Part 3 - Chapter 5. The Mother And The Son

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_ PART III CHAPTER V. THE MOTHER AND THE SON

To Mrs. Pendyce, Chelsea was an unknown land, and to find her way to George's rooms would have taken her long had she been by nature what she was by name, for Pendyces never asked their way to anything, or believed what they were told, but found out for themselves with much unnecessary trouble, of which they afterwards complained.

A policeman first, and then a young man with a beard, resembling an artist, guided her footsteps. The latter, who was leaning by a gate, opened it.

"In here," he said; "the door in the corner on the right."

Mrs. Pendyce walked down the little path, past the ruined fountain with its three stone frogs, and stood by the first green door and waited. And while she waited she struggled between fear and joy; for now that she was away from Mrs. Bellew she no longer felt a sense of insult. It was the actual sight of her that had aroused it, so personal is even the most gentle heart.

She found the rusty handle of a bell amongst the creeper-leaves, and pulled it. A cracked metallic tinkle answered her, but no one came; only a faint sound as of someone pacing to and fro. Then in the street beyond the outer gate a coster began calling to the sky, and in the music of his prayers the sound was lost. The young man with a beard, resembling an artist, came down the path.

"Perhaps you could tell me, sir, if my son is out?"

"I've not seen him go out; and I've been painting here all the morning."

Mrs. Pendyce looked with wonder at an easel which stood outside another door a little further on. It seemed to her strange that her son should live in such a place.

"Shall I knock for you?" said the artist. "All these knockers are stiff."

"If you would be so kind!"

The artist knocked.

"He must be in," he said. "I haven't taken my eyes off his door, because I've been painting it."

Mrs. Pendyce gazed at the door.

"I can't get it," said the artist. "It's worrying me to death."

Mrs. Pendyce looked at him doubtfully.

"Has he no servant?" she said.

"Oh no," said the artist; "it's a studio. The light's all wrong. I wonder if you would mind standing just as you are for one second; it would help me a lot!"

He moved back and curved his hand over his eyes, and through Mrs. Pendyce there passed a shiver.

'Why doesn't George open the door?' she thought. 'What--what is this man doing?'

The artist dropped his hand.

"Thanks so much!" he said. "I'll knock again. There! that would raise the dead!"

And he laughed.

An unreasoning terror seized on Mrs. Pendyce.

"Oh," she stammered, "I must get in--I must get in!"

She took the knocker herself, and fluttered it against the door.

"You see," said the artist, "they're all alike; these knockers are as stiff' as pokers."

He again curved his hand over his eyes. Mrs. Pendyce leaned against the door; her knees were trembling violently.

'What is happening?' she thought. 'Perhaps he's only asleep, perhaps----Oh God!'

She beat the knocker with all her force. The door yielded, and in the space stood George. Choking back a sob, Mrs. Pendyce went in. He banged the door behind her.

For a full minute she did not speak, possessed still by that strange terror and by a sort of shame. She did not even look at her son, but cast timid glances round his room. She saw a gallery at the far end, and a conical roof half made of glass. She saw curtains hanging all the gallery length, a table with tea-things and decanters, a round iron stove, rugs on the floor, and a large full-length mirror in the centre of the wall. A silver cup of flowers was reflected in that mirror. Mrs. Pendyce saw that they were dead, and the sense of their vague and nauseating odour was her first definite sensation.

"Your flowers are dead, my darling," she said. "I must get you some fresh!"

Not till then did she look at George. There were circles under his eyes; his face was yellow; it seemed to her that it had shrunk. This terrified her, and she thought:

'I must show nothing; I must keep my head!'

She was afraid--afraid of something desperate in his face, of something desperate and headlong, and she was afraid of his stubbornness, the dumb, unthinking stubbornness that holds to what has been because it has been, that holds to its own when its own is dead. She had so little of this quality herself that she could not divine where it might lead him; but she had lived in the midst of it all her married life, and it seemed natural that her son should be in danger from it now.

Her terror called up her self-possession. She drew George down on the sofa by her side, and the thought flashed through her: 'How many times has he not sat here with that woman in his arms!'

"You didn't come for me last night, dear! I got the tickets, such good ones!"

George smiled.

"No," he said; "I had something else to see to!"

At sight of that smile Margery Pendyce's heart beat till she felt sick, but she, too, smiled.

"What a nice place you have here, darling!"

"There's room to walk about."

Mrs. Pendyce remembered the sound she had heard of pacing to and fro. From his not asking her how she had found out where he lived she knew that he must have guessed where she had been, that there was nothing for either of them to tell the other. And though this was a relief, it added to her terror--the terror of that which is desperate. All sorts of images passed through her mind. She saw George back in her bedroom after his first run with the hounds, his chubby cheek scratched from forehead to jaw, and the bloodstained pad of a cub fox in his little gloved hand. She saw him sauntering into her room the last day of the 1880 match at Lord's, with a battered top-hat, a blackened eye, and a cane with a light-blue tassel. She saw him deadly pale with tightened lips that afternoon after he had escaped from her, half cured of laryngitis, and stolen out shooting by himself, and she remembered his words: "Well, Mother, I couldn't stand it any longer; it was too beastly slow!"

Suppose he could not stand it now! Suppose he should do something rash! She took out her handkerchief.

"It's very hot in here, dear; your forehead is quite wet!"

She saw his eyes turn on her suspiciously, and all her woman's wit stole into her own eyes, so that they did not flicker, but looked at him with matter-of-fact concern.

"That skylight is what does it," he said. "The sun gets full on there."

Mrs. Pendyce looked at the skylight.

"It seems odd to see you here, dear, but it's very nice--so unconventional. You must let me put away those poor flowers!" She went to the silver cup and bent over them. "My dear boy, they're quite nasty! Do throw them outside somewhere; it's so dreadful, the smell of old flowers!"

She held the cup out, covering her nose with her handkerchief.

George took the cup, and like a cat spying a mouse, Mrs. Pendyce watched him take it out into the garden. As the door closed, quicker, more noiseless than a cat, she slipped behind the curtains.

'I know he has a pistol,' she thought.

She was back in an instant, gliding round the room, hunting with her eyes and hands, but she saw nothing, and her heart lightened, for she was terrified of all such things.

'It's only these terrible first hours,' she thought.

When George came back she was standing where he had left her. They sat down in silence, and in that silence, the longest of her life, she seemed to feel all that was in his heart, all the blackness and bitter aching, the rage of defeat and starved possession, the lost delight, the sensation of ashes and disgust; and yet her heart was full enough already of relief and shame, compassion, jealousy, love, and deep longing. Only twice was the silence broken. Once when he asked her whether she had lunched, and she who had eaten nothing all day answered:

"Yes, dear--yes."

Once when he said:

"You shouldn't have come here, Mother; I'm a bit out of sorts!"

She watched his face, dearest to her in all the world, bent towards the floor, and she so yearned to hold it to her breast that, since she dared not, the tears stole up, and silently rolled down her cheeks. The stillness in that room, chosen for remoteness, was like the stillness of a tomb, and, as in a tomb, there was no outlook on the world, for the glass of the skylight was opaque.

That deathly stillness settled round her heart; her eyes fixed themselves on the skylight, as though beseeching it to break and let in sound. A cat, making a pilgrimage from roof to roof, the four dark moving spots of its paws, the faint blur of its body, was all she saw. And suddenly, unable to bear it any longer, she cried:

"Oh, George, speak to me! Don't put me away from you like this!"

George answered:

"What do you want me to say, Mother?"

"Nothing--only----"

And falling on her knees beside her son, she pulled his head down against her breast, and stayed rocking herself to and fro, silently shifting closer till she could feel his head lie comfortably; so, she had his face against her heart, and she could not bear to let it go. Her knees hurt her on the boarded floor, her back and all her body ached; but not for worlds would she relax an inch, believing that she could comfort him with her pain, and her tears fell on his neck. When at last he drew his face away she sank down on the floor, and could not rise, but her fingers felt that the bosom of her dress was wet. He said hoarsely:

"It's all right, Mother; you needn't worry!"

For no reward would she have looked at him just then, but with a deeper certainty than reason she knew that he was safe.

Stealthily on the sloping skylight the cat retraced her steps, its four paws dark moving spots, its body a faint blur.

Mrs. Pendyce rose.

"I won't stay now, darling. May I use your glass?"

Standing before that mirror, smoothing back her hair, passing her handkerchief over her cheeks and eyes and lips, she thought:

'That woman has stood here! That woman has smoothed her hair, looking in this glass, and wiped his kisses from her cheeks! May God give to her the pain that she has given to my son!'

But when she had wished that wish she shivered.

She turned to George at the door with a smile that seemed to say:

'It's no good to weep, or try and tell you what is in my heart, and so, you see, I'm smiling. Please smile, too, so as to comfort me a little.'

George put a small paper parcel in her hand and tried to smile.

Mrs. Pendyce went quickly out. Bewildered by the sunlight, she did not look at this parcel till she was beyond the outer gate. It contained an amethyst necklace, an emerald pendant, and a diamond ring. In the little grey street that led to this garden with its poplars, old fountain, and green gate, the jewels glowed and sparkled as though all light and life had settled there. Mrs. Pendyce, who loved colour and glowing things, saw that they were beautiful.

That woman had taken them, used their light and colour, and then flung them back! She wrapped them again in the paper, tied the string, and went towards the river. She did not hurry, but walked with her eyes steadily before her. She crossed the Embankment, and stood leaning on the parapet with her hands over the grey water. Her thumb and fingers unclosed; the white parcel dropped, floated a second, and then disappeared.

Mrs. Pendyce looked round her with a start.

A young man with a beard, whose face was familiar, was raising his hat.

"So your son was in," he said. "I'm very glad. I must thank you again for standing to me just that minute; it made all the difference. It was the relation between the figure and the door that I wanted to get. Good-morning!"

Mrs. Pendyce murmured "Good-morning," following him with startled eyes, as though he had caught her in the commission of a crime. She had a vision of those jewels, buried, poor things! in the grey slime, a prey to gloom, and robbed for ever of their light and colour. And, as though she had sinned, wronged the gentle essence of her nature, she hurried away. _

Read next: Part 3: Chapter 6. Gregory Looks At The Sky

Read previous: Part 3: Chapter 4. Mrs. Pendyce's Inspiration

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