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Albert Savarus, a novel by Honore de Balzac

Part 3

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_ When two lovers thus understand each other, the heart feels delicious peace, supreme tranquillity. Certainty is the basis for which human feelings crave, for it is never lacking to religious sentiment; man is always certain of being fully repaid by God. Love never believes itself secure but by this resemblance to divine love. And the raptures of that moment must have been fully felt to be understood; it is unique in life; it can never return no more, alas! than the emotions of youth. To believe in a woman, to make her your human religion, the fount of life, the secret luminary of all your least thoughts!--is not this a second birth? And a young man mingles with this love a little of the feeling he had for his mother.

Rodolphe and Francesca for some time remained in perfect silence, answering each other by sympathetic glances full of thoughts. They understood each other in the midst of one of the most beautiful scenes of Nature, whose glories, interpreted by the glory in their hearts, helped to stamp on their minds the most fugitive details of that unique hour. There had not been the slightest shade of frivolity in Francesca's conduct. It was noble, large, and without any second thought. This magnanimity struck Rodolphe greatly, for in it he recognized the difference between the Italian and the Frenchwoman. The waters, the land, the sky, the woman, all were grandiose and suave, even their love in the midst of this picture, so vast in its expanse, so rich in detail, where the sternness of the snowy peaks and their hard folds standing clearly out against the blue sky, reminded Rodolphe of the circumstances which limited his happiness; a lovely country shut in by snows.

This delightful intoxication of soul was destined to be disturbed. A boat was approaching from Lucerne; Gina, who had been watching it attentively, gave a joyful start, though faithful to her part as a mute. The bark came nearer; when at length Francesca could distinguish the faces on board, she exclaimed, "Tito!" as she perceived a young man. She stood up, and remained standing at the risk of being drowned. "Tito! Tito!" cried she, waving her handkerchief.

Tito desired the boatmen to slacken, and the two boats pulled side by side. The Italian and Tito talked with such extreme rapidity, and in a dialect unfamiliar to a man who hardly knew even the Italian of books, that Rodolphe could neither hear nor guess the drift of this conversation. But Tito's handsome face, Francesca's familiarity, and Gina's expression of delight, all aggrieved him. And indeed no lover can help being ill pleased at finding himself neglected for another, whoever he may be. Tito tossed a little leather bag to Gina, full of gold no doubt, and a packet of letters to Francesca, who began to read them, with a farewell wave of the hand to Tito.

"Get quickly back to Gersau," she said to the boatmen, "I will not let my poor Emilio pine ten minutes longer than he need."

"What has happened?" asked Rodolphe, as he saw Francesca finish reading the last letter.

"/La liberta/!" she exclaimed, with an artist's enthusiasm.

"/E denaro/!" added Gina, like an echo, for she had found her tongue.

"Yes," said Francesca, "no more poverty! For more than eleven months have I been working, and I was beginning to be tired of it. I am certainly not a literary woman."

"Who is this Tito?" asked Rodolphe.

"The Secretary of State to the financial department of the humble shop of the Colonnas, in other words, the son of our /ragionato/. Poor boy! he could not come by the Saint-Gothard, nor by the Mont-Cenis, nor by the Simplon; he came by sea, by Marseilles, and had to cross France. Well, in three weeks we shall be at Geneva, and living at our ease. Come, Rodolphe," she added, seeing sadness overspread the Parisian's face, "is not the Lake of Geneva quite as good as the Lake of Lucerne?"

"But allow me to bestow a regret on the Bergmanns' delightful house," said Rodolphe, pointing to the little promontory.

"Come and dine with us to add to your associations, /povero mio/," said she. "This is a great day; we are out of danger. My mother writes that within a year there will be an amnesty. Oh! /la cara patria/!"

These three words made Gina weep. "Another winter here," said she, "and I should have been dead!"

"Poor little Sicilian kid!" said Francesca, stroking Gina's head with an expression and an affection which made Rodolphe long to be so caressed, even if it were without love.

The boat grounded; Rodolphe sprang on to the sand, offered his hand to the Italian lady, escorted her to the door of the Bergmanns' house, and went to dress and return as soon as possible.

When he joined the librarian and his wife, who were sitting on the balcony, Rodolphe could scarcely repress an exclamation of surprise at seeing the prodigious change which the good news had produced in the old man. He now saw a man of about sixty, extremely well preserved, a lean Italian, as straight as an I, with hair still black, though thin and showing a white skull, with bright eyes, a full set of white teeth, a face like Caesar, and on his diplomatic lips a sardonic smile, the almost false smile under which a man of good breeding hides his real feelings.

"Here is my husband under his natural form," said Francesca gravely.

"He is quite a new acquaintance," replied Rodolphe, bewildered.

"Quite," said the librarian; "I have played many a part, and know well how to make up. Ah! I played one in Paris under the Empire, with Bourrienne, Madame Murat, Madame d'Abrantis /e tutte quanti/. Everything we take the trouble to learn in our youth, even the most futile, is of use. If my wife had not received a man's education--an unheard-of thing in Italy--I should have been obliged to chop wood to get my living here. /Povera/ Francesca! who would have told me that she would some day maintain me!"

As he listened to this worthy bookseller, so easy, so affable, so hale, Rodolphe scented some mystification, and preserved the watchful silence of a man who has been duped.

"/Che avete, signor/?" Francesca asked with simplicity. "Does our happiness sadden you?"

"Your husband is a young man," he whispered in her ear.

She broke into such a frank, infectious laugh that Rodolphe was still more puzzled.

"He is but sixty-five, at your service," said she; "but I can assure you that even that is something--to be thankful for!"

"I do not like to hear you jest about an affection so sacred as this, of which you yourself prescribed the conditions."

"/Zitto/!" said she, stamping her foot, and looking whether her husband were listening. "Never disturb the peace of mind of that dear man, as simple as a child, and with whom I can do what I please. He is under my protection," she added. "If you could know with what generosity he risked his life and fortune because I was a Liberal! for he does not share my political opinions. Is not that love, Monsieur Frenchman?--But they are like that in his family. Emilio's younger brother was deserted for a handsome youth by the woman he loved. He thrust his sword through his own heart ten minutes after he had said to his servant, 'I could of course kill my rival, but that would grieve the /Diva/ too deeply.' "

This mixture of dignity and banter, of haughtiness and playfulness, made Francesca at this moment the most fascinating creature in the world. The dinner and the evening were full of cheerfulness, justified, indeed, by the relief of the two refugees, but depressing to Rodolphe.

"Can she be fickle?" he asked himself as he returned to the Stopfers' house. "She sympathized in my sorrow, and I cannot take part in her joy!"

He blamed himself, justifying this girl-wife.

"She has no taint of hypocrisy, and is carried away by impulse," thought he, "and I want her to be like a Parisian woman."

Next day and the following days, in fact, for twenty days after, Rodolphe spent all his time at the Bergmanns', watching Francesca without having determined to watch her. In some souls admiration is not independent of a certain penetration. The young Frenchman discerned in Francesca the imprudence of girlhood, the true nature of a woman as yet unbroken, sometimes struggling against her love, and at other moments yielding and carried away by it. The old man certainly behaved to her as a father to his daughter, and Francesca treated him with a deeply felt gratitude which roused her instinctive nobleness. The situation and the woman were to Rodolphe an impenetrable enigma, of which the solution attracted him more and more.

These last days were full of secret joys, alternating with melancholy moods, with tiffs and quarrels even more delightful than the hours when Rodolphe and Francesca were of one mind. And he was more and more fascinated by this tenderness apart from wit, always and in all things the same, an affection that was jealous of mere nothings--already!

"You care very much for luxury?" said he one evening to Francesca, who was expressing her wish to get away from Gersau, where she missed many things.

"I!" cried she. "I love luxury as I love the arts, as I love a picture by Raphael, a fine horse, a beautiful day, or the Bay of Naples. Emilio," she went on, "have I ever complained here during our days of privation."

"You would not have been yourself if you had," replied the old man gravely.

"After all, is it not in the nature of plain folks to aspire to grandeur?" she asked, with a mischievous glance at Rodolphe and at her husband. "Were my feet made for fatigue?" she added, putting out two pretty little feet. "My hands"--and she held one out to Rodolphe-- "were those hands made to work?--Leave us," she said to her husband; "I want to speak to him."

The old man went into the drawing-room with sublime good faith; he was sure of his wife.

"I will not have you come with us to Geneva," she said to Rodolphe. "It is a gossiping town. Though I am far above the nonsense the world talks, I do not choose to be calumniated, not for my own sake, but for his. I make it my pride to be the glory of that old man, who is, after all, my only protector. We are leaving; stay here a few days. When you come on to Geneva, call first on my husband, and let him introduce you to me. Let us hide our great and unchangeable affection from the eyes of the world. I love you; you know it; but this is how I will prove it to you-- you shall never discern in my conduct anything whatever that may arouse your jealousy."

She drew him into a corner of the balcony, kissed him on the forehead, and fled, leaving him in amazement.

Next day Rodolphe heard that the lodgers at the Bergmanns' had left at daybreak. It then seemed to him intolerable to remain at Gersau, and he set out for Vevay by the longest route, starting sooner than was necessary. Attracted to the waters of the lake where the beautiful Italian awaited him, he reached Geneva by the end of October. To avoid the discomforts of the town he took rooms in a house at Eaux-Vives, outside the walls. As soon as he was settled, his first care was to ask his landlord, a retired jeweler, whether some Italian refugees from Milan had not lately come to reside at Geneva.

"Not so far as I know," replied the man. "Prince and Princess Colonna of Rome have taken Monsieur Jeanrenaud's place for three years; it is one of the finest on the lake. It is situated between the Villa Diodati and that of Monsieur Lafin-de-Dieu, let to the Vicomtesse de Beauseant. Prince Colonna has come to see his daughter and his son-in- law Prince Gandolphini, a Neopolitan, or if you like, a Sicilian, an old adherent of King Murat's, and a victim of the last revolution. These are the last arrivals at Geneva, and they are not Milanese. Serious steps had to be taken, and the Pope's interest in the Colonna family was invoked, to obtain permission from the foreign powers and the King of Naples for the Prince and Princess Gandolphini to live here. Geneva is anxious to do nothing to displease the Holy Alliance to which it owes its independence. /Our/ part is not to ruffle foreign courts; there are many foreigners here, Russians and English."

"Even some Gevenese?"

"Yes, monsieur, our lake is so fine! Lord Byron lived here about seven years at the Villa Diodati, which every one goes to see now, like Coppet and Ferney."

"You cannot tell me whether within a week or so a bookseller from Milan has come with his wife--named Lamporani, one of the leaders of the last revolution?"

"I could easily find out by going to the Foreigners' Club," said the jeweler.

Rodolphe's first walk was very naturally to the Villa Diodati, the residence of Lord Byron, whose recent death added to its attractiveness: for is not death the consecration of genius?

The road to Eaux-Vives follows the shore of the lake, and, like all the roads in Switzerland, is very narrow; in some spots, in consequence of the configuration of the hilly ground, there is scarcely space for two carriages to pass each other.

At a few yards from the Jeanrenauds' house, which he was approaching without knowing it, Rodolphe heard the sound of a carriage behind him, and, finding himself in a sunk road, he climbed to the top of a rock to leave the road free. Of course he looked at the approaching carriage--an elegant English phaeton, with a splendid pair of English horses. He felt quite dizzy as he beheld in this carriage Francesca, beautifully dressed, by the side of an old lady as hard as a cameo. A servant blazing with gold lace stood behind. Francesca recognized Rodolphe, and smiled at seeing him like a statue on a pedestal. The carriage, which the lover followed with his eyes as he climbed the hill, turned in at the gate of a country house, towards which he ran.

"Who lives here?" he asked the gardener.

"Prince and Princess Colonna, and Prince and Princess Gandolphini."

"Have they not just driven in?"

"Yes, sir."

In that instant a veil fell from Rodolphe's eyes; he saw clearly the meaning of the past.

"If only this is her last piece of trickery!" thought the thunder- struck lover to himself.

He trembled lest he should have been the plaything of a whim, for he had heard what a /capriccio/ might mean in an Italian. But what a crime had he committed in the eyes of a woman--in accepting a born princess as a citizen's wife! in believing that a daughter of one of the most illustrious houses of the Middle Ages was the wife of a bookseller! The consciousness of his blunders increased Rodolphe's desire to know whether he would be ignored and repelled. He asked for Prince Gandolphini, sending in his card, and was immediately received by the false Lamparini, who came forward to meet him, welcomed him with the best possible grace, and took him to walk on a terrace whence there was a view of Geneva, the Jura, the hills covered with villas, and below them a wide expanse of the lake.

"My wife is faithful to the lakes, you see," he remarked, after pointing out the details to his visitor. "We have a sort of concert this evening," he added, as they returned to the splendid Villa Jeanrenaud. "I hope you will do me and the Princess the pleasure of seeing you. Two months of poverty endured in intimacy are equal to years of friendship."

Though he was consumed by curiosity, Rodolphe dared not ask to see the Princess; he slowly made his way back to Eaux-Vives, looking forward to the evening. In a few hours his passion, great as it had already been, was augmented by his anxiety and by suspense as to future events. He now understood the necessity for making himself famous, that he might some day find himself, socially speaking, on a level with his idol. In his eyes Francesca was made really great by the simplicity and ease of her conduct at Gersau. Princess Colonna's haughtiness, so evidently natural to her, alarmed Rodolphe, who would find enemies in Francesca's father and mother--at least so he might expect; and the secrecy which Princess Gandolphini had so strictly enjoined on him now struck him as a wonderful proof of affection. By not choosing to compromise the future, had she not confessed that she loved him?

At last nine o'clock struck; Rodolphe could get into a carriage and say with an emotion that is very intelligible, "To the Villa Jeanrenaud--to Prince Gandolphini's."

At last he saw Francesca, but without being seen by her. The Princess was standing quite near the piano. Her beautiful hair, so thick and long, was bound with a golden fillet. Her face, in the light of wax candles, had the brilliant pallor peculiar to Italians, and which looks its best only by artificial light. She was in full evening dress, showing her fascinating shoulders, the figure of a girl and the arms of an antique statue. Her sublime beauty was beyond all possible rivalry, though there were some charming women of Geneva, and other Italians, among them the dazzling and illustrious Princess Varese, and the famous singer Tinti, who was at that moment singing.

Rodolphe, leaning against the door-post, looked at the Princess, turning on her the fixed, tenacious, attracting gaze, charged with the full, insistent will which is concentrated in the feeling called desire, and thus assumes the nature of a vehement command. Did the flame of that gaze reach Francesca? Was Francesca expecting each instant to see Rodolphe? In a few minutes she stole a glance at the door, as though magnetized by this current of love, and her eyes, without reserve, looked deep into Rodolphe's. A slight thrill quivered through that superb face and beautiful body; the shock to her spirit reacted: Francesca blushed! Rodolphe felt a whole life in this exchange of looks, so swift that it can only be compared to a lightning flash. But to what could his happiness compare? He was loved. The lofty Princess, in the midst of her world, in this handsome villa, kept the pledge given by the disguised exile, the capricious beauty of Bergmanns' lodgings. The intoxication of such a moment enslaves a man for life! A faint smile, refined and subtle, candid and triumphant, curled Princess Gandolphini's lips, and at a moment when she did not feel herself observed she looked at Rodolphe with an expression which seemed to ask his pardon for having deceived him as to her rank.


When the song was ended Rodolphe could make his way to the Prince, who graciously led him to his wife. Rodolphe went through the ceremonial of a formal introduction to Princess and Prince Colonna, and to Francesca. When this was over, the Princess had to take part in the famous quartette, /Mi manca la voce/, which was sung by her with Tinti, with the famous tenor Genovese, and with a well-known Italian Prince then in exile, whose voice, if he had not been a Prince, would have made him one of the Princes of Art.

"Take that seat," said Francesca to Rodolphe, pointing to her own chair. "/Oime/! I think there is some mistake in my name; I have for the last minute been Princess Rodolphini."

It was said with the artless grace which revived, in this avowal hidden beneath a jest, the happy days at Gersau. Rodolphe reveled in the exquisite sensation of listening to the voice of the woman he adored, while sitting so close to her that one cheek was almost touched by the stuff of her dress and the gauze of her scarf. But when, at such a moment, /Mi manca la voce/ is being sung, and by the finest voices in Italy, it is easy to understand what it was that brought the tears to Rodolphe's eyes.

In love, as perhaps in all else, there are certain circumstances, trivial in themselves, but the outcome of a thousand little previous incidents, of which the importance is immense, as an epitome of the past and as a link with the future. A hundred times already we have felt the preciousness of the one we love; but a trifle--the perfect touch of two souls united during a walk perhaps by a single word, by some unlooked-for proof of affection, will carry the feeling to its supremest pitch. In short, to express this truth by an image which has been pre-eminently successful from the earliest ages of the world, there are in a long chain points of attachment needed where the cohesion is stronger than in the intermediate loops of rings. This recognition between Rodolphe and Francesca, at this party, in the face of the world, was one of those intense moments which join the future to the past, and rivet a real attachment more deeply in the heart. It was perhaps of these incidental rivets that Bossuet spoke when he compared to them the rarity of happy moments in our lives--he who had such a living and secret experience of love.

Next to the pleasure of admiring the woman we love, comes that of seeing her admired by every one else. Rodolphe was enjoying both at once. Love is a treasury of memories, and though Rodolphe's was already full, he added to it pearls of great price; smiles shed aside for him alone, stolen glances, tones in her singing which Francesca addressed to him alone, but which made Tinti pale with jealousy, they were so much applauded. All his strength of desire, the special expression of his soul, was thrown over the beautiful Roman, who became unchangeably the beginning and the end of all his thoughts and actions. Rodolphe loved as every woman may dream of being loved, with a force, a constancy, a tenacity, which made Francesca the very substance of his heart; he felt her mingling with his blood as purer blood, with his soul as a more perfect soul; she would henceforth underlie the least efforts of his life as the golden sand of the Mediterranean lies beneath the waves. In short, Rodolphe's lightest aspiration was now a living hope.

At the end of a few days, Francesca understood this boundless love; but it was so natural, and so perfectly shared by her, that it did not surprise her. She was worthy of it.

"What is there that is strange?" said she to Rodolphe, as they walked on the garden terrace, when he had been betrayed into one of those outbursts of conceit which come so naturally to Frenchmen in the expression of their feelings--"what is extraordinary in the fact of your loving a young and beautiful woman, artist enough to be able to earn her living like Tinti, and of giving you some of the pleasures of vanity? What lout but would then become an Amadis? This is not in question between you and me. What is needed is that we both love faithfully, persistently; at a distance from each other for years, with no satisfaction but that of knowing that we are loved."

"Alas!" said Rodolphe, "will you not consider my fidelity as devoid of all merit when you see me absorbed in the efforts of devouring ambition? Do you imagine that I can wish to see you one day exchange the fine name of Gandolphini for that of a man who is a nobody? I want to become one of the most remarkable men of my country, to be rich, great--that you may be as proud of my name as of your own name of Colonna."

"I should be grieved to see you without such sentiments in your heart," she replied, with a bewitching smile. "But do not wear yourself out too soon in your ambitious labors. Remain young. They say that politics soon make a man old."

One of the rarest gifts in women is a certain gaiety which does not detract from tenderness. This combination of deep feeling with the lightness of youth added an enchanting grace at this moment to Francesca's charms. This is the key to her character; she laughs and she is touched; she becomes enthusiastic, and returns to arch raillery with a readiness, a facility, which makes her the charming and exquisite creature she is, and for which her reputation is known outside Italy. Under the graces of a woman she conceals vast learning, thanks to the excessively monotonous and almost monastic life she led in the castle of the old Colonnas.

This rich heiress was at first intended for the cloister, being the fourth child of Prince and Princess Colonna; but the death of her two brothers, and of her elder sister, suddenly brought her out of her retirement, and made her one of the most brilliant matches in the Papal States. Her elder sister had been betrothed to Prince Gandolphini, one of the richest landowners in Sicily; and Francesca was married to him instead, so that nothing might be changed in the position of the family. The Colonnas and Gandolphinis had always intermarried.

From the age of nine till she was sixteen, Francesca, under the direction of a Cardinal of the family, had read all through the library of the Colonnas, to make weight against her ardent imagination by studying science, art, and letters. But in these studies she acquired the taste for independence and liberal ideas, which threw her, with her husband, into the ranks of the revolution. Rodolphe had not yet learned that, besides five living languages, Francesca knew Greek, Latin, and Hebrew. The charming creature perfectly understood that, for a woman, the first condition of being learned is to keep it deeply hidden.

Rodolphe spent the whole winter at Geneva. This winter passed like a day. When spring returned, notwithstanding the infinite delights of the society of a clever woman, wonderfully well informed, young and lovely, the lover went through cruel sufferings, endured indeed with courage, but which were sometimes legible in his countenance, and betrayed themselves in his manners or speech, perhaps because he believed that Francesca shared them. Now and again it annoyed him to admire her calmness. Like an Englishwoman, she seemed to pride herself on expressing nothing in her face; its serenity defied love; he longed to see her agitated; he accused her of having no feeling, for he believed in the tradition which ascribes to Italian women a feverish excitability.

"I am a Roman!" Francesca gravely replied one day when she took quite seriously some banter on this subject from Rodolphe.

There was a depth of tone in her reply which gave it the appearance of scathing irony, and which set Rodolphe's pulses throbbing. The month of May spread before them the treasures of her fresh verdure; the sun was sometimes as powerful as at midsummer. The two lovers happened to be at a part of the terrace where the rock arises abruptly from the lake, and were leaning over the stone parapet that crowns the wall above a flight of steps leading down to a landing-stage. From the neighboring villa, where there is a similar stairway, a boat presently shot out like a swan, its flag flaming, its crimson awning spread over a lovely woman comfortably reclining on red cushions, her hair wreathed with real flowers; the boatman was a young man dressed like a sailor, and rowing with all the more grace because he was under the lady's eye.

"They are happy!" exclaimed Rodolphe, with bitter emphasis. "Claire de Bourgogne, the last survivor of the only house which can ever vie with the royal family of France--"

"Oh! of a bastard branch, and that a female line."

"At any rate, she is Vicomtesse de Beauseant; and she did not--"

"Did not hesitate, you would say, to bury herself here with Monsieur Gaston de Nueil, you would say," replied the daughter of the Colonnas. "She is only a Frenchwoman; I am an Italian, my dear sir!"

Francesca turned away from the parapet, leaving Rodolphe, and went to the further end of the terrace, whence there is a wide prospect of the lake. Watching her as she slowly walked away, Rodolphe suspected that he had wounded her soul, at once so simple and so wise, so proud and so humble. It turned him cold; he followed Francesca, who signed to him to leave her to herself. But he did not heed the warning, and detected her wiping away her tears. Tears! in so strong a nature.

"Francesca," said he, taking her hand, "is there a single regret in your heart?"

She was silent, disengaged her hand which held her embroidered handkerchief, and again dried her eyes.

"Forgive me!" he said. And with a rush, he kissed her eyes to wipe away the tears.

Francesca did not seem aware of his passionate impulse, she was so violently agitated. Rodolphe, thinking she consented, grew bolder; he put his arm round her, clasped her to his heart, and snatched a kiss. But she freed herself by a dignified movement of offended modesty, and, standing a yard off, she looked at him without anger, but with firm determination.

"Go this evening," she said. "We meet no more till we meet at Naples."

This order was stern, but it was obeyed, for it was Francesca's will.

On his return to Paris Rodolphe found in his rooms a portrait of Princess Gandolphini painted by Schinner, as Schinner can paint. The artist had passed through Geneva on his way to Italy. As he had positively refused to paint the portraits of several women, Rodolphe did not believe that the Prince, anxious as he was for a portrait of his wife, would be able to conquer the great painter's objections; but Francesca, no doubt, had bewitched him, and obtained from him--which was almost a miracle--an original portrait for Rodolphe, and a duplicate for Emilio. She told him this in a charming and delightful letter, in which the mind indemnified itself for the reserve required by the worship of the proprieties. The lover replied. Thus began, never to cease, a regular correspondence between Rodolphe and Francesca, the only indulgence they allowed themselves.

Rodolphe, possessed by an ambition sanctified by his love, set to work. First he longed to make his fortune, and risked his all in an undertaking to which he devoted all his faculties as well as his capital; but he, an inexperienced youth, had to contend against duplicity, which won the day. Thus three years were lost in a vast enterprise, three years of struggling and courage.

The Villele ministry fell just when Rodolphe was ruined. The valiant lover thought he would seek in politics what commercial industry had refused him; but before braving the storms of this career, he went, all wounded and sick at heart, to have his bruises healed and his courage revived at Naples, where the Prince and Princess had been reinstated in their place and rights on the King's accession. This, in the midst of his warfare, was a respite full of delights; he spent three months at the Villa Gandolphini, rocked in hope.

Rodolphe then began again to construct his fortune. His talents were already known; he was about to attain the desires of his ambition; a high position was promised him as the reward of his zeal, his devotion, and his past services, when the storm of July 1830 broke, and again his bark was swamped.

She, and God! These are the only witnesses of the brave efforts, the daring attempts of a young man gifted with fine qualities, but to whom, so far, the protection of luck--the god of fools--has been denied. And this indefatigable wrestler, upheld by love, comes back to fresh struggles, lighted on his way by an always friendly eye, an ever faithful heart.

Lovers! Pray for him!

*****

As she finished this narrative, Mademoiselle de Watteville's cheeks were on fire; there was a fever in her blood. She was crying--but with rage. This little novel, inspired by the literary style then in fashion, was the first reading of the kind that Rosalie had ever had the chance of devouring. Love was depicted in it, if not by a master- hand, at any rate by a man who seemed to give his own impressions; and truth, even if unskilled, could not fail to touch a virgin soul. Here lay the secret of Rosalie's terrible agitation, of her fever and her tears; she was jealous of Francesca Colonna.

She never for an instant doubted the sincerity of this poetical flight; Albert had taken pleasure in telling the story of his passion, while changing the names of persons and perhaps of places. Rosalie was possessed by infernal curiosity. What woman but would, like her, have wanted to know her rival's name--for she too loved! As she read these pages, to her really contagious, she had said solemnly to herself, "I love him!"--She loved Albert, and felt in her heart a gnawing desire to fight for him, to snatch him from this unknown rival. She reflected that she knew nothing of music, and that she was not beautiful.

"He will never love me!" thought she.

This conclusion aggravated her anxiety to know whether she might not be mistaken, whether Albert really loved an Italian Princess, and was loved by her. In the course of this fateful night, the power of swift decision, which had characterized the famous Watteville, was fully developed in his descendant. She devised those whimsical schemes, round which hovers the imagination of most young girls when, in the solitude to which some injudicious mothers confine them, they are roused by some tremendous event which the system of repression to which they are subjected could neither foresee nor prevent. She dreamed of descending by a ladder from the kiosk into the garden of the house occupied by Albert; of taking advantage of the lawyer's being asleep to look through the window into his private room. She thought of writing to him, or of bursting the fetters of Besancon society by introducing Albert to the drawing-room of the Hotel de Rupt. This enterprise, which to the Abbe de Grancey even would have seemed the climax of the impossible, was a mere passing thought.

"Ah!" said she to herself, "my father has a dispute pending as to his land at les Rouxey. I will go there! If there is no lawsuit, I will manage to make one, and /he/ shall come into our drawing-room!" she cried, as she sprang out of bed and to the window to look at the fascinating gleam which shone through Albert's nights. The clock struck one; he was still asleep.

"I shall see him when he gets up; perhaps he will come to his window."

At this instant Mademoiselle de Watteville was witness to an incident which promised to place in her power the means of knowing Albert's secrets. By the light of the moon she saw a pair of arms stretched out from the kiosk to help Jerome, Albert's servant, to get across the coping of the wall and step into the little building. In Jerome's accomplice Rosalie at once recognized Mariette the lady's-maid.

"Mariette and Jerome!" said she to herself. "Mariette, such an ugly girl! Certainly they must be ashamed of themselves."

Though Mariette was horribly ugly and six-and-thirty, she had inherited several plots of land. She had been seventeen years with Madame de Watteville, who valued her highly for her bigotry, her honesty, and long service, and she had no doubt saved money and invested her wages and perquisites. Hence, earning about ten louis a year, she probably had by this time, including compound interest and her little inheritance, not less than ten thousand francs.

In Jerome's eyes ten thousand francs could alter the laws of optics; he saw in Mariette a neat figure; he did not perceive the pits and seams which virulent smallpox had left on her flat, parched face; to him the crooked mouth was straight; and ever since Savaron, by taking him into his service, had brought him so near to the Wattevilles' house, he had laid siege systematically to the maid, who was as prim and sanctimonious as her mistress, and who, like every ugly old maid, was far more exacting than the handsomest.

If the night-scene in the kiosk is thus fully accounted for to all perspicacious readers, it was not so to Rosalie, though she derived from it the most dangerous lesson that can be given, that of a bad example. A mother brings her daughter up strictly, keeps her under her wing for seventeen years, and then, in one hour, a servant girl destroys the long and painful work, sometimes by a word, often indeed by a gesture! Rosalie got into bed again, not without considering how she might take advantage of her discovery.

Next morning, as she went to Mass accompanied by Mariette--her mother was not well--Rosalie took the maid's arm, which surprised the country wench not a little.

"Mariette," said she, "is Jerome in his master's confidence?"

"I do not know, mademoiselle."

"Do not play the innocent with me," said Mademoiselle de Watteville drily. "You let him kiss you last night under the kiosk; I no longer wonder that you so warmly approved of my mother's ideas for the improvements she planned."

Rosalie could feel how Mariette was trembling by the shaking of her arm.

"I wish you no ill," Rosalie went on. "Be quite easy; I shall not say a word to my mother, and you can meet Jerome as often as you please."

"But, mademoiselle," said Mariette, "it is perfectly respectable; Jerome honestly means to marry me--"

"But then," said Rosalie, "why meet at night?"

Mariette was dumfounded, and could make no reply.

"Listen, Mariette; I am in love too! In secret and without any return. I am, after all, my father's and mother's only child. You have more to hope for from me than from any one else in the world--"

"Certainly, mademoiselle, and you may count on us for life or death," exclaimed Mariette, rejoiced at the unexpected turn of affairs.

"In the first place, silence for silence," said Rosalie. "I will not marry Monsieur de Soulas; but one thing I will have, and must have; my help and favor are yours on one condition only."

"What is that?"

"I must see the letters which Monsieur Savaron sends to the post by Jerome."

"But what for?" said Mariette in alarm.

"Oh! merely to read them, and you yourself shall post them afterwards. It will cause a little delay; that is all."

At this moment they went into church, and each of them, instead of reading the order of Mass, fell into her own train of thought.

"Dear, dear, how many sins are there in all that?" thought Mariette.

Rosalie, whose soul, brain, and heart were completely upset by reading the story, by this time regarded it as history, written for her rival. By dint of thinking of nothing else, like a child, she ended by believing that the /Eastern Review/ was no doubt forwarded to Albert's lady-love.

"Oh!" said she to herself, her head buried in her hands in the attitude of a person lost in prayer; "oh! how can I get my father to look through the list of people to whom the /Review/ is sent?"

After breakfast she took a turn in the garden with her father, coaxing and cajoling him, and brought him to the kiosk.

"Do you suppose, my dear little papa, that our /Review/ is ever read abroad?"

"It is but just started--"

"Well, I will wager that it is."

"It is hardly possible."

"Just go and find out, and note the names of any subscribers out of France."

Two hours later Monsieur de Watteville said to his daughter:

"I was right; there is not one foreign subscriber as yet. They hope to get some at Neufchatel, at Berne, and at Geneva. One copy, is in fact, sent to Italy, but it is not paid for--to a Milanese lady at her country house at Belgirate, on Lago Maggiore.

"What is her name?"

"The Duchesse d'Argaiolo."

"Do you know her, papa?"

"I have heard about her. She was by birth a Princess Soderini, a Florentine, a very great lady, and quite as rich as her husband, who has one of the largest fortunes in Lombardy. Their villa on the Lago Maggiore is one of the sights of Italy."

Two days after, Mariette placed the following letter in Mademoiselle de Watteville's hand:--

Albert Savaron to Leopold Hannequin.

"Yes, 'tis so, my dear friend; I am at Besancon, while you thought I was traveling. I would not tell you anything till success should begin, and now it is dawning. Yes, my dear Leopold, after so many abortive undertakings, over which I have shed the best of my blood, have wasted so many efforts, spent so much courage, I have made up my mind to do as you have done--to start on a beaten path, on the highroad, as the longest but the safest. I can see you jump with surprise in your lawyer's chair!

"But do not suppose that anything is changed in my personal life, of which you alone in the world know the secret, and that under the reservations /she/ insists on. I did not tell you, my friend; but I was horribly weary of Paris. The outcome of the first enterprise, on which I had founded all my hopes, and which came to a bad end in consequence of the utter rascality of my two partners, who combined to cheat and fleece me--me, though everything was done by my energy--made me give up the pursuit of a fortune after the loss of three years of my life. One of these years was spent in the law courts, and perhaps I should have come worse out of the scrape if I had not been made to study law when I was twenty.

"I made up my mind to go into politics solely, to the end that I may some day find my name on a list for promotion to the Senate under the title of Comte Albert Savaron de Savarus, and so revive in France a good name now extinct in Belgium--though indeed I am neither legitimate nor legitimized."

"Ah! I knew it! He is of noble birth!" exclaimed Rosalie, dropping the letter.

"You know how conscientiously I studied, how faithful and useful I was as an obscure journalist, and how excellent a secretary to the statesman who, on his part, was true to me in 1829. Flung to the depths once more by the revolution of July just when my name was becoming known, at the very moment when, as Master of Appeals, I was about to find my place as a necessary wheel in the political machine, I committed the blunder of remaining faithful to the fallen, and fighting for them, without them. Oh! why was I but three-and-thirty, and why did I not apply to you to make me eligible? I concealed from you all my devotedness and my dangers. What would you have? I was full of faith. We should not have agreed.

"Ten months ago, when you saw me so gay and contented, writing my political articles, I was in despair; I foresaw my fate, at the age of thirty-seven, with two thousand francs for my whole fortune, without the smallest fame, just having failed in a noble undertaking, the founding, namely, of a daily paper answering only to a need of the future instead of appealing to the passions of the moment. I did not know which way to turn, and I felt my own value! I wandered about, gloomy and hurt, through the lonely places of Paris--Paris which had slipped through my fingers-- thinking of my crushed ambitions, but never giving them up. Oh, what frantic letters I wrote at that time to /her/, my second conscience, my other self! Sometimes I would say to myself, 'Why did I sketch so vast a programme of life? Why demand everything? Why not wait for happiness while devoting myself to some mechanical employment.'

"I then looked about me for some modest appointment by which I might live. I was about to get the editorship of a paper under a manager who did not know much about it, a man of wealth and ambition, when I took fright. 'Would /she/ ever accept as her husband a man who had stooped so low?' I wondered.

"This reflection made me two-and-twenty again. But, oh, my dear Leopold, how the soul is worn by these perplexities! What must not the caged eagles suffer, and imprisoned lions!--They suffer what Napoleon suffered, not at Saint Helena, but on the Quay of the Tuileries, on the 10th of August, when he saw Louis XVI. defending himself so badly while he could have quelled the insurrection; as he actually did, on the same spot, a little later, in Vendemiaire. Well, my life has been a torment of that kind, extending over four years. How many a speech to the Chamber have I not delivered in the deserted alleys of the Bois de Boulogne! These wasted harangues have at any rate sharpened my tongue and accustomed my mind to formulate its ideas in words. And while I was undergoing this secret torture, you were getting married, you had paid for your business, you were made law-clerk to the Maire of your district, after gaining a cross for a wound at Saint-Merri.

"Now, listen. When I was a small boy and tortured cock-chafers, the poor insects had one form of struggle which used almost to put me in a fever. It was when I saw them making repeated efforts to fly but without getting away, though they could spread their wings. We used to say, 'They are marking time.' Now was this sympathy? Was it a vision of my own future?--Oh! to spread my wings and yet be unable to fly! That has been my predicament since that fine undertaking by which I was disgusted, but which has now made four families rich.

"At last, seven months ago, I determined to make myself a name at the Paris Bar, seeing how many vacancies had been left by the promotion of several lawyers to eminent positions. But when I remembered the rivalry I had seen among men of the press, and how difficult it is to achieve anything of any kind in Paris, the arena where so many champions meet, I came to a determination painful to myself, but certain in its results, and perhaps quicker than any other. In the course of our conversations you had given me a picture of the society of Besancon, of the impossibility for a stranger to get on there, to produce the smallest effect, to get into society, or to succeed in any way whatever. It was there that I determined to set up my flag, thinking, and rightly, that I should meet with no opposition, but find myself alone to canvass for the election. The people of the Comte will not meet the outsider? The outsider will meet them! They refuse to admit him to their drawing-rooms, he will never go there! He never shows himself anywhere, not even in the streets! But there is one class that elects the deputies--the commercial class. I am going especially to study commercial questions, with which I am already familiar; I will gain their lawsuits, I will effect compromises, I will be the greatest pleader in Besancon. By and by I will start a /Review/, in which I will defend the interests of the country, will create them, or preserve them, or resuscitate them. When I shall have won a sufficient number of votes, my name will come out of the urn. For a long time the unknown barrister will be treated with contempt, but some circumstance will arise to bring him to the front--some unpaid defence, or a case which no other pleader will undertake.

"Well, my dear Leopold, I packed up my books in eleven cases, I bought such law-books as might prove useful, and I sent everything off, furniture and all, by carrier to Besancon. I collected my diplomas, and I went to bid you good-bye. The mail coach dropped me at Besancon, where, in three days' time, I chose a little set of rooms looking out over some gardens. I sumptuously arranged the mysterious private room where I spend my nights and days, and where the portrait of my divinity reigns--of her to whom my life is dedicate, who fills it wholly, who is the mainspring of my efforts, the secret of my courage, the cause of my talents. Then, as soon as the furniture and books had come, I engaged an intelligent man-servant, and there I sat for five months like a hibernating marmot.

"My name had, however, been entered on the list of lawyers in the town. At last I was called one day to defend an unhappy wretch at the Assizes, no doubt in order to hear me speak for once! One of the most influential merchants of Besancon was on the jury; he had a difficult task to fulfil; I did my utmost for the man, and my success was absolute and complete. My client was innocent; I very dramatically secured the arrest of the real criminals, who had come forward as witnesses. In short, the Court and the public were united in their admiration. I managed to save the examining magistrate's pride by pointing out the impossibility of detecting a plot so skilfully planned.

"Then I had to fight a case for my merchant, and won his suit. The Cathedral Chapter next chose me to defend a tremendous action against the town, which had been going on for four years; I won that. Thus, after three trials, I had become the most famous advocate of Franche-Comte.

"But I bury my life in the deepest mystery, and so hide my aims. I have adopted habits which prevent my accepting any invitations. I am only to be consulted between six and eight in the morning; I go to bed after my dinner, and work at night. The Vicar-General, a man of parts, and very influential, who placed the Chapter's case in my hands after they had lost it in the lower Court, of course professed their gratitude. 'Monsieur,' said I, 'I will win your suit, but I want no fee; I want more' (start of alarm on the Abbe's part). 'You must know that I am a great loser by putting myself forward in antagonism to the town. I came here only to leave the place as deputy. I mean to engage only in commercial cases, because commercial men return the members; they will distrust me if I defend "the priests"--for to them you are simply priests. If I undertake your defence, it is because I was, in 1828, private secretary to such a Minister' (again a start of surprise on the part of my Abbe), 'and Master of Appeals, under the name of Albert de Savarus' (another start). 'I have remained faithful to monarchical opinions; but, as you have not the majority of votes in Besancon, I must gain votes among the citizens. So the fee I ask of you is the votes you may be able secretly to secure for me at the opportune moment. Let us each keep our own counsel, and I will defend, for nothing, every case to which a priest of this diocese may be a party. Not a word about my previous life, and we will be true to each other.'

"When he came to thank me afterwards, he gave me a note for five hundred francs, and said in my ear, 'The votes are a bargain all the same.'--I have in the course of five interviews made a friend, I think, of this Vicar-General.

"Now I am overwhelmed with business, and I undertake no cases but those brought to me by merchants, saying that commercial questions are my specialty. This line of conduct attaches business men to me, and allows me to make friends with influential persons. So all goes well. Within a few months I shall have found a house to purchase in Besancon, so as to secure a qualification. I count on your lending me the necessary capital for this investment. If I should die, if I should fail, the loss would be too small to be any consideration between you and me. You will get the interest out of the rental, and I shall take good care to look out for something cheap, so that you may lose nothing by this mortgage, which is indispensable.

"Oh! my dear Leopold, no gambler with the last remains of his fortune in his pocket, bent on staking it at the Cercle des Etrangers for the last time one night, when he must come away rich or ruined, ever felt such a perpetual ringing in his ears, such a nervous moisture on his palms, such a fevered tumult in his brain, such inward qualms in his body as I go through every day now that I am playing my last card in the game of ambition. Alas! my dear and only friend, for nearly ten years now I have been struggling. This battle with men and things, in which I have unceasingly poured out my strength and energy, and so constantly worn the springs of desire, has, so to speak, undermined my vitality. With all the appearance of a strong man of good health, I feel myself a wreck. Every day carries with it a shred of my inmost life. At every fresh effort I feel that I should never be able to begin again. I have no power, no vigor left but for happiness; and if it should never come to crown my head with roses, the /me/ that is really me would cease to exist, I should be a ruined thing. I should wish for nothing more in the world. I should want to cease from living. You know that power and fame, the vast moral empire that I crave, is but secondary; it is to me only a means to happiness, the pedestal for my idol.

"To reach the goal and die, like the runner of antiquity! To see fortune and death stand on the threshold hand in hand! To win the beloved woman just when love is extinct! To lose the faculty of enjoyment after earning the right to be happy!--Of how many men has this been the fate!

"But there surely is a moment when Tantalus rebels, crosses his arms, and defies hell, throwing up his part of the eternal dupe. That is what I shall come to if anything should thwart my plan; if, after stooping to the dust of provincial life, prowling like a starving tiger round these tradesmen, these electors, to secure their votes; if, after wrangling in these squalid cases, and giving them my time--the time I might have spent on Lago Maggiore, seeing the waters she sees, basking in her gaze, hearing her voice --if, after all, I failed to scale the tribune and conquer the glory that should surround the name that is to succeed to that of Argaiolo! Nay, more than this, Leopold; there are days when I feel a heady languor; deep disgust surges up from the depths of my soul, especially when, abandoned to long day-dreams, I have lost myself in anticipation of the joys of blissful love! May it not be that our desire has only a certain modicum of power, and that it perishes, perhaps, of a too lavish effusion of its essence? For, after all, at this present, my life is fair, illuminated by faith, work, and love.

"Farewell, my friend; I send love to your children, and beg you to remember me to your excellent wife.

Yours,
"ALBERT."

Rosalie read this letter twice through, and its general purport was stamped on her heart. She suddenly saw the whole of Albert's previous existence, for her quick intelligence threw light on all the details, and enabled her to take it all in. By adding this information to the little novel published in the /Review/, she now fully understood Albert. Of course, she exaggerated the greatness, remarkable as it was, of this lofty soul and potent will, and her love for Albert thenceforth became a passion, its violence enhanced by all the strength of her youth, the weariness of her solitude, and the unspent energy of her character. Love is in a young girl the effect of a natural law; but when her craving for affection is centered in an exceptional man, it is mingled with the enthusiasm which overflows in a youthful heart. Thus Mademoiselle de Watteville had in a few days reached a morbid and very dangerous stage of enamored infatuation. The Baroness was much pleased with her daughter, who, being under the spell of her absorbing thoughts, never resisted her will, seemed to be devoted to feminine occupations, and realized her mother's ideal of a docile daughter.

The lawyer was now engaged in Court two or three times a week. Though he was overwhelmed with business, he found time to attend the trials, call on the litigious merchants, and conduct the /Review/; keeping up his personal mystery, from the conviction that the more covert and hidden was his influence, the more real it would be. But he neglected no means of success, reading up the list of electors of Besancon, and finding out their interests, their characters, their various friendships and antipathies. Did ever a Cardinal hoping to be made Pope give himself more trouble? _

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