Chapter 4

________________________________________________
_ CHAPTER IV

Hilliard's lodgings--they were represented by a single room-- commanded a prospect which, to him a weariness and a disgust, would have seemed impressive enough to eyes beholding it for the first time. On the afternoon of his last day at Dudley he stood by the window and looked forth, congratulating himself, with a fierceness of emotion which defied misgiving, that he would gaze no more on this scene of his servitude.

The house was one of a row situated on a terrace, above a muddy declivity marked with footpaths. It looked over a wide expanse of waste ground, covered in places with coarse herbage, but for the most part undulating in bare tracts of slag and cinder. Opposite, some quarter of a mile away, rose a lofty dome-shaped hill, tree-clad from base to summit, and rearing above the bare branches of its topmost trees the ruined keep of Dudley Castle. Along the foot of this hill ran the highway which descends from Dudley town-- hidden by rising ground on the left--to the low-lying railway-station; there, beyond, the eye traversed a great plain, its limit the blending of earth and sky in lurid cloud. A ray of yellow sunset touched the height and its crowning ruin; at the zenith shone a space of pure pale blue save for these points of relief the picture was colourless and uniformly sombre. Far and near, innumerable chimneys sent forth fumes of various density broad-flung jets of steam, coldly white against the murky distance; wan smoke from lime-kilns, wafted in long trails; reek of solid blackness from pits and forges, voluming aloft and far-floated by the sluggish wind.

Born at Birmingham, the son of a teacher of drawing, Maurice Hilliard had spent most of his life in the Midland capital; to its grammar school he owed an education just sufficiently prolonged to unfit him for the tasks of an underling, yet not thorough enough to qualify him for professional life. In boyhood he aspired to the career of an artist, but his father, himself the wreck of a would-be painter, rudely discouraged this ambition; by way of compromise between the money-earning craft and the beggarly art, he became a mechanical-draughtsman. Of late years he had developed a strong taste for the study of architecture; much of his leisure was given to this subject, and what money he could spare went in the purchase of books and prints which helped him to extend his architectural knowledge. In moods of hope, he had asked himself whether it might not be possible to escape from bondage to the gods of iron, and earn a living in an architect's office. That desire was now forgotten in his passionate resolve to enjoy liberty without regard for the future.

All his possessions, save the articles of clothing which he would carry with him, were packed in a couple of trunks, to be sent on the morrow to Birmingham, where they would lie in the care of his friend Narramore. Kinsfolk he had none whom he cared to remember, except his sister; she lived at Wolverhampton, a wife and mother, in narrow but not oppressive circumstances, and Hilliard had taken leave of her in a short visit some days ago. He would not wait for the wedding of his sister-in-law enough that she was provided for, and that his conscience would always be at ease on her account.

For he was troubled with a conscience--even with one unusually poignant. An anecdote from his twentieth year depicts this feature of the man. He and Narramore were walking one night in a very poor part of Birmingham, and for some reason they chanced to pause by a shop-window--a small window, lighted with one gas-jet, and laid out with a miserable handful of paltry wares; the shop, however, was newly opened, and showed a pathetic attempt at cleanliness and neatness. The friends asked each other how it could possibly benefit anyone to embark in such a business as that, and laughed over the display. While he was laughing, Hilliard became aware of a woman in the doorway, evidently the shopkeeper; she had heard their remarks and looked distressed. Infinitely keener was the pang which Maurice experienced; he could not forgive himself, kept exclaiming how brutally he had behaved, and sank into gloominess. Not very long after, he took Narramore to walk in the same direction; they came again to the little shop, and Hilliard surprised his companion with a triumphant shout. The window was now laid out in a much more promising way, with goods of modest value. "You remember?" said the young man. "I couldn't rest till I had sent her something. She'll wonder to the end of her life who the money came from. But she's made use of it, poor creature, and it'll bring her luck."

Only the hopeless suppression of natural desires, the conflict through years of ardent youth with sordid circumstances, could have brought him to the pass he had now reached--one of desperation centred in self. Every suggestion of native suavity and prudence was swept away in tumultuous revolt. Another twelvemonth of his slavery and he would have yielded to brutalising influences which rarely relax their hold upon a man. To-day he was prompted by the instinct of flight from peril threatening all that was worthy in him.

Just as the last glimmer of daylight vanished from his room there sounded a knock at the door.

"Your tea's ready, Mr. Hilliard," called a woman's voice.

He took his meals downstairs in the landlady's parlour. Appetite at present lie had none, but the pretence of eating was a way of passing the time; so he descended and sat down at the prepared table.

His wandering eyes fell on one of the ornaments of the room--Mrs. Brewer's album. On first coming to live in the house, two years ago, he had examined this collection of domestic portraits, and subsequently, from time to time, had taken up the album to look at one photograph which interested him. Among an assemblage of types excelling in ugliness of feature and hideousness of costume--types of toil-worn age, of ungainly middle life, and of youth lacking every grace, such as are exhibited in the albums of the poor-- there was discoverable one female portrait in which, the longer he gazed at it, Hilliard found an ever-increasing suggestiveness of those qualities he desired in woman. Unclasping the volume, he opened immediately at this familiar face. A month or two had elapsed since he last regarded it, and the countenance took possession of him with the same force as ever.

It was that of a young woman probably past her twentieth year. Unlike her neighbours in the album, she had not bedizened herself before sitting to be portrayed. The abundant hair was parted simply and smoothly from her forehead and tightly plaited behind; she wore a linen collar, and, so far as could be judged from the portion included in the picture, a homely cloth gown. Her features were comely and intelligent, and exhibited a gentleness, almost a meekness of expression which was as far as possible from seeming affected. Whether she smiled or looked sad Hilliard had striven vainly to determine. Her lips appeared to smile, but in so slight a degree that perchance it was merely an effect of natural line; whereas, if the mouth were concealed, a profound melancholy at once ruled the visage.

Who she was Hilliard had no idea. More than once he had been on the point of asking his landlady, but characteristic delicacies restrained him: he feared Mrs. Brewer's mental comment, and dreaded the possible disclosure that he had admired a housemaid or someone of yet lower condition. Nor could he trust his judgment of the face: perhaps it shone only by contrast with so much ugliness on either side of it; perhaps, in the starved condition of his senses, he was ready to find perfection in any female countenance not frankly repulsive.

Yet, no; it was a beautiful face. Beautiful, at all events, in the sense of being deeply interesting, in the strength of its appeal to his emotions. Another man might pass it slightingly; to him it spoke as no other face had ever spoken. It awakened in him a consciousness of profound sympathy.

While he still sat at table his landlady came in. She was a worthy woman of her class, not given to vulgar gossip. Her purpose in entering the room at this moment was to ask Hilliard whether he had a likeness of himself which he could spare her, as a memento.

"I'm sorry I don't possess such a thing," he answered, laughing, surprised that the woman should care enough about him to make the request. "But, talking of photographs, would you tell me who this is?"

The album lay beside him, and a feeling of embarrassment, as he saw Mrs. Brewer's look rest upon it, impelled him to the decisive question.

"That? Oh! that's a friend of my daughter Martha's--Eve Madeley. I m sure I don't wonder at you noticing her. But it doesn't do her justice; she's better looking than that. It was took better than two years ago--why, just before you came to me, Mr. Hilliard. She was going away--to London."

"Eve Madeley." He repeated the name to himself, and liked it.

"She's had a deal of trouble, poor thing," pursued the landlady. "We was sorry to lose sight of her, but glad, I'm sure, that she went away to do better for herself. She hasn't been home since then, and we don't hear of her coming, and I'm sure nobody can be surprised. But our Martha heard from her not so long ago--why, it was about Christmas-time."

"Is she"--he was about to add, "in service?" but could not voice the words. "She has an engagement in London?"

"Yes; she's a bookkeeper, and earns her pound a week. She was always clever at figures. She got on so well at the school that they wanted her to be a teacher, but she didn't like it. Then Mr. Reckitt, the ironmonger, a friend of her father's, got her to help him with his books and bills of an evening, and when she was seventeen, because his business was growing and he hadn't much of a head for figures himself, he took her regular into the shop. And glad she was to give up the school-teaching, for she could never abear it."

"You say she had a lot of trouble?"

"Ah, that indeed she had! And all her father's fault. But for him, foolish man, they might have been a well-to-do family. But he's had to suffer for it himself, too. He lives up here on the hill, in a poor cottage, and takes wages as a timekeeper at Robinson's when he ought to have been paying men of his own. The drink--that's what it was. When our Martha first knew them they were living at Walsall, and if it hadn't a' been for Eve they'd have had no home at all. Martha got to know her at the Sunday-school; Eve used to teach a class. That's seven or eight years ago; she was only a girl of sixteen, but she had the ways of a grown-up woman, and very lucky it was for them belonging to her. Often and often they've gone for days with nothing but a dry loaf, and the father spending all he got at the public."

"Was it a large family?" Hilliard inquired.

"Well, let me see; at that time there was Eve's two sisters and her brother. Two other children had died, and the mother was dead, too. I don't know much about _her_, but they say she was a very good sort of woman, and it's likely the eldest girl took after her. A quieter and modester girl than Eve there never was. Our Martha lived with her aunt at Walsall--that's my only sister, and she was bed-rid, poor thing, and had Martha to look after her. And when she died, and Martha came back here to us, the Madeley family came here as well, 'cause the father got some kind of work. But he couldn't keep it, and he went off I don't know where, and Eve had the children to keep and look after. We used to do what we could to help her, but it was a cruel life for a poor thing of her age--just when she ought to have been enjoying her life, as you may say."

Hilliard's interest waxed.

"Then," pursued Mrs. Brewer, "the next sister to Eve, Laura her name was, went to Birmingham, into a sweetstuff shop, and that was the last ever seen or heard of her. She wasn't a girl to be depended upon, and I never thought she'd come to good, and whether she's alive or dead there's no knowing. Eve took it to heart, that she did. And not six months after, the other girl had the 'sipelas, and she died, and just as they was carrying her coffin out of the house, who should come up but her father! He'd been away for nearly two years, just sending a little money now and then, and he didn't even know the girl had been ailing. And when he saw the coffin, it took him so that he fell down just like a dead man. You wouldn't have thought it, but there's no knowing what goes on in people's minds. Well, if you'll believe it, from that day he was so changed we didn't seem to know him. He turned quite religious, and went regular to chapel, and has done ever since; and he wouldn't touch a drop of anything, tempt him who might. It was a case of conversion, if ever there was one.

"So there remained only Eve and her brother?"

"Yes. He was a steady lad, Tom Madeley, and never gave his sister much trouble. He earns his thirty shillings a week now. Well, and soon after she saw her father going on all right, Eve left home. I don't wonder at it; it wasn't to be expected she could forgive him for all the harm and sorrows he'd caused. She went to Birmingham for a few months, and then she came back one day to tell us she'd got a place in London. And she brought that photo to give us to remember her by. But, as I said, it isn't good enough."

"Does she seem to be happier now?"

"She hasn't wrote more than once or twice, but she's doing well, and whatever happens she's not the one to complain. It's a blessing she's always had her health. No doubt she's made friends in London, but we haven't heard about them. Martha was hoping she'd have come for Christmas, but it seems she couldn't get away for long enough from business. I'd tell you her address, but I don't remember it. I've never been in London myself. Martha knows it, of course. She might look in to-night, and if she does I'll ask her."

Hilliard allowed this suggestion to pass without remark. He was not quite sure that he desired to know Miss Madeley's address.

But later in the evening, when, after walking for two or three hours about the cold, dark roads, he came in to have his supper and go to bed, Mrs. Brewer smilingly offered him a scrap of paper.

"There," she said, "that's where she's living. London's a big place, and you mayn't be anywhere near, but if you happened to walk that way, we should take it kindly if you'd just leave word that we're always glad to hear from her, and hope she's well."

With a mixture of reluctance and satisfaction the young man took the paper, glanced at it, and folded it to put in his pocket. Mrs. Brewer was regarding him, and he felt that his silence must seem ungracious.

"I will certainly call and leave your message," he said.

Up in his bed-room lie sat for a long time with the paper lying open before him. And when he slept his rest was troubled with dreams of an anxious search about the highways and byways of London for that half-sad, half-smiling face which had so wrought upon his imagination.

Long before daylight he awoke at the sound of bells, and hootings, and whistlings, which summoned the Dudley workfolk to their labour. For the first time in his life he heard these hideous noises with pleasure: they told him that the day of his escape had come. Unable to lie still, he rose at once, and went out into the chill dawn. Thoughts of Eve Madeley no longer possessed him; a glorious sense of freedom excluded every recollection of his past life, and he wandered aimlessly with a song in his heart.

At breakfast, the sight of Mrs. Brewer's album tempted him to look once more at the portrait, but he did not yield.

"Shall we ever see you again, I wonder?" asked his landlady, when the moment arrived for leave-taking.

"If I am ever again in Dudley, I shall come here," he answered kindly.

But on his way to the station he felt a joyful assurance that fate would have no power to draw him back again into this circle of fiery torments. _

Read next: Chapter 5

Read previous: Chapter 3

Table of content of Eve's Ransom


GO TO TOP OF SCREEN

Post your review
Your review will be placed after the table of content of this book