Part Two. James Orlebar Cloyster's Narrative - Chapter 1. The Invasion Of Bohemia

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_ It is curious to reflect that my marriage (which takes place today week) destroys once and for all my life's ambition. I have never won through to the goal I longed for, and now I never shall.

Ever since I can remember I have yearned to be known as a Bohemian. That was my ambition. I have ceased to struggle now. Married Bohemians live in Oakley Street, King's Road, Chelsea. We are to rent a house in Halkett Place.

Three years have passed since the excellent, but unsteady, steamship _Ibex_ brought me from Guernsey to Southampton. It was a sleepy, hot, and sticky wreck that answered to the name of James Orlebar Cloyster that morning; but I had my first youth and forty pounds, so that soap and water, followed by coffee and an omelette, soon restored me.

The journey to Waterloo gave me opportunity for tobacco and reflection.

What chiefly exercised me, I remember, was the problem whether it was possible to be a Bohemian, and at the same time to be in love. Bohemia I looked on as a region where one became inevitably entangled with women of unquestionable charm, but doubtful morality. There were supper parties.... Festive gatherings in the old studio.... Babette.... Lucille.... The artists' ball.... Were these things possible for a man with an honest, earnest, whole-hearted affection?

The problem engaged me tensely till my ticket was collected at Vauxhall. Just there the solution came. I would be a Bohemian, but a misogynist. People would say, "Dear old Jimmy Cloyster. How he hates women!" It would add to my character a pleasant touch of dignity and reserve which would rather accentuate my otherwise irresponsible way of living.

Little did the good Bohemians of the metropolis know how keen a recruit the boat train was bringing to them.

* * * * *

As a _pied-a-terre_ I selected a cheap and dingy hotel in York Street, and from this base I determined to locate my proper sphere.

Chelsea was the first place that occurred to me. There was St. John's Wood, of course, but that was such a long way off. Chelsea was comparatively near to the heart of things, and I had heard that one might find there artistic people whose hand-to-mouth, Saturnalian existence was redolent of that exquisite gaiety which so attracted my own casual temperament.

Sallying out next morning into the brilliant sunshine and the dusty rattle of York Street, I felt a sense of elation at the thought that the time for action had come. I was in London. London! The home of the fragrant motor-omnibus and the night-blooming Hooligan. London, the battlefield of the literary aspirant since Caxton invented the printing press. It seemed to me, as I walked firmly across Westminster Bridge, that Margie gazed at me with the lovelight in her eyes, and that a species of amorous telepathy from Guernsey was girding me for the fight.

Manresa Road I had once heard mentioned as being the heart of Bohemian Chelsea. To Manresa Road, accordingly, I went, by way of St. James's Park, Buckingham Palace Road, and Lower Sloane Street. Thence to Sloane Square. Here I paused, for I knew that I had reached the last outpost of respectable, inartistic London.

"How sudden," I soliloquised, "is the change. Here I am in Sloane Square, regular, business-like, and unimaginative; while, a few hundred yards away, King's Road leads me into the very midst of genius, starvation, and possibly Free Love."

Sloane Square, indeed, gave me the impression, not so much of a suburb as of the suburban portion of a great London railway terminus. It was positively pretty. People were shopping with comparative leisure, omnibus horses were being rubbed down and watered on the west side of the Square, out of the way of the main stream of traffic. A postman, clearing the letter-box at the office, stopped his work momentarily to read the contents of a postcard. For the moment I understood Caesar's feelings on the brink of the Rubicon, and the emotions of Cortes "when with eagle eyes he stared at the Pacific." I was on the threshold of great events. Behind me was orthodox London; before me the unknown.

It was distinctly a Caesarian glance, full of deliberate revolt, that I bestowed upon the street called Sloane; that clean, orderly thoroughfare which leads to Knightsbridge, and thence either to the respectabilities of Kensington or the plush of Piccadilly.

Setting my hat at a wild angle, I stepped with a touch of _abandon_ along the King's Road to meet the charming, impoverished artists whom our country refuses to recognise.

My first glimpse of the Manresa Road was, I confess, a complete disappointment. Never was Bohemianism more handicapped by its setting than that of Chelsea, if the Manresa Road was to be taken as a criterion. Along the uninviting uniformity of this street no trace of unorthodoxy was to be seen. There came no merry, roystering laughter from attic windows. No talented figures of idle geniuses fetched pints of beer from the public-house at the corner. No one dressed in an ancient ulster and a battered straw hat and puffing enormous clouds of blue smoke from a treasured clay pipe gazed philosophically into space from a doorway. In point of fact, save for a most conventional butcher-boy, I was alone in the street.

Then the explanation flashed upon me. I had been seen approaching. The word had been passed round. A stranger! The clique resents intrusion. It lies hid. These gay fellows see me all the time, and are secretly amused. But they do not know with whom they have to deal. I have come to join them, and join them I will. I am not easily beaten. I will outlast them. The joke shall be eventually against them, at some eccentric supper. I shall chaff them about how they tried to elude me, and failed.

The hours passed. Still no Bohemians. I began to grow hungry. I sprang on to a passing 'bus. It took me to Victoria. I lunched at the Shakespeare Hotel, smoked a pipe, and went out into the sunlight again. It had occurred to me that night was perhaps the best time for trapping my shy quarry. Possibly the revels did not begin in Manresa Road till darkness had fallen. I spent the afternoon and evening in the Park, dined at Lyons' Popular Cafe (it must be remembered that I was not yet a Bohemian, and consequently owed no deference to the traditions of the order); and returned at nine o'clock to the Manresa Road. Once more I drew blank. A barrel-organ played cake-walk airs in the middle of the road, but it played to an invisible audience. No bearded men danced can-cans around it, shouting merry jests to one another. Solitude reigned.

I wait. The duel continues. What grim determination, what perseverance can these Bohemians put into a mad jest! I find myself thinking how much better it would be were they to apply to their Art the same earnestness and fixity of purpose which they squander on a practical joke.

Evening fell. Blinds began to be drawn down. Lamps were lit behind them, one by one. Despair was gnawing at my heart, but still I waited.

Then, just as I was about to retire defeated, I was arrested by the appearance of a house numbered 93A.

At the first-floor window sat a man. He was writing. I could see his profile, his long untidy hair. I understood in a moment. This was no ordinary writer. He was one of those Bohemians whose wit had been exercised upon me so successfully. He was a literary man, and though he enjoyed the sport as much as any of the others he was under the absolute necessity of writing his copy up to time. Unobserved by his gay comrades, he had slipped away to his work. They were still watching me; but he, probably owing to a contract with some journal, was obliged to give up his share in their merriment and toil with his pen.

His pen fascinated me. I leaned against the railings of the house opposite, enthralled. Ever and anon he seemed to be consulting one or other of the books of reference piled up on each side of him. Doubtless he was preparing a scholarly column for a daily paper. Presently a printer's devil would arrive, clamouring for his "copy." I knew exactly the sort of thing that happened. I had read about it in novels.

How unerring is instinct, if properly cultivated. Hardly had the clocks struck twelve when the emissaries--there were two of them, which showed the importance of their errand--walked briskly to No. 93A, and knocked at the door.

The writer heard the knock. He rose hurriedly, and began to collect his papers. Meanwhile, the knocking had been answered from within by the shooting of bolts, noises that were followed by the apparition of a female head.

A few brief questions and the emissaries entered. A pause.

The litterateur is warning the menials that their charge is sacred; that the sheets he has produced are impossible to replace. High words. Abrupt re-opening of the front door. Struggling humanity projected on to the pavement. Three persons--my scribe in the middle, an emissary on either side--stagger strangely past me. The scribe enters the purple night only under the stony compulsion of the emissaries.

What does this mean?

I have it. The emissaries have become over-anxious. They dare not face the responsibility of conveying the priceless copy to Fleet Street. They have completely lost their nerve. They insist upon the author accompanying them to see with his own eyes that all is well. They do not wish Posterity to hand their names down to eternal infamy as "the men who lost Blank's manuscript."

So, greatly against his will, he is dragged off.

My vigil is rewarded. No. 93A harbours a Bohemian. Let it be inhabited also by me.

I stepped across, and rang the bell.

The answer was a piercing scream.

"Ah, ha!" I said to myself complacently, "there are more Bohemians than one, then, in this house."

The female head again appeared.

"Not another? Oh, sir, say there ain't another wanted," said the head in a passionate Cockney accent.

"That is precisely what there is," I replied. "I want----"

"What for?"

"For something moderate."

"Well, that's a comfort in a wiy. Which of 'em is it you want? The first-floor back?"

"I have no doubt the first-floor back would do quite well."

My words had a curious effect. She scrutinised me suspiciously.

"Ho!" she said, with a sniff; "you don't seem to care much which it is you get."

"I don't," I said, "not particularly."

"Look 'ere," she exclaimed, "you jest 'op it. See? I don't want none of your 'arf-larks here, and, what's more, I won't 'ave 'em. I don't believe you're a copper at all."

"I'm not. Far from it."

"Then what d'yer mean coming 'ere saying you want my first-floor back?"

"But I do. Or any other room, if that is occupied."

"'Ow! _Room_? Why didn't yer siy so? You'll pawdon me, sir, if I've said anything 'asty-like. I thought--but my mistake."

"Not at all. Can you let me have a room? I notice that the gentleman whom I have just seen----"

She cut me short. I was about to explain that I was a Bohemian, too.

"'E's gorn for a stroll, sir. I expec' him back every moment. 'E's forgot 'is latchkey. Thet's why I'm sitting up for 'im. Mrs. Driver my name is, sir. That's my name, and well known in the neighbour'ood."

Mrs. Driver spoke earnestly, but breathlessly.

"I do not contemplate asking you, Mrs. Driver, to give me the apartments already engaged by the literary gentleman----"

"Yes, sir," she interpolated, "that's wot 'e wos, I mean is. A literary gent."

"But have you not another room vacant?"

"The second-floor back, sir. Very comfortable, nice room, sir. Shady in the morning, and gets the setting sun."

Had the meteorological conditions been adverse to the point of malignancy, I should have closed with her terms. Simple agreements were ratified then and there by the light of a candle in the passage, and I left the house, promising to "come in" in the course of the following afternoon. _

Read next: Part Two. James Orlebar Cloyster's Narrative: Chapter 2. I Evacuate Bohemia

Read previous: Part One. Miss Margaret Goodwin's Narrative: Chapter 3. A Harmless Deception

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