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One Woman's Life, a novel by Robert Herrick |
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Part Three. Aspirations - Chapter 7. Beside The Resounding Sea |
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_ PART THREE. ASPIRATIONS CHAPTER VII. BESIDE THE RESOUNDING SEA After much of the usual futile discussion they decided upon Klerac, a little place on the coast of Brittany, which certain artists whom Bragdon knew recommended. One American landscapist of established reputation painted in that region, and around him had gathered a number of his countrymen, in the hope of acquiring if not his skill at least some of his commercial talent for self-exploitation. So the end of June found them settled comfortably enough in the Hotel du Passage just across the bay from Douarnenez, where the great one had his studio. Milly, who usually had some difficulty in adjusting herself to a new situation and missed the freedoms of her own house, took to Klerac after the first few days of strangeness. The tiny village and the sleepy country were utterly unlike anything she had ever seen or dreamed of before. Green branches of broad chestnut trees overhung the dark water of the little bay, and a sea of the deepest purple lay out beyond the headland and boomed against the sand-dunes. The bay and the brilliant sea were perpetually alive with the fishing craft, which were picturesquely adorned with colored sails. And inland, only a few steps from all this vivid coloring of the sea, green lanes meandered between lofty hedges of thick blackberry vines. Always, even among the remoter fields, there was the muffled murmur of the sea on the sand and the tang of salt in the air. The queer, dark little people of the place still wore about their daily tasks their picturesque costumes, and spoke little French. One met them as in an opera, gathering kelp on the beach, driving their little tip carts through the lanes, or singing beside their thatched cottages. From her first exploratory walks with her husband Milly returned quite ravished by the quality of the place, its beauty of colored sea and peaceful country, and the little gray houses sheltered by large trees. Here she dreamed, in this fragrant salty air, they would have an enchanting summer withdrawn from the world, and great deeds would be done by her husband. "I could almost paint myself here," she said to him, "it all looks so quaint and lovely." Jack liked the place, and quickly set up his easel under the trees down by the stone pier where the fishing-boats landed and where there was always a noisy, lively scene. Milly idled near by in the sand with the baby. But the work did not go fast. She thought that Jack must be fagged after the long winter indoors, and urged him to rest for a while. They took to walking through the lanes and along the beaches. They found little to say to each other; sometimes she thought that she bored him and he would rather be alone. They were suffering, naturally, from the too great intimacy of the past two years. Neither had a spontaneous thought to offer the other,--no reaction to arouse surprise and discussion. Milly could not comprehend her husband's restless depression, his wish to be at something which he could not formulate to himself clearly enough to do. She decided that he was developing nerves and recommended bathing in the sea. When he took to painting again, she would wander along the beach by herself and watch the boys fishing for _ecrevisses_ in the salt pools among the rocks, or lay prone on the sand gazing at the colored sails on the dark sea. In spite of all the peace and the beauty about her she was lonely, and asked herself sometimes if this was what it meant to be an artist's wife. Was this all? Was life to be like this for years and years?... Their hotel was a rambling low building surrounded by high walls, with a high terrace behind, from which there was a glimpse of the sea and which was well shaded by branching plane trees. Here on calm summer nights the dinner table was spread for the _pensionnaires_, who gradually arrived. There were a few French, of a nondescript sort, a fat American from Honolulu, who had been rolling about Europe since the Spanish War, in which he had had some part. Then there was a Russian lady with two children and a Finnish maid. She was already there when they arrived and kept by herself, taking her meals at a little table with her oldest child. This Russian, a Madame Saratoff, piqued Milly's curiosity, and she soon became acquainted with her. One day when they happened to be alone on the terrace, the Russian lady turned to her with a swift smile,-- "You are American?" and when Milly admitted it, she added, "One can always tell the American women from the English." She spoke English easily, with the slightest sort of accent that merely added distinction to whatever she said. Madame Saratoff was still young, and though not a beautiful woman, had an air of privilege and breeding, with something odd in the glitter of her eyes and the wolfish way in which her curving upper lip revealed strong white teeth. She had a good figure, as Milly had already recognized, and she dressed well, with great simplicity. Milly felt interested in her, and the women talked for an hour. Milly reported to her husband:-- "She's really a Baroness. Her husband is in the diplomatic service--off in the east somewhere, and she's here alone with the children and her maid. Don't you think she's interesting looking?" The artist replied indifferently,-- "Not particularly--she has fine hands." He seemed to have noticed that about her. They quickly became better acquainted with Madame Saratoff, who, it seemed, had been in Brittany before and knew the coast thoroughly. She explained that the little hotel became unendurable later with the _canaille des artistes_, and so she had rented an old _manoir_ in the neighborhood, which was being put to rights for her. The next afternoon the three walked to see the _manoir_ through a maze of little lanes. It was a lovely old gray building with crumbling walls and had evidently once been the seat of a considerable family. But only a half dozen rooms were now habitable, and in the cracks of the great walls that surrounded the garden thick roots of creepers twisted and curled upwards. From the other end of the garden, through a break in the old hedge, there was a glimpse of the sea, and in one corner was the ruin of a chapel surmounted by an iron cross. Madame Saratoff showed them all the rooms, into which men were putting some furniture she had bought in the neighborhood--old _armoires_ and brass-bound chests of black oak as well as some modern iron beds and dressing-tables. Milly admired the peaceful gray _manoir_, and Bragdon observed as they retraced their way alone through the lanes:-- "That woman has a lot of energy in her! It shows in her movements--she has personality, character." Milly had never heard him say as much as that about any other woman, and she wondered how such large generalizations could be made from the fact that a woman was fitting up an old house. She was vaguely jealous, as any woman might be, that her husband should choose just those qualities for commendation. She went often thereafter to the _manoir_ while her husband was painting, and marvelled at the ease and sureness with which the Russian installed herself, her only helpers being the stupid peasants, who seemed to understand no language but their own jargon. "I'm used to driving cattle," the Russian explained to Milly with a little laugh. "You see my father had estates in southern Russia, and I lived there a good deal before I was married." "They must be quite important," Milly reported to Jack. "They seem to know people all over Europe." "Oh, that's Russian," he explained. "And Baron Saratoff is away on a most important mission." "Absent husbands ought to be!" "I don't believe she cares for him much." "How can you tell that so soon?" "Oh!" Milly replied vaguely, as if that were a point few women could keep from other women. As a matter of fact the Russian lady had given Milly some new and startling lights upon marriage. "I am," she told Milly in her precise speech, "what you call the 'show wife.' I go to parties, to court--all rigged up,--you say rigged, no?--dressed then very grand with my jewels. And I have children, see!" She pointed to the healthy little Saratoffs playing in the garden. "My husband goes away on his business--makes long journeys. He amuses himself. When he comes back, I have a child,--_voila_." She laughed and showed her white teeth. "But I have my vacations sometimes, too, like this." Milly thought that the Russian type of marriage must be much inferior to the American, at least the Chicago variety, where if there was any going away from home, it was usually the wife who went, and she confided this opinion to Jack, who said with a laugh:-- "Oh, you can never understand these foreigners. She's probably like every one else.... But I'd like to paint her and get that smile of hers." "Why don't you ask her?" "Perhaps I will one of these days." * * * * * The hotel gradually filled up. The great painter had come and with him his satellites, chiefly young American women, who "painted all over the place," as Bragdon put it. The long _table d'hote_ under the plane trees was a cheerful if somewhat noisy occasion these summer nights, with the black, star-strewn canopy above. They all drank the bottled cider and talked pictures and joked and sang when so moved. Even if the spirit was somewhat cheaply effervescent, like the cider, there was plenty of talk, clashing of eager ideas, and Milly liked it even more than Bragdon. He seemed older than the other artists, perhaps because he was married and less given to idle chatter. The great man singled him out for companionship after the first week, and gave patronizing praise to his work. "You are still young," he said, with a sigh for his own sixty years. "Wait another ten years and you may find something to say." Jack, repeating these words to his wife, added,--"And where do you suppose we'd be if I should wait another ten years? On the street." Tell an American to wait ten years in order to have something to say! "He's jealous," Milly pronounced. "You're going to do something stunning this summer, I just know it." "How do you know it?" he asked teasingly. "Because we can't wait ten years!" "Um," the artist sighed, "I should think not." _ |
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