After that night I kept up a regular intercourse with the Ghetto, and have been there several times lately."

"But surely you don't also long to return to Palestine?"

"I do. Why should we not have our own country?"

"It would be too chaotic! Fancy all the Ghettos of the world amalgamating. Everybody would want to be ambassador at Paris, as the old joke says."

"It would be a problem for the statesmen among us. Dissenters, Churchmen, Atheists, Slum Savages, Clodhoppers, Philosophers, Aristocrats--make up Protestant England. It is the popular ignorance of the fact that Jews are as diverse as Protestants that makes such novels as we were discussing at dinner harmful."

"But is the author to blame for that? He does not claim to present the whole truth but a facet. English society lionized Thackeray for his pictures of it. Good heavens! Do Jews suppose they alone are free from the snobbery, hypocrisy and vulgarity that have shadowed every society that has ever existed?"

"In no work of art can the spectator be left out of account," he urged. "In a world full of smouldering prejudices a scrap of paper may start the bonfire. English society can afford to laugh where Jewish society must weep. That is why our papers are always so effusively grateful for Christian compliments. You see it is quite true that the author paints not the Jews but bad Jews, but, in the absence of paintings of good Jews, bad Jews are taken as identical with Jews."

"Oh, then you agree with the others about the book?" she said in a disappointed tone.

"I haven't read it; I am speaking generally. Have you?"

"Yes."

"And what did you think of it? I don't remember your expressing an opinion at table."

She pondered an instant.

"I thought highly of it and agreed with every word of it." She paused. He looked expectantly into the dark intense face. He saw it was charged with further speech.

"Till I met you," she concluded abruptly.

A wave of emotion passed over his face.

"You don't mean that?" he murmured.

"Yes, I do. You have shown me new lights."

"I thought I was speaking platitudes," he said simply. "It would be nearer the truth to say you have given _me_ new lights."

The little face flushed with pleasure; the dark skin shining, the eyes sparkling. Esther looked quite pretty.

"How is that possible?" she said. "You have read and thought twice as much as I."

"Then you must be indeed poorly off," he said, smiling. "But I am really glad we met. I have been asked to edit a new Jewish paper, and our talk has made me see more clearly the lines on which it must be run, if it is to do any good. I am awfully indebted to you."

"A new Jewish paper?" she said, deeply interested. "We have so many already. What is its _raison d'etre_?"

"To convert you," he said smiling, but with a ring of seriousness in the words.

"Isn't that like a steam-hammer cracking a nut or Hoti burning down his house to roast a pig? And suppose I refuse to take in the new Jewish paper? Will it suspend publication?" He laughed.

"What's this about a new Jewish paper?" said Mrs. Goldsmith, suddenly appearing in front of them with her large genial smile. "Is that what you two have been plotting? I noticed you've laid your heads together all the evening. Ah well, birds of a feather flock together. Do you know my little Esther took the scholarship for logic at London? I wanted her to proceed to the M.A. at once, but the doctor said she must have a rest." She laid her hand affectionately on the girl's hair.

Esther looked embarrassed.

"And so she is still a Bachelor," said Raphael, smiling but evidently impressed.

"Yes, but not for long I hope," returned Mrs. Goldsmith. "Come, darling, everybody's dying to hear one of your little songs."

"The dying is premature," said Esther. "You know I only sing for my own amusement."

"Sing for mine, then," pleaded Raphael.

"To make you laugh?" queried Esther. "I know you'll laugh at the way I play the accompaniment. One's fingers have to be used to it from childhood--"

Her eyes finished the sentence, "and you know what mine was."

The look seemed to seal their secret sympathy.

She went to the piano and sang in a thin but trained soprano. The song was a ballad with a quaint air full of sadness and heartbreak. To Raphael, who had never heard the psalmic wails of "The Sons of the Covenant" or the Polish ditties of Fanny Belcovitch, it seemed also full of originality. He wished to lose himself in the sweet melancholy, but Mrs. Goldsmith, who had taken Esther's seat at his side, would not let him.

"Her own composition--words and music," she whispered. "I wanted her to publish it, but she is so shy and retiring. Who would think she was the child of a pauper emigrant, a rough jewel one has picked up and polished? If you really are going to start a new Jewish paper, she might be of use to you. And then there is Miss Cissy Levine--you have read her novels, of course? Sweetly pretty! Do you know, I think we are badly in want of a new paper, and you are the only man in the community who could give it us. We want educating, we poor people, we know so little of our faith and our literature."

"I am so glad you feel the want of it," whispered Raphael, forgetting Esther in his pleasure at finding a soul yearning for the light.

"Intensely. I suppose it will be advanced?"

Raphael looked at her a moment a little bewildered.

"No, it will be orthodox. It is the orthodox party that supplies the funds."

A flash of light leaped into Mrs. Goldsmith's eyes.

"I am so glad it is not as I feared." she said. "The rival party has hitherto monopolized the press, and I was afraid that like most of our young men of talent you would give it that tendency. Now at last we poor orthodox will have a voice. It will be written in English?"

"As far as I can," he said, smiling.

"No, you know what I mean. I thought the majority of the orthodox couldn't read English and that they have their jargon papers. Will you be able to get a circulation?"

"There are thousands of families in the East End now among whom English is read if not written. The evening papers sell as well there as anywhere else in London."

"Bravo!" murmured Mrs. Goldsmith, clapping her hands.

Esther had finished her song. Raphael awoke to the remembrance of her. But she did not come to him again, sitting down instead on a lounge near the piano, where Sidney bantered Addie with his most paradoxical persiflage.

Raphael looked at her. Her expression was abstracted, her eyes had an inward look. He hoped her headache had not got worse. She did not look at all pretty now. She seemed a frail little creature with a sad thoughtful face and an air of being alone in the midst of a merry company. Poor little thing! He felt as if he had known her for years. She seemed curiously out of harmony with all these people. He doubted even his own capacity to commune with her inmost soul. He wished he could be of service to her, could do anything for her that might lighten her gloom and turn her morbid thoughts in healthier directions.

The butler brought in some claret negus. It was the break-up signal. Raphael drank his negus with a pleasant sense of arming himself against the cold air. He wanted to walk home smoking his pipe, which he always carried in his overcoat. He clasped Esther's hand with a cordial smile of farewell.

"We shall meet again soon, I trust," he said.

"I hope so," said Esther; "put me down as a subscriber to that paper."

"Thank you," he said; "I won't forget."

"What's that?" said Sidney, pricking up his ears; "doubled your circulation already?"

Sidney put his cousin Addie into a hansom, as she did not care to walk, and got in beside her.

"My feet are tired," she said; "I danced a lot last night, and was out a lot this afternoon. It's all very well for Raphael, who doesn't know whether he's walking on his head or his heels. Here, put your collar up, Raphael, not like that, it's all crumpled. Haven't you got a handkerchief to put round your throat? Where's that one I gave you? Lend him yours, Sidney."

"You don't mind if _I_ catch my death of cold; I've got to go on a Christmas dance when I deposit you on your doorstep," grumbled Sidney. "Catch! There, you duffer! It's gone into the mud. Sure you won't jump in? Plenty of room. Addie can sit on my knee. Well, ta, ta! Merry Christmas."

Raphael lit his pipe and strode off with long ungainly strides. It was a clear frosty night, and the moonlight glistened on the silent spaces of street and square.

"Go to bed, my dear," said Mrs. Goldsmith, returning to the lounge where Esther still sat brooding. "You look quite worn out."

Left alone, Mrs. Goldsmith smiled pleasantly at Mr. Goldsmith, who, uncertain of how he had behaved himself, always waited anxiously for the verdict. He was pleased to find it was "not guilty" this time.

"I think that went off very well," she said. She was looking very lovely to-night, the low bodice emphasizing the voluptuous outlines of the bust.

"Splendidly," he returned. He stood with his coat-tails to the fire, his coarse-grained face beaming like an extra lamp. "The people and those croquettes were A1. The way Mary's picked up French cookery is wonderful."

"Yes, especially considering she denies herself butter. But I'm not thinking of that nor of our guests." He looked at her wonderingly. "Henry," she continued impressively, "how would you like to get into Parliament?"

"Eh, Parliament? Me?" he stammered.

"Yes, why not? I've always had it in my eye."

His face grew gloomy. "It is not practicable," he said, shaking the head with the prominent teeth and ears.

"Not practicable?" she echoed sharply. "Just think of what you've achieved already, and don't tell me you're going to stop now. Not practicable, indeed! Why, that's the very word you used years ago in the provinces when I said you ought to be President. You said old Winkelstein had been in the position too long to be ousted. And yet I felt certain your superior English would tell in the long run in such a miserable congregation of foreigners, and when Winkelstein had made that delicious blunder about the 'university' of the Exodus instead of the 'anniversary,' and I went about laughing over it in all the best circles, the poor man's day was over. And when we came to London, and seemed to fall again to the bottom of the ladder because our greatness was swallowed up in the vastness, didn't you despair then? Didn't you tell me that we should never rise to the surface?"

"It didn't seem probable, did it?" he murmured in self-defence.

"Of course not. That's just my point. Your getting into the House of Commons doesn't seem probable now. But in those days your getting merely to know M.P.'s was equally improbable. The synagogal dignities were all filled up by old hands, there was no way of getting on the Council and meeting our magnates."

"Yes, but your solution of that difficulty won't do here. I had not much difficulty in persuading the United Synagogue that a new synagogue was a crying want in Kensington, but I could hardly persuade the government that a new constituency is a crying want in London." He spoke pettishly; his ambition always required rousing and was easily daunted.

"No, but somebody's going to start a new something else, Henry," said Mrs. Goldsmith with enigmatic cheerfulness. "Trust in me; think of what we have done in less than a dozen years at comparatively trifling costs, thanks to that happy idea of a new synagogue--you the representative of the Kensington synagogue, with a 'Sir' for a colleague and a congregation that from exceptionally small beginnings has sprung up to be the most fashionable in London; likewise a member of the Council of the Anglo-Jewish Association and an honorary officer of the _Shechitah_ Board; I, connected with several first-class charities, on the Committee of our leading school, and the acknowledged discoverer of a girl who gives promise of doing something notable in literature or music. We have a reputation for wealth, culture and hospitality, and it is quite two years since we shook off the last of the Maida Vale lot, who are so graphically painted in that novel of Mr. Armitage's. Who are our guests now? Take to-night's! A celebrated artist, a brilliant young Oxford man, both scions of the same wealthy and well-considered family, an authoress of repute who dedicates her books (by permission) to the very first families of the community; and lastly the Montagu Samuels with the brother, Percy Saville, who both go only to the best houses. Is there any other house, where the company is so exclusively Jewish, that could boast of a better gathering?"

"I don't say anything against the company," said her husband awkwardly, "it's better than we got in the Provinces. But your company isn't your constituency. What constituency would have me?"

"Certainly, no ordinary constituency would have you," admitted his wife frankly. "I am thinking of Whitechapel."

"But Gideon represents Whitechapel."

"Certainly; as Sidney Graham says, he represents it very well. But he has made himself unpopular, his name has appeared in print as a guest at City banquets, where the food can't be _kosher_. He has alienated a goodly proportion of the Jewish vote."

"Well?" said Mr. Goldsmith, still wonderingly.

"Now is the time to bid for his shoes. Raphael Leon is about to establish a new Jewish paper. I was mistaken about that young man. You remember my telling you I had heard he was eccentric and despite his brilliant career a little touched on religious matters. I naturally supposed his case was like that of one or two other Jewish young men we know and that he yearned for spirituality, and his remarks at table rather confirmed the impression. But he is worse than that--and I nearly put my foot in it--his craziness is on the score of orthodoxy! Fancy that! A man who has been to Harrow and Oxford longing for a gaberdine and side curls! Well, well, live and learn. What a sad trial for his parents!" She paused, musing.

"But, Rosetta, what has Raphael Leon to do with my getting into Parliament?"

"Don't be stupid, Henry. Haven't I explained to you that Leon is going to start an orthodox paper which will be circulated among your future constituents. It's extremely fortunate that we have always kept our religion. We have a widespread reputation for orthodoxy. We are friends with Leon, and we can get Esther to write for the paper (I could see he was rather struck by her). Through this paper we can keep you and your orthodoxy constantly before the constituency. The poor people are quite fascinated by the idea of rich Jews like us keeping a strictly _kosher_ table; but the image of a Member of Parliament with phylacteries on his forehead will simply intoxicate them." She smiled, herself, at the image; the smile that always intoxicated Percy Saville.

"You're a wonderful woman, Rosetta," said Henry, smiling in response with admiring affection and making his incisors more prominent. He drew her head down to him and kissed her lips. She returned his kiss lingeringly and they had a flash of that happiness which is born of mutual fidelity and trust.

"Can I do anything for you, mum, afore I go to bed?" said stout old Mary O'Reilly, appearing at the door. Mary was a privileged person, unappalled even by the butler. Having no relatives, she never took a holiday and never went out except to Chapel.

"No, Mary, thank you. The dinner was excellent. Good night and merry Christmas."

"Same to you, mum," and as the unconscious instrument of Henry Goldsmith's candidature turned away, the Christmas bells broke merrily upon the night. The peals fell upon the ears of Raphael Leon, still striding along, casting a gaunt shadow on the hoar-frosted pavement, but he marked them not; upon Addie sitting by her bedroom mirror thinking of Sidney speeding to the Christmas dance; upon Esther turning restlessly on the luxurious eider-down, oppressed by panoramic pictures of the martyrdom of her race. Lying between sleep and waking, especially when her brain had been excited, she had the faculty of seeing wonderful vivid visions, indistinguishable from realities. The martyrs who mounted the scaffold and the stake all had the face of Raphael.

"The mission of Israel" buzzed through her brain. Oh, the irony of history! Here was another life going to be wasted on an illusory dream. The figures of Raphael and her father suddenly came into grotesque juxtaposition. A bitter smile passed across her face.

The Christmas bells rang on, proclaiming Peace in the name of Him who came to bring a sword into the world.

"Surely," she thought, "the people of Christ has been the Christ of peoples."

And then she sobbed meaninglessly in the darkness _

Read next: Book 2. The Grandchildren Of The Ghetto: Chapter 3. "The Flag Of Judah"

Read previous: Book 2. The Grandchildren Of The Ghetto: Chapter 1. The Christmas Dinner

Table of content of Children of the Ghetto: A Study of a Peculiar People


GO TO TOP OF SCREEN

Post your review
Your review will be placed after the table of content of this book