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One Woman's Life, a novel by Robert Herrick |
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Part One. The West Side - Chapter 3. Illy Goes To Church |
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_ PART ONE. THE WEST SIDE CHAPTER III. ILLY GOES TO CHURCH The ugly little house was at last got to rights, at least as much so as Milly's limited means permitted. Horatio's resources were squeezed to the last dollar, and the piano came in on credit. Then the family moved in, and soon the girl's restless gaze turned outwards. She must have people for her little world,--people to visit with, to talk to. From her doll years Milly had loved people indiscriminately. She must have them about her, to play with, to interest, to arouse interest in herself. Wherever she derived this social passion--obviously not from Grandma Ridge--it had been and would always be the dominant note of her life. Later, in her more sophisticated and more introspective phase, she would proclaim it as a creed: "People are the most interesting thing in life--just humans!" And she would count her gregariousness as a virtue. But as yet it was unconscious, an animal instinct for the herd. And she was lonely the first days at West Laurence Avenue. Everywhere the family had put foot to earth in its wanderings, Milly had acquired friends easily,--at school, in church, among the neighbors,--what chance afforded from the mass. She wept even on her departure from St. Louis, which she had hated because of the light housekeeping, at the thought of losing familiar faces. A number of her casual friends came to the station to see her off, as they always did. She kissed them all, and swore to each that she would write, which she promptly forgot to do. But she loved them all, just the same. And now that the Ridge destiny seemed to be settled with fair prospects of permanency in this new, untried prairie city,--a huddle of a million or more souls,--she cast her eager eyes about for the conquest that must be made.... The social hegira from the West Side of the city had already begun: the more prosperous with social aspirations were dropping away, moving to the north or the south, along the Lake. Some of the older families still lingered, rooted in associations, hesitant before new fashions, and these, Milly at once divined, lived in the old-fashioned brick and stone houses along the Boulevard that crossed West Laurence Avenue just below the Ridge home. These seats of the mighty on Western Boulevard might not be grand, but they alone of all the neighborhood had something of the aristocratic air. This spacious boulevard was the place she chose for her daily stroll with her grandmother, taking the old lady, who had betrayed an interest in a cemetery, up and down Western Boulevard, past the large houses where the long front windows were draped with spotless lace curtains. She learned somehow that the old-fashioned brick house, with broad eaves and wooden pillars, belonged to the Claxtons. The grounds about the house ran even to the back yards of the West Laurence Avenue block,--indeed had originally included all that land,--for the Claxtons were an old family as age went in Chicago, and General Claxton was a prominent man in the state. She also knew that the more modern stone house on the farther corner was occupied by the Walter Kemps; that Mrs. Kemp had been a Claxton; and that Mr. Kemp was a rising young banker in the city. How Milly had found out all this in the few days she had lived in the neighborhood would be hard to explain: such information she acquired unconsciously, as one does the character of the weather.... On the next corner north of the Claxton place was a large church, with a tall spire, and an adjoining parish house. They were built of the same cream-colored stone, which had grown sallow under the smoke, with chocolate-brown trimmings, like a deep edging to a mourning handkerchief. Its appearance pleased Milly. She felt sure that the best people of the neighborhood worshipped here, and so to this dignified edifice she led her father and grandmother the first Sunday after they were installed in their new home. It proved to be the Second Presbyterian Church. The Ridges were orthodox, _i.e._ Congregational: the judge had been deacon in Euston, Pa., and Mrs. Ridge talked of "sending for her papers" and finding the nearest congregation of her old faith. But Milly promptly announced that "everybody went to the Presbyterian church here." She was satisfied with the air and the appearance of the congregation that first Sunday and made her father promise to take seats for the family. The old lady, content to have the wayward Horatio committed to any sort of church-going, made slight objection. It mattered little to Horatio himself. In religion he was catholic: he was ready to stand up in any evangelical church, dressed in his best, and boom forth the hymns in his bass voice. The choice of church was a matter to be left to the women, like the color of the wallpaper, or the quality of crockery,--affairs of delicate discrimination. Moreover, he was often out of the city over Sunday on his business trips and did not have to go to church. It was impossible that Milly, dressed very becomingly in her new gray suit, should escape notice after the first Sunday. Her lovely bronze hair escaped from her round hat engagingly. Her soft blue eyes looked up at the minister appealingly. She had the attractive air of youth and health and good looks. The second Sunday the minister's wife, prompted by her husband, spoke to Mrs. Ridge and called soon after. She liked Milly--minister's wives usually did--and she approved of the grandmother, who had an aristocratic air, in her decent black, her thin, gray face. "They seem really nice people," Mrs. Borland reported to her husband, "but a very ordinary home. He travels for the Hoppers'. Her mother was a southerner." (Milly had got that in somehow,--"My mother's home was Kentucky, you know.")... So, thanks to the church, here was Milly at last launched on the West Side and in a fair way of knowing people. She began going to vespers--it was a new custom then, during Lent--and she was faithful at the Wednesday evening prayer meetings. The Borlands had a daughter, of about Milly's age,--a thin, anaemic girl who took to Milly's warmth and eagerness at once. As Milly succinctly summed up the minister's family,--"They're from Worcester, Mass." To come from New England seemed to Milly to give the proper stamp of respectability, while Virginia gave aristocracy. Mrs. Borland introduced Milly to Mrs. Walter Kemp after the service one Sunday. Milly knew, as we have seen, that Mrs. Kemp had been a Claxton, and that the general still lived in the ample mansion which he had built in the early fifties when he had transferred his fortunes from Virginia to the prairie city. They were altogether the most considerable people Milly had ever encountered. And so when Eleanor Kemp called at the little West Laurence Avenue house, Milly was breathless. Not that Milly was a snob. She was as kind to the colored choreman as to the minister's wife, smiling and good-humored with every one. But she had a keen sense of differences. Unerringly she reached out her hands to the "best" as she understood the best,--the men and women who were "nice," who were pleasant to know. And Mrs. Kemp, then a young married woman of twenty-seven or eight, seemed to the enthusiastic girl quite adorable. She was tall and slender, with fine oval features and clear brown skin and dark hair. Her manner was rather distant at first and awed Milly. "Oh, you're so beautiful,--you don't mind my saying it!" she exclaimed the first time they were alone in the Kemp house. "You funny child!" the older woman laughed, quite won. And that was the phrase she used invariably of Milly Ridge,--"That funny child!" varied occasionally by "That astonishing child!" even when the child had become a woman of thirty. There would always be something of the breathless, impulsive child in Milly Ridge. After that first visit Milly went home to arrange a tea-table like Eleanor Kemp's. She found among the discarded remnants of the family furniture a small round table without a leg. She had it repaired and set up her tea-table near the black marble fireplace. The next time the banker's wife came to call she was able to offer her a cup of tea, with sliced lemon, quite as a matter of course, after the manner that Mrs. Kemp had handed it to her the week before. Milly was not crudely imitative: she was selectively imitative, and for the present she had chosen Mrs. Kemp for her model. For the most part they met at the Kemp house. The young married woman liked her new role of guide and experienced friend to Milly; she also liked the admiration that Milly sincerely, copiously poured forth on all occasions. When Milly praised the ugly house and its furniture, she might smile in a superior way, for she was "travelled," had visited "the chief capitals of Europe,"--as well as Washington and New York,--and knew perfectly well that the solid decoration of her library and drawing-room was far from good style. The Kemps had already secured their lot on the south side of the city near the Lake. The plans for their new house were being drawn by a well-known eastern architect, and they were merely waiting before building until Mr. Kemp should find himself sufficiently prosperous to maintain the sort of house that the architect had designed for a rising young western banker. "Oh, dear," Milly sighed, "you will be moving soon--and there'll be nobody left around here for me to know." Eleanor Kemp smiled. "You know what I mean!... People like you and your mother." "You may not live here always," her friend prophesied. "I hope not. But papa seems perfectly content--he's taken a five years' lease of that horrid house. I just knew it wasn't the right place as soon as I saw it!" The older woman laughed at Milly's despair. "There's time yet for something to happen." Milly blushed happily. There was only one sort of something to happen for her,--the right sort of marriage. Milly, as Mrs. Kemp confided to her husband, was a girl with a "future," and that future could be only a matrimonial one. Her new friend good naturedly did what she could for Milly by putting her in the way of meeting people. At her own house and her mother's, across the street, Milly saw a number of people who came into her life helpfully later on. General Claxton was still at that time a considerable political figure in the middle west, had been congressman and was spoken of for Senator. Jolly, plump Mrs. Claxton maintained a large, informal hospitality of the Virginia sort, and to the big brick house came all kinds of people,--southerners with quaint accents and formal manners, young Englishmen on their way to the wild northwest, down-state politicians, as well as the merchant aristocracy of the city. Thus Milly as a mere girl had her first opportunity of peeping at the larger world in the homely, high-studded rooms and on the generous porches of the Claxton house, and enjoyed it immensely. The church had thus far done a good deal for Milly. For some time it remained the staple of her social existence,--that sallow, cream-colored pile, in which the congregation had already so shrunken by removals that the worshippers rattled around in the big building like dried peas in a pod. Milly became a member of the pastor's Bible class and an ardent worker in the Young Women's Guild. She was looked upon favorably as a right-minded and religious young woman. She had joined the church some years before, shortly after the death of her mother. Her first religious fervor lasted rather more than a year and was dying out when the family moved from St. Louis. Its revival at the Second Presbyterian was of a purely institutional character. Although even Grandma Ridge called her a "good girl," Milly was too healthy a young person to be really absorbed by questions of salvation. Her religion was a social habit, like the habit of wearing fresh underclothes and her best dress on the seventh day, having a late breakfast and responding to the din of the church bells with other ceremonially dressed folk. She believed what she heard in church as she believed everything that was spoken with authority. It would have seemed to her very dreadful to question the great dogmas of Heaven, Hell, the Atonement, the Resurrection, etc. But they meant absolutely nothing to her: they did not come into practical relation with her life as did the ugly little box of her home and the people she knew, and she had no taste for abstractions. Milly was "good." She tried to have a helpful influence upon her companions, especially upon young men who seemed to need an influence more than others: she wanted to induce them not to swear, to smoke, to drink--or be "bad,"--a vague state of unrealized vice. She encouraged them to go to church by letting them escort her. It was the proper way of displaying right intentions to lead good lives. When one young man who had been a member of the Bible class was found to have taken money from Mr. Kemp's bank, where he was employed, and indulged in riotous living with it, Milly felt depressed for several days,--accused herself of not having done her utmost to bring this lost soul to the Saviour. Yet Milly was no prig,--at least not much of a one. For almost all her waking hours her mind was occupied with totally mundane affairs, and she was never much concerned about her own salvation. It seemed so far off--in the hazy distances of stupid middle age or beyond. So, like thousands upon thousands of other young women of her day, she appeared at the Second Presbyterian every Sunday morning, looking her freshest and her best, and with engaging zest, if with a somewhat wandering mind, sang,-- "How firm a foundation, ye saints of the Lord!" It was a wholly meaningless social function, this, and useful to the girl. Later charity might take its place. Horatio Ridge, who had never qualified as a church member while his wife lived, knowing his own unregenerate habits and having a healthy-minded male's aversion to hypocrisy, now went to church with his daughter quite regularly. He felt that it was a good thing,--the right thing for the girl, in some way insuring her woman's safety in this wicked world, if not her salvation in the next. They made a pretty picture together, father and daughter,--the girl with the wide blue eyes and open mouth, standing shoulder to shoulder with the little man, each with one gloved hand grasping an edge of the hymn-book and singing, Milly in a high soprano,-- "Nearer, my God, to Thee!" and Horatio, rumbling behind a little uncertainly,-- "Nearer to Thee--to THEE!" _ |