________________________________________________
_ Pierre well knew this large room divided by columns and an arch, its
walls hung round with Persian carpets. The part of the room behind the
columns, with a high silk-curtained mahogany bedstead on one side
and on the other an immense case containing icons, was brightly
illuminated with red light like a Russian church during evening
service. Under the gleaming icons stood a long invalid chair, and in
that chair on snowy-white smooth pillows, evidently freshly changed,
Pierre saw- covered to the waist by a bright green quilt- the
familiar, majestic figure of his father, Count Bezukhov, with that
gray mane of hair above his broad forehead which reminded one of a
lion, and the deep characteristically noble wrinkles of his
handsome, ruddy face. He lay just under the icons; his large thick
hands outside the quilt. Into the right hand, which was lying palm
downwards, a wax taper had been thrust between forefinger and thumb,
and an old servant, bending over from behind the chair, held it in
position. By the chair stood the priests, their long hair falling over
their magnificent glittering vestments, with lighted tapers in their
hands, slowly and solemnly conducting the service. A little behind
them stood the two younger princesses holding handkerchiefs to their
eyes, and just in front of them their eldest sister, Catiche, with a
vicious and determined look steadily fixed on the icons, as though
declaring to all that she could not answer for herself should she
glance round. Anna Mikhaylovna, with a meek, sorrowful, and
all-forgiving expression on her face, stood by the door near the
strange lady. Prince Vasili in front of the door, near the invalid
chair, a wax taper in his left hand, was leaning his left arm on the
carved back of a velvet chair he had turned round for the purpose, and
was crossing himself with his right hand, turning his eyes upward each
time he touched his forehead. His face wore a calm look of piety and
resignation to the will of God. "If you do not understand these
sentiments," he seemed to be saying, "so much the worse for you!"
Behind him stood the aide-de-camp, the doctors, and the menservants;
the men and women had separated as in church. All were silently
crossing themselves, and the reading of the church service, the
subdued chanting of deep bass voices, and in the intervals sighs and
the shuffling of feet were the only sounds that could be heard. Anna
Mikhaylovna, with an air of importance that showed that she felt she
quite knew what she was about, went across the room to where Pierre
was standing and gave him a taper. He lit it and, distracted by
observing those around him, began crossing himself with the hand
that held the taper.
Sophie, the rosy, laughter-loving, youngest princess with the
mole, watched him. She smiled, hid her face in her handkerchief, and
remained with it hidden for awhile; then looking up and seeing
Pierre she again began to laugh. She evidently felt unable to look
at him without laughing, but could not resist looking at him: so to be
out of temptation she slipped quietly behind one of the columns. In
the midst of the service the voices of the priests suddenly ceased,
they whispered to one another, and the old servant who was holding the
count's hand got up and said something to the ladies. Anna Mikhaylovna
stepped forward and, stooping over the dying man, beckoned to
Lorrain from behind her back. The French doctor held no taper; he
was leaning against one of the columns in a respectful attitude
implying that he, a foreigner, in spite of all differences of faith,
understood the full importance of the rite now being performed and
even approved of it. He now approached the sick man with the noiseless
step of one in full vigor of life, with his delicate white fingers
raised from the green quilt the hand that was free, and turning
sideways felt the pulse and reflected a moment. The sick man was given
something to drink, there was a stir around him, then the people
resumed their places and the service continued. During this interval
Pierre noticed that Prince Vasili left the chair on which he had
been leaning, and- with air which intimated that he knew what he was
about and if others did not understand him it was so much the worse
for them- did not go up to the dying man, but passed by him, joined
the eldest princess, and moved with her to the side of the room
where stood the high bedstead with its silken hangings. On leaving the
bed both Prince Vasili and the princess passed out by a back door, but
returned to their places one after the other before the service was
concluded. Pierre paid no more attention to this occurrence than to
the rest of what went on, having made up his mind once for all that
what he saw happening around him that evening was in some way
essential.
The chanting of the service ceased, and the voice of the priest
was heard respectfully congratulating the dying man on having received
the sacrament. The dying man lay as lifeless and immovable as
before. Around him everyone began to stir: steps were audible and
whispers, among which Anna Mikhaylovna's was the most distinct.
Pierre heard her say:
"Certainly he must be moved onto the bed; here it will be
impossible..."
The sick man was so surrounded by doctors, princesses, and
servants that Pierre could no longer see the reddish-yellow face
with its gray mane- which, though he saw other faces as well, he had
not lost sight of for a single moment during the whole service. He
judged by the cautious movements of those who crowded round the
invalid chair that they had lifted the dying man and were moving him.
"Catch hold of my arm or you'll drop him!" he heard one of the
servants say in a frightened whisper. "Catch hold from underneath.
Here!" exclaimed different voices; and the heavy breathing of the
bearers and the shuffling of their feet grew more hurried, as if the
weight they were carrying were too much for them.
As the bearers, among whom was Anna Mikhaylovna, passed the young
man he caught a momentary glimpse between their heads and backs of the
dying man's high, stout, uncovered chest and powerful shoulders,
raised by those who were holding him under the armpits, and of his
gray, curly, leonine head. This head, with its remarkably broad brow
and cheekbones, its handsome, sensual mouth, and its cold, majestic
expression, was not disfigured by the approach of death. It was the
same as Pierre remembered it three months before, when the count had
sent him to Petersburg. But now this head was swaying helplessly
with the uneven movements of the bearers, and the cold listless gaze
fixed itself upon nothing.
After a few minutes' bustle beside the high bedstead, those who
had carried the sick man dispersed. Anna Mikhaylovna touched
Pierre's hand and said, "Come." Pierre went with her to the bed on
which the sick man had been laid in a stately pose in keeping with the
ceremony just completed. He lay with his head propped high on the
pillows. His hands were symmetrically placed on the green silk
quilt, the palms downward. When Pierre came up the count was gazing
straight at him, but with a look the significance of which could not
be understood by mortal man. Either this look meant nothing but that
as long as one has eyes they must look somewhere, or it meant too
much. Pierre hesitated, not knowing what to do, and glanced
inquiringly at his guide. Anna Mikhaylovna made a hurried sign with
her eyes, glancing at the sick man's hand and moving her lips as if to
send it a kiss. Pierre, carefully stretching his neck so as not to
touch the quilt, followed her suggestion and pressed his lips to the
large boned, fleshy hand. Neither the hand nor a single muscle of
the count's face stirred. Once more Pierre looked questioningly at
Anna Mikhaylovna to see what he was to do next. Anna Mikhaylovna
with her eyes indicated a chair that stood beside the bed. Pierre
obediently sat down, his eyes asking if he were doing right. Anna
Mikhaylovna nodded approvingly. Again Pierre fell into the naively
symmetrical pose of an Egyptian statue, evidently distressed that
his stout and clumsy body took up so much room and doing his utmost to
look as small as possible. He looked at the count, who still gazed
at the spot where Pierre's face had been before he sat down. Anna
Mikhaylovna indicated by her attitude her consciousness of the
pathetic importance of these last moments of meeting between the
father and son. This lasted about two minutes, which to Pierre
seemed an hour. Suddenly the broad muscles and lines of the count's
face began to twitch. The twitching increased, the handsome mouth
was drawn to one side (only now did Pierre realize how near death
his father was), and from that distorted mouth issued an indistinct,
hoarse sound. Anna Mikhaylovna looked attentively at the sick man's
eyes, trying to guess what he wanted; she pointed first to Pierre,
then to some drink, then named Prince Vasili in an inquiring
whisper, then pointed to the quilt. The eyes and face of the sick
man showed impatience. He made an effort to look at the servant who
stood constantly at the head of the bed.
"Wants to turn on the other side," whispered the servant, and got up
to turn the count's heavy body toward the wall.
Pierre rose to help him.
While the count was being turned over, one of his arms fell back
helplessly and he made a fruitless effort to pull it forward.
Whether he noticed the look of terror with which Pierre regarded
that lifeless arm, or whether some other thought flitted across his
dying brain, at any rate he glanced at the refractory arm, at Pierre's
terror-stricken face, and again at the arm, and on his face a
feeble, piteous smile appeared, quite out of keeping with his
features, that seemed to deride his own helplessness. At sight of this
smile Pierre felt an unexpected quivering in his breast and a tickling
in his nose, and tears dimmed his eyes. The sick man was turned on
to his side with his face to the wall. He sighed.
"He is dozing," said Anna Mikhaylovna, observing that one of the
princesses was coming to take her turn at watching. "Let us go."
Pierre went out. _
Read next: Book One: 1805: Chapter 24
Read previous: Book One: 1805: Chapter 22
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