Home > Authors Index > Robert Herrick > One Woman's Life > This page
One Woman's Life, a novel by Robert Herrick |
||
Part Two. Getting Married - Chapter 1. The Great Outside |
||
| < Previous |
Table of content |
Next > |
|
________________________________________________
_ PART TWO. GETTING MARRIED CHAPTER I. THE GREAT OUTSIDE All this time, while Milly Ridge was busily spinning her little cocoon in the big city, other and more serious life had been going on there, it is needless to say. Out of the human stream Milly was gathering to her attractive individualities, and Horatio was faithfully performing his minor function in the dingy brick establishment of the Hoppers'. Many hundreds of thousands, men and women, were weaving similar webs. For there was hardly a more stirring corner of the earth's broad platter than this same sprawling prairie city at the end of the great lake. All this time it had been swelling, much to the gratification of its boastful citizens,--getting busier, getting richer, getting dirtier. There had been many a civic throb and groan,--rosy successes and dreary failures. But of all this surrounding life Milly was not faintly conscious. She could tell you just when the custom of giving afternoon teas first reached Chicago, when "two men on the box" became the rule, when the first Charity Ball was held and who led the grand march and why, and when women wore those absurd puffed sleeves and when they first appeared with long tails to their coats. But of the daily doings of men folk when they disappeared of a morning into the smoky haze of the city, and of all the mighty human forces around her, she had not the slightest conception, as indeed few of her sisters had at that time. To all intents and purposes she might as well have lived in the eighteenth century or in the Colorado desert, as in Chicago in the eighties and early nineties of this marvellous nineteenth century. Horatio often referred to Chicago as a "real live town," and congratulated himself for being part of it. It was the one place in all the world to do business in. It grew over night, so the papers said each morning, and was manifestly destined to be the metropolis of the western hemisphere, etc., etc. All that was in the opulent future, for which every one lived. Even Horatio, who spent all his waking hours among men, did not in the least comprehend what it might be to live in this centre of expanding race energy. Yet he would point out to Milly appreciatively on their Sunday walks the acres of new building growing mushroomlike from the sandy soil, with the miles of tangled railroad tracks, the forest of smoking chimneys, and the ever widening canopy of black smoke. It was all ugly and dirty, the girl thought. She preferred the drive along the lake shore, and the Bowman's new palace with its machicolated cornice. It was all business, intensely business: business affected even social moments. Later, when Milly became sophisticated enough to generalize, she complained that the men were "all one kind"; they could "talk of nothing but business to a woman." Even their physique, heavy and flabby, showed the office habit, in contrast with the bony and ruddy Englishmen, who drifted through the city from time to time. That Chicago was a huge pool into which all races and peoples drained,--that was a fact of which Milly was only dimly conscious. "You see so many queer, foreign-looking people on the street," she might observe. "Polacks and Dagoes!... Ugh.... Wish they'd stay at home!" Horatio would growl in response. Milly supposed they came from the "Yards," where hordes of these savage-looking foreigners were employed in the disagreeable task of slaughtering cattle. Their activity was only too evident certain days when the wind veered to the southwest and filled the city with an awful stench. Of what it all meant, this huddling together of strange peoples from the four quarters of the globe, Milly never took the time to think. She never had the least conception of what it was,--the many miles of bricks and mortar, the tangled railroads, the ceaseless roar of the great city like the din of a huge factory. Here was the mill and the market--here was LIFE in its raw material. When she crossed the murky, slimy river, as she had occasion to do almost daily, after the removal to the North Side, she thought merely how dingy and dirty the place was, and what a pity it was one had to go through such a mess to reach the best shops and the other quarters of the city where "nice" people lived. She saw neither the beauty nor the significance of those grimy warehouses thrusting up along the muddy river amid the steam and the smoke--caverns that concealed hardware, tools, groceries, lumber,--all the raw protoplasm of life. An artist remarked once to Milly, "It's like Hell--and like Paradise, all in one,--this river!" She thought him rather silly. One evening, however, out of this roaring hive of men and women striving to feed and clothe and house themselves came a flash of vivid lightning in the murky sky,--the bomb of the anarchist. That was enough to startle even the Milly Ridges,--spitting forth its vicious message only a mile or two from where the very "nicest" people had their homes! The sodden consciousness of the city awoke in a hideous nightmare of fear. The newspapers were filled with the ravings of excited ignorance. Nobody talked of anything else. Horatio declaimed against the ungrateful dogs,--those "Polack beasts,"--who weren't fit to enjoy all that America gave them. At dinner parties grave and serious men debated in low tones the awful deed and its meaning. Even women spoke of the bomb instead of discussing whether "you could get this at Field's" or "should try Mandel's." A fearful vision of Anarchy stalked the commonplace streets and peered into comfortable houses. Milly imagined that somehow those evil-looking barbarians had got loose from the stockyards and might descend at any moment upon the defenceless city in a howling mob, as she had read of their doing in her history books. For the first few days it was an excitement to venture into the streets at night, even with a strong male escort. Horatio spoke solemnly, with an aroused consciousness of citizenship, of "teaching the mob lessons and a wholesome respect for the law." Then there were the rumors fresh every hour of plots against leading men and wholesale slaughter by these same bloodthirsty anarchists, and the theatrical discoveries of the police--it was a breathless time, when even Milly seized upon the newspaper of a morning. Then gradually, as the police gathered in the little band of scapegoats, the tension relaxed: people went to the celebrated Haymarket to gape at the spot where the crime against society had taken place.... The excitement flamed up once more when the anarchists were brought to trial. Women fought for the chance to sit in the noisome little court-room, to see the eight men caught like rats in the nets of Justice. When life emerges dramatically in the court-room, it interests the Milly Ridges.... One morning Sally Norton came flying into the Ridge house. "Get your things on, Mil!" she rippled breathlessly. "We're going to the anarchist trial." "But the papers say you can't get near the door." "Father's given me a card to the judge--he knows him. Come on--Vivie's waiting at the corner." In such heady excitement the three girls raced to the criminal court building and were smuggled by a fat bailiff through the judge's private chambers into the crowded scene. There was not six inches of standing room to be had in the place except beside the judge, and there the bailiff installed the young women in comfortable chairs, much to the envy of the perspiring throng beneath. There, behold, beside the grave judge, facing the court-room, above the counsel, the reporters, the prisoners, sat Milly Ridge and Sally and Vivie Norton, in their best clothes, with the sweeping plumed hats that had just come into fashion then.... Milly beamed with pleasure and excitement, casting alluring glances from beneath her great hat at the severe judge. It was like a play, and she had a very good seat. It was a play that went on day after day for weeks, sometimes dull with legal formalities, sometimes tense with "human" interest. And, day after day, the three girls occupied their favored seats beside the judge, listening to the evidence of the great conspiracy against Society, watching the prisoners--a sorry lot of men generally--and staring haughtily down at the jammed court-room. Their presence, of course, was noted by the reporters and mentioned as at a social event "among our society leaders in daily attendance at the trial." Their names and dresses were duly recorded, along with pen pictures of the anarchists. It quite fluttered Milly, this prominence,--"the Misses Norton and Miss Mildred Ridge, etc." The three girls became deeply interested in the prisoners and picked their favorites among them. Sally was for a German because he looked to be "such an interesting devil," and Vivie was intrigued by the newspaper stories about another. Milly was drawn to the youngest of all,--a mere lad, blue-eyed and earnest, who had evidently "got into bad company" and been led astray. Vivie sent her man flowers,--a bunch of deep red roses,--and the next day he appeared wearing one conspicuously pinned to his coat. Sally coaxed the obliging bailiff to smuggle them all into the jail so that they might see the prisoners and talk to them through the bars. But the great event was when Spies made his celebrated speech of defiance, breathing scorn and hatred of his captors. Sally Norton rose in her seat and threw him kisses with both hands. A bailiff came, put his hand on her shoulder, and forced her to be quiet. It made something of a scene in court. The judge looked annoyed. Then Sally had a fit of the giggles and finally had to leave the room. But when the turn of Milly's hero came to speak in his own defence, Milly had a choking sensation in her throat and felt the warm tears run over her cheeks. He, too, was brave. He talked of the wrongs of society, and Milly realized somehow that she was part of the society he was condemning,--one of the more privileged at the feast of life, who made it impossible for the many others to get what they wanted. Of course his views were wrong,--all the men she knew said so,--but the pity of it all in his case, so young and handsome and brave he appeared! While counsel wrangled and pleaded, while this little group of men rounded up by the police to stand sponsors for Anarchy and expiate its horrid creed, so that good citizens might sleep peacefully nights, faced death, the three girls sat and stared at the spectacle. It passed slowly, and the prisoners were condemned by a jury of their peers quite promptly, and the grave judge sentenced them "to hang by their necks until dead." At the dreadful words Milly gasped, then sobbed outright. No matter what they had done, at least what _he_ had done, how wrong _his_ ideas about society were, _he_ was too young and too handsome for such an awful fate. If he had only had about him from the beginning the right influences, if some woman had loved him and guided him aright,--Milly hoped that he might yet be spared, pardoned if possible. Mopping the tears from her eyes she left the court-room for the last time, with a vague sense of the wretchedness of life--sometimes. * * * * * That very night, however, she was as gay and bright as ever at the Kemps' dinner. A fascinating young lawyer was of the party, a newcomer to the city, who dared to raise his voice in that citadel of respectability, the Kemps' Gothic dining-room, and declare that the whole affair was a miserable travesty of justice,--a conspiracy framed up by the police. "They have the city scared," he said, "and nobody dares say what he thinks. The newspapers know the truth, but the big men make the papers keep quiet." It was all quite thrilling, Milly thought. Perhaps, after all, her young man was not a villain. The table of sober diners sat very still, but afterwards the banker pronounced what the young lawyer said to be "loose talk" and "wicked nonsense." And Milly knew one young man who would never be asked again to the Granger Avenue house. After the verdict came all sorts of legal delays, and Milly largely lost interest in the anarchists. The drama had evaporated, and though she continued to read what the papers printed about the prisoners, more personal affairs crowded in to blot out from her mind that sense of a large, suffering humanity which she had had for a few moments. When the governor was finally induced to intervene and commute some of the sentences, she had a muddled notion that he had deprived Society of its just vengeance, that the well-to-do, well-meaning people had failed to get full punishment for the shocking deeds of the anarchists. And that was all. About a year later the young blue-eyed anarchist, in whom Milly had been interested, blew off the top of his head with a bomb. But Milly was very busy just at that time with other matters. _ |
||