Chapter 3

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_ CHAPTER III

For the present in her resentment of his willingness to abase his genius before Godolphin, or even to hold it in abeyance, Mrs. Maxwell would not walk to supper with her husband in the usual way, touching his shoulder with hers from time to time, and making herself seem a little lower in stature by taking the downward slope of the path leading from their cottage to the hotel. But the necessity of appearing before the people at their table on as perfect terms with him as ever had the effect that conduct often has on feeling, and she took his arm in going back to their cottage, and leaned tenderly upon him.

Their cottage was one of the farthest from the hotel, and the smallest and quietest. In fact there was yet no one in it but themselves, and they dwelt there in an image of home, with the sole use of the veranda and the parlor, where Maxwell had his manuscripts spread about on the table as if he owned the place. A chambermaid came over from the hotel in the morning to put the cottage in order, and then they could be quite alone there for the rest of the day.

"Shall I light the lamp for you, Brice?" his wife asked, as they mounted the veranda steps.

"No," he said, "let us sit out here," and they took the arm-chairs that stood on the porch, and swung to and fro in silence for a little while. The sea came and went among the rocks below, marking its course in the deepening twilight with a white rope of foam, and raving huskily to itself, with now and then the long plunge of some heavier surge against the bowlders, and a hoarse shout. The Portland boat swam by in the offing, a glitter of irregular lights, and the lamps on the different points of the Cape blinked as they revolved in their towers. "This is the kind of thing you can get only in a novel," said Maxwell, musingly. "You couldn't possibly give the feeling of it in a play."

"Couldn't you give the feeling of the people looking at it?" suggested his wife, and she put out her hand to lay it on his.

"Yes, you could do that," he assented, with pleasure in her notion; "and that would be better. I suppose that is what would be aimed at in a description of the scene, which would be tiresome if it didn't give the feeling of the spectator."

"And Godolphin would say that if you let the carpenter have something to do he would give the scene itself, and you could have the effect of it at first hand."

Maxwell laughed. "I wonder how much they believe in those contrivances of the carpenter themselves. They have really so little to do with the dramatic intention; but they have been multiplied so since the stage began to make the plays that the actors are always wanting them in. I believe the time will come when the dramatist will avoid the occasion or the pretext for them."

"That will be after Godolphin's time," said Mrs. Maxwell.

"Well, I don't know," returned Maxwell. "If Godolphin should happen to imagine doing without them he would go all lengths."

"Or if you imagined it and let him suppose he had. He never imagines anything of himself."

"No, he doesn't. And yet how perfectly he grasps the notion of the thing when it is done! It is very different from literature, acting is. And yet literature is only the representation of life."

"Well, acting is the representation of life at second-hand, then, and it ought to be willing to subordinate itself. What I can't bear in Godolphin is his setting himself up to be your artistic equal. He is no more an artist than the canvas is that the artist paints a picture on."

Maxwell laughed. "Don't tell him so; he won't like it."

"I will tell him so some day, whether he likes it or not."

"No, you mustn't; for it isn't true. He's just as much an artist in his way as I am in mine, and, so far as the public is concerned, he has given more proofs."

"Oh, _his_ public!"

"It won't do to despise any public, even the theatre-going public." Maxwell added the last words with a faint sigh.

"It's always second-rate," said his wife, passionately. "Third-rate, fourth-rate! Godolphin was quite right about that. I wish you were writing a novel, Brice, instead of a play. Then you would be really addressing refined people."

"It kills me to have you say that, Louise."

"Well, I won't. But don't you see, then, that you must stand up for art all the more unflinchingly if you intend to write plays that will refine the theatre-going public, or create a new one? That is why I can't endure to have you even seem to give way to Godolphin."

"You must stand it so long as I only seem to do it. He's far more manageable than I expected him to be. It's quite pathetic how docile he is, how perfectly ductile! But it won't do to browbeat him when he comes over here a little out of shape. He's a curious creature," Maxwell went on with a relish in Godolphin, as material, which his wife suffered with difficulty. "I wonder if he could ever be got into a play. If he could he would like nothing better than to play himself, and he would do it to perfection; only it would be a comic part, and Godolphin's mind is for the serious drama." Maxwell laughed. "All his artistic instincts are in solution, and it needs something like a chemical agent to precipitate them, or to give them any positive character. He's like a woman!"

"Thank you," said Mrs. Maxwell.

"Oh, I mean all sorts of good things by that. He has the sensitiveness of a woman."

"Is that a good thing? Then I suppose he was so piqued by what I said about his skirt-dance that he will renounce you."

"Oh, I don't believe he will. I managed to smooth him up after you went out."

Mrs. Maxwell sighed. "Yes, you are very patient, and if you are patient, you are good. You are better than I am."

"I don't see the sequence exactly," said Maxwell.

They were both silent, and she seemed to have followed his devious thought in the same muse, for when he spoke again she did not reproach him with an equal inconsequence. "I don't know whether I could write a novel, and, besides, I think the drama is the supreme literary form. It stands on its own feet. It doesn't have to be pushed along, or pulled along, as the novel does."

"Yes, of course, it's grand. That's the reason I can't bear to have you do anything unworthy of it."

"I know, Louise," he said, tenderly, and then again they did not speak for a little while.

He emerged from their silence, at a point apparently very remote, with a sigh. "If I could only know just what the feelings of a murderer really were for five minutes, I could out-Shakespeare Shakespeare in that play. But I shall have to trust to the fall of man, and the general depravity of human nature, I suppose. After all, there's the potentiality of every kind of man in every man. If you've known what it is to hate, you've known what it is to kill."

"I felt once as if I had killed _you_," she said, and then he knew that she was thinking of a phase of their love which had a perpetual fascination for them both. "But I never hated you."

"No; I did the hating," he returned, lightly.

"Ah, don't say so, dear," she entreated, half in earnest.

"Well, have it all to yourself, then," he said; and he rose and went indoors, and lighted the lamp, and she saw him get out the manuscript of his play, while she sat still, recalling the time when she had tried to dismiss him from her thoughts upon a theory of his unworthiness. He had not yet spoken of love to her then, but she felt as if she had refused to listen to him, and her remorse kept his image before her in an attitude of pathetic entreaty for at least a hearing. She knew that she had given him reason, if she had not given him courage, to believe that she cared for him; but he was too proud to renew the tacit approaches from which she had so abruptly retreated, and she had to invite them from him.

When she began to do this with the arts so imperceptible to the single-mindedness of a man, she was not yet sure whether she could endure to live with him or not; she was merely sure that she could not live without him, or, to be more specific, without his genius, which she believed no one else appreciated as she did. She believed that she understood his character better than any one else, and would know how to supplement it with her own. She had no ambition herself, but she could lend him a more telescopic vision in his, and keep his aims high, if his self-concentration ever made him short-sighted. He would write plays because he could not help it, but she would inspire him to write them with the lofty sense of duty she would have felt in writing them if she had his gifts.

She was as happy in their engagement and as unhappy as girls usually are during their courtship. It is the convention to regard those days as very joyous, but probably no woman who was honest about the fact would say that they were so from her own experience. Louise found them full of excitement and an interest from which she relaxed at times with such a sense of having strained forward to their end that she had a cold reluctance from Maxwell, and though she never dreamed of giving him up again, she sometimes wished she had never seen him. She was eager to have it all over, and be married and out of the way, for one thing because she knew that Maxwell could never be assimilated to her circumstance, and she should have no rest till she was assimilated to his. When it came to the dinners and lunches, which the Hilary kinship and friendship made in honor of her engagement, she found that Maxwell actually thought she could make excuse of his work to go without him, and she had to be painfully explicit before she could persuade him that this would not do at all. He was not timid about meeting her friends, as he might very well have been; but, in comparison with his work, he apparently held them of little moment, and at last he yielded to her wishes rather than her reasons. He made no pretence of liking those people, but he gave them no more offence than might have been expected. Among the Hilary cousins there were several clever women, who enjoyed the quality of Maxwell's somewhat cold, sarcastic humor, and there were several men who recognized his ability, though none of them liked him any better than he liked them. He had a way of regarding them all at first as of no interest, and then, if something kindled his imagination from them, of showing a sudden technical curiosity, which made the ladies, at least, feel as if he were dealing with them as so much material. They professed to think that it was only a question of time when they should all reappear in dramatic form, unless Louise should detect them in the manuscript before they were put upon the stage and forbid his using them. If it were to be done before marriage they were not sure that she would do it, or could do it, for it was plain to be seen that she was perfectly infatuated with him. The faults they found in him were those of manner mostly, and they perceived that these were such as passion might forgive to his other qualities. There were some who said that they envied her for being so much in love with him, but these were not many; and some did not find him good-looking, or see what could have taken her with him.

Maxwell showed himself ignorant of the observances in every way, and if Louise had not rather loved him the more for what he made her suffer because of them, she must certainly have given him up at times. He had never, to her thinking, known how to put a note properly on paper; his letters were perfectly fascinating, but they lacked a final charm in being often written on one side of half-sheets, and numbered in the upper right-hand corner, like printer's copy. She had to tell him that he must bring his mother to call upon her; and then he was so long doing it that Louise imagined a timidity in his mother which he was too proud to own, and made her own mother go with her to see Mrs. Maxwell in the house which she partly let out in lodgings on a very modest street. It really did not matter about any of those things though, and she and Maxwell's mother got on very well after the first plunge, though the country doctor's widow was distinctly a country person, with the narrow social horizons of a villager whose knowledge of the city was confined to the compass of her courageous ventures in it.

To her own mother Louise feigned to see nothing repulsive in the humility of these. She had been rather fastidiously worldly, she had been even aggressively worldly, in her preference for a luxurious and tasteful setting, and her mother now found it hard to bear her contented acceptance of the pervading commonness of things at Mrs. Maxwell's. Either her senses were holden by her fondness for Maxwell, or else she was trying to hoodwink her mother by an effect of indifference; but Mrs. Hilary herself was certainly not obtuse to that commonness. If she did not rub it into Louise, which would have done no good, she did rub it into Louise's father, though that could hardly have been said to do any good either. Her report of the whole affair made him writhe, but when she had made him writhe enough she began to admit some extenuating circumstances. If Mrs. Maxwell was a country person, she was not foolish. She did not chant, in a vain attempt to be genteel in her speech; she did not expand unduly under Mrs. Hilary's graciousness, and she did not resent it. In fact, the graciousness had been very skilfully managed, and Mrs. Maxwell had not been allowed to feel that there was any condescension to her. She got on with Louise very well; if Mrs. Maxwell had any overweening pride in her son, she kept it as wholly to herself as any overweening pride she might have had in her son's choice.

Mrs. Hilary did not like her daughter's choice, but she had at last reached such resignation concerning it as the friends of a hopeless invalid may feel when the worst comes. She had tried to stop the affair when there was some hope or some use in trying, and now she determined to make the best of it. The worst was that Maxwell was undoubtedly of different origin and breeding, and he would always, in society, subject Louise to a consciousness of his difference if he did nothing more. But when you had said this, you seemed to have said all there was to say against him. The more the Hilarys learned about the young fellow the more reason they had to respect him. His life, on its level, was blameless. Every one who knew him spoke well of him, and those who knew him best spoke enthusiastically; he had believers in his talent and in his character. In a society so barometrical as ours, even in a city where it was the least barometrical, the obstacles to the acceptance of Maxwell were mainly subjective. They were formed not so much of what people would say as of what Mrs. Hilary felt they had a right to say, and, in view of the necessities of the case, she found herself realizing that if they did not say anything to her it would be much as if they had not said anything at all. She dealt with the fact before her frankly, and in the duties which it laid upon her she began to like Maxwell before Hilary did. Not that Hilary disliked him, but there was something in the young fellow taking his daughter away from him, in that cool matter-of-fact way, as if it were quite in the course of nature that he should, instead of being abashed and overwhelmed by his good fortune, which left Hilary with a misgiving lest he might realize it less and less as time went on.

Hilary had no definite ambition for her in marriage, but his vague dreams for her were not of a young man who meant to leave off being a newspaper writer to become a writer of plays. He instinctively wished her to be of his own order of things; and it had pleased him when he heard from his wife's report that Louise had seen the folly of her fancy for the young journalist whom a series of accidents had involved with their lives, and had decided to give him up. When the girl decided again, more tacitly, that she could not give him up, Hilary submitted, as he would have submitted to anything she wished. To his simple idolatry of her she was too good for anything on earth, and if he were to lose her, he found that after all he had no great choice in the matter. As soon as her marriage appeared inevitable, he agreed with his wife that their daughter must never have any unhappiness of their making; and they let her reverse without a word the purpose of going to spend the winter abroad which they had formed at her wish when she renounced Maxwell.

All this was still recent in point of time, and though marriage had remanded it to an infinite distance apparently with the young people, it had not yet taken away the importance or the charm of the facts and the feelings that had seemed the whole of life before marriage. When Louise turned from her retrospect she went in through the window that opened on the veranda and stood beside her husband, where he sat with his manuscript before him, frowning at it in the lamplight that made her blink a little after the dark outside. She put her hand on his head, and carried it down his cheek over his mouth, so that he might kiss its palm.

"Going to work much longer, little man?" she asked, and she kissed the top of his head in her turn. It always amused her to find how smooth and soft his hair was. He flung his pen away and threw himself back in his chair. "Oh, it's that infernal love business!" he said.

She sat down and let her hands fall on her lap. "Why, what makes it so hard?"

"Oh, I don't know. But it seems as if I were _fighting_ it, as the actors say, all the way. It doesn't go of itself at all. It's forced, from the beginning."

"Why do you have it in, then?"

"I have to have it in. It has to be in every picture of life, as it has to be in every life. Godolphin is perfectly right. I talked with him about leaving it out to-day, but I had to acknowledge that it wouldn't do. In fact, I was the first to suggest that there must be some sort of love business when I first talked the play over with him. But I wish there hadn't. It makes me sick every time I touch it. The confounded fools don't know what to do with their love."

"They might get married with it," Louise suggested.

"I don't believe they have sense enough to think of that," said her husband. "The curse of their origin is on them, I suppose. I tried to imagine them when I was only fit to imagine a man hating a woman with all his might."

Louise laughed out her secure delight. "If the public could only know why your lovers were such feeble folk it would make the fortune of the play."

Maxwell laughed, too. "Yes, fancy Pinney getting hold of a fact like that and working it up with all his native delicacy in the Sunday edition of the _Events_!"

Pinney was a reporter of Maxwell's acquaintance, who stood to Louise for all that was most terrible in journalistic enterprise. "Don't!" she shrieked.

Maxwell went on. "He would have both our portraits in, and your father's and mother's, and my mother's; and your house on Commonwealth Avenue, and our meek mansion on Pinckney Street. He would make it a work of art, Pinney would, and he would believe that we were all secretly gratified with it, no matter how we pretended to writhe under it." He laughed and laughed, and then suddenly he stopped and was very grave.

"I know what you're thinking of now," said his wife.

"What?"

"Whether you couldn't use _our_ affair in the play?"

"You're a witch! Yes, I was! I was thinking it wouldn't do."

"Stuff! It _will_ do, and you must use it. Who would ever know it? And I shall not care how blackly you show me up. I deserve it. If I was the cause of your hating love so much that you failed with your lovers on the old lines, I certainly ought to be willing to be the means of your succeeding on lines that had never been tried before."

"Generous girl!" He bent over--he had not to bend far--and kissed her. Then he rose excitedly and began to walk the floor, with his hands in his pockets, and his head dropped forward. He broke into speech: "I could disguise it so that nobody would ever dream of it. I'll just take a hint from ourselves. How would it do to have had the girl actually reject him? It never came to that with us; and instead of his being a howling outside swell that was rather condescending to her, suppose I have him some sort of subordinate in her father's business? It doesn't matter much what; it's easy to arrange such a detail. She could be in love with him all the time, without even knowing it herself, or, at least, not knowing it when he offers himself; and she could always be vaguely hoping or expecting that he would come to time again."

"That's what I did," said his wife, "and you hadn't offered yourself either."

Maxwell stopped, with an air of discomfiture and disappointment. "You wouldn't like me to use that point, then?"

"What a simpleton! Of course I should! I shouldn't care if all the world knew it."

"Ah, well, we won't give it to Pinney, anyway; but I really think it could be done without involving our own facts. I should naturally work farther and farther away from them when the thing got to spinning. Just take a little color from them now and then. I might have him hating her all the way through, or, supposing he hated her, and yet doing all sorts of nice little things, and noble big things for her, till it came out about her father's crime, and then--" He stopped again with a certain air of distaste.

"That would be rather romantic, wouldn't it?" his wife asked.

"That was what I was thinking," he answered. "It would be confoundedly romantic."

"Well, I'll tell you," said Louise; "you could have them squabbling all the way through, and doing hateful things to one another."

"That would give it the cast of comedy."

"Well?"

"And that wouldn't do either."

"Not if it led up to the pathos and prettiness of their reconciliation in the end? Shakespeare mixes the comic and the tragic all through!"

"Oh yes, I know that--"

"And it would be very effective to leave the impression of their happiness with the audience, so that they might have strength to get on their rubbers and wraps after the tremendous ordeal of your Haxard death-scene."

"Godolphin wouldn't stand that. He wants the gloom of Haxard's death to remain in unrelieved inkiness at the end. He wants the people to go away thinking of Godolphin, and how well he did the last gasp. He wouldn't stand any love business there. He would rather not have any in the play."

"Very well, if you're going to be a slave to Godolphin--"

"I'm not going to be a slave to Godolphin, and if I can see my way to make the right use of such a passage at the close I'll do it even if it kills the play or Godolphin."

"Now you're shouting," said Louise. She liked to use a bit of slang when it was perfectly safe--as in very good company, or among those she loved; at other times she scrupulously shunned it.

"But I can do it somehow," Maxwell mused aloud. "Now I have the right idea, I can make it take any shape or color I want. It's magnificent!"

"And who thought of it?" she demanded.

"Who? Why, _I_ thought of it myself."

"Oh, you little wretch!" she cried, in utter fondness, and she ran at him and drove him into a corner. "Now, say that again and I'll tickle you."

"No, no, no!" he laughed, and he fought away the pokes and thrusts she was aiming at him. "We both thought of it together. It was mind transference!"

She dropped her hands with an instant interest in the psychological phenomena. "Wasn't it strange? Or, no, it wasn't, either! If our lives are so united in everything, the wonder is that we don't think more things and say more things together. But now I want you to own, Brice, that I was the first to speak about your using our situation!"

"Yes, you were, and I was the first to think of it. But that's perfectly natural. You always speak of things before you think, and I always think of things before I speak."

"Well, I don't care," said Louise, by no means displeased with the formulation. "I shall always say it was perfectly miraculous. And I want you to give me credit for letting you have the idea after you had thought of it."

"Yes, there's nothing mean about you, Louise, as Pinney would say. By Jove, I'll bring Pinney in! I'll have Pinney interview Haxard concerning Greenshaw's disappearance."

"Very well, then, if you bring Pinney in, you will leave me out," said Louise. "I won't be in the same play with Pinney."

"Well, I won't bring Pinney in, then," said Maxwell. "I prefer you to Pinney--in a play. But I have got to have in an interviewer. It will be splendid on the stage, and I'll be the first to have him." He went and sat down at his table.

"You're not going to work any more to-night!" his wife protested.

"No, just jot down a note or two, to clinch that idea of ours in the right shape." He dashed off a few lines with pencil in his play at several points, and then he said: "There! I guess I shall get some bones into those two flabby idiots to-morrow. I see just how I can do it." He looked up and met his wife's adoring eyes.

"You're wonderful, Brice!" she said.

"Well, don't tell me so," he returned, "or it might spoil me. Now I wouldn't tell you how good you were, on any account."

"Oh yes, do, dearest!" she entreated, and a mist came into her eyes. "I don't think you praise me enough."

"How much ought I to praise you?"

"You ought to say that you think I'll never be a hinderance to you."

"Let me see," he said, and he pretended to reflect. "How would it do to say that if I ever come to anything worth while, it'll be because you made me?"

"Oh, Brice! But would it be true?" She dropped on her knees at his side.

"Well, I don't know. Let's hope it would," and with these words he laughed again and put his arms round her. Presently she felt his arm relax, and she knew that he had ceased to think about her and was thinking about his play again.

She pulled away, and "Well?" she asked.

He laughed at being found out so instantly. "That was a mighty good thing your father said when you went to tell him of our engagement."

"It was _very_ good. But if you think I'm going to let you use _that_ you're very much mistaken. No, Brice! Don't you touch papa. He wouldn't like it; he wouldn't understand it. Why, what a perfect cormorant you are!"

They laughed over his voracity, and he promised it should be held in check as to the point which he had thought for a moment might be worked so effectively into the play.

The next morning Louise said to her husband: "I can see, Brice, that you are full of the notion of changing that love business, and if I stay round I shall simply bother. I'm going down to lunch with papa and mamma, and get back here in the afternoon, just in time to madden Godolphin with my meddling."

She caught the first train after breakfast, and in fifteen minutes she was at Beverly Farms. She walked over to her father's cottage, where she found him smoking his cigar on the veranda.

He was alone; he said her mother had gone to Boston for the day; and he asked: "Did you walk from the station? Why didn't you come back in the carriage? It had just been there with your mother."

"I didn't see it. Besides, I might not have taken it if I had. As the wife of a struggling young playwright, I should have probably thought it unbecoming to drive. But the struggle is practically over, you'll be happy to know."

"What? Has he given it up?" asked her father.

"Given it up! He's just got a new light on his love business!"

"I thought his love business had gone pretty well with him," said Hilary, with a lingering grudge in his humor.

"This is another love business!" Louise exclaimed. "The love business in the play. Brice has always been so disgusted with it that he hasn't known what to do. But last night we thought it out together, and I've left him this morning getting his hero and heroine to stand on their legs without being held up. Do you want to know about it?"

"I think I can get on without," said Hilary.

Louise laughed joyously. "Well, you wouldn't understand what a triumph it was if I told you. I suppose, papa, you've no idea how Philistine you are. But you're nothing to mamma!"

"I dare say," said Hilary, sulkily. But she looked at him with eyes beaming with gayety, and he could see that she was happy, and he was glad at heart. "When does Maxwell expect to have his play done?" he relented so far as to ask.

"Why, it's done now, and has been for a month, in one sense, and it isn't done at all in another. He has to keep working it over, and he has to keep fighting Godolphin's inspirations. He comes over from Manchester with a fresh lot every afternoon."

"I dare say Maxwell will be able to hold his own," said Hilary, but not so much proudly as dolefully.

She knew he was braving it out about the theatre, and that secretly he thought it undignified, and even disreputable, to be connected with it, or to be in such close relations with an actor as Maxwell seemed to be with this fellow who talked of taking his play. Hilary could go back very easily to the time in Boston when the theatres were not allowed open on Saturday night, lest they should profane the approaching Sabbath, and when you would no more have seen an actor in society than an elephant. He had not yet got used to meeting them, and he always felt his difference, though he considered himself a very liberal man, and was fond of the theatre--from the front.

He asked now, "What sort of chap is he, really?" meaning Godolphin, and Louise did her best to reassure him. She told him Godolphin was young and enthusiastic; and he had an ideal of the drama; and he believed in Brice; and he had been two seasons with Booth and Barrett; and now he had made his way on the Pacific Coast, and wanted a play that he could take the road with. She parroted those phrases, which made her father's flesh creep, and she laughed when she saw it creeping, for sympathy; her own had crept first.

"Well," he said, at last, "he won't expect you and Maxwell to take the road too with it?"

"Oh no, we shall only be with him in New York. He won't put the play on there first; they usually try a new play in the country."

"Oh, do they?" said Hilary, with a sense that his daughter's knowledge of the fact was disgraceful to her.

"Yes. Shall I tell you what they call that? Trying it on a dog!" she shrieked, and Hilary had to laugh, too. "It's dreadful," she went on. "Then, if it doesn't kill the dog, Godolphin will bring it to New York, and put it on for a run--a week or a month--as long as his money holds out. If he believes in it, he'll fight it." Her father looked at her for explanation, and she said, with a gleeful perception of his suffering, "He'll keep it on if he has to play to paper every night. That is, to free tickets."

"Oh!" said Hilary. "And are you to be there the whole time with him?"

"Why, not necessarily. But Brice will have to be there for the rehearsals; and if we are going to live in New York--"

Hilary sighed. "I wish Maxwell was going on with his newspaper work; I might be of use to him in that line, if he were looking forward to an interest in a newspaper; but I couldn't buy him a theatre, you know."

Louise laughed. "He wouldn't let you buy him anything, papa; Brice is awfully proud. Now, I'll tell you, if you want to know, just how we expect to manage in New York; Brice and I have been talking it all over; and it's all going to be done on that thousand dollars he saved up from his newspaper work, and we're not going to touch a cent of my money till that is gone. Don't you call that pretty business-like?"

"Very," said Hilary, and he listened with apparent acquiescence to the details of a life which he divined that Maxwell had planned from his own simple experience. He did not like the notion of it for his daughter, but he could not help himself, and it was a consolation to see that she was in love with it.

She went back from it to the play itself, and told her father that now Maxwell had got the greatest love business for it that there ever was. She would not explain just what it was, she said, because her father would get a wrong notion of it if she did. "But I have a great mind to tell you something else," she said, "if you think you can behave sensibly about it, papa. Do you suppose you can?"

Hilary said he would try, and she went on: "It's part of the happiness of having got hold of the right kind of love business now, and I don't know but it unconsciously suggested it to both of us, for we both thought of the right thing at the same time; but in the beginning you couldn't have told it from a quarrel." Her father started, and Louise began to laugh. "Yes, we had quite a little tiff, just like _real_ married people, about my satirizing one of Godolphin's inspirations to his face, and wounding his feelings. Brice is so cautious and so gingerly with him; and he was vexed with me, and told me he wished I wouldn't do it; and that vexed me, and I said I wouldn't have anything to do with his play after this; and I didn't speak to him again till after supper. I said he was self-centred, and he _is_. He's always thinking about his play and its chances; and I suppose I would rather have had him think more about me now and then. But I've discovered a way now, and I believe it will serve the same purpose. I'm going to enter so fully into his work that I shall be part of it; and when he is thinking of that he will be thinking of me without knowing it. Now, you wouldn't say there was anything in that to cry about, would you? and yet you see I'm at it!" and with this she suddenly dropped her face on her father's shoulder.

Hilary groaned in his despair of being able to imagine an injury sufficiently atrocious to inflict on Maxwell for having brought this grief upon his girl. At the sound of his groan, as if she perfectly interpreted his meaning in it, she broke from a sob into a laugh. "Will you never," she said, dashing away the tears, "learn to let me cry, simply because I am a goose, papa, and a goose must weep without reason, because she feels like it? I won't have you thinking that I am not the happiest person in the world; and I was, even when I was suffering so because I had to punish Brice for telling me I had done wrong. And if you think I'm not, I will never tell you anything more, for I see you can't be trusted. Will you?"

He said no to her rather complicated question, and he was glad to believe that she was really as happy as she declared, for if he could not have believed it, he would have had to fume away an intolerable deal of exasperation. This always made him very hot and uncomfortable, and he shrank from it, but he would have done it if it had been necessary. As it was, he got back to his newspaper again with a sufficiently light heart, when Louise gave him a final kiss, and went indoors and put herself in authority for the day, and ordered what she liked for luncheon. The maids were delighted to have her, and she had a welcome from them all, which was full of worship for her as a bride whose honeymoon was not yet over.

She went away before her mother got home, and she made her father own, before she left him, that he had never had such a lovely day since he could remember. He wanted to drive over to Magnolia with her; but she accused him of wanting to go so that he could spy round a little, and satisfy himself of the misery of her married life; and then he would not insist. _

Read next: Chapter 4

Read previous: Chapter 2

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