Chapter 2

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_ CHAPTER II

With the closing of the little door behind them they seemed to have shut out the turmoil and vibration of the storm. The reason became apparent when, after a few paces, they descended half a dozen steps to a lower landing. This disclosed the fact that the dwelling part of the Sidon General Store was quite below the level of the shop and the road, and on the slope of the solitary undulation of the Tasajara plain,--a little ravine that fell away to a brawling stream below. The only arboreous growth of Tasajara clothed its banks in the shape of willows and alders that set compactly around the quaint, irregular dwelling which straggled down the ravine and looked upon a slope of bracken and foliage on either side. The transition from the black, treeless, storm-swept plain to this sheltered declivity was striking and suggestive. From the opposite bank one might fancy that the youthful and original dwelling had ambitiously mounted the crest, but, appalled at the dreary prospect beyond, had gone no further; while from the road it seemed as if the fastidious proprietor had tried to draw a line between the vulgar trading-post, with which he was obliged to face the coarser civilization of the place, and the privacy of his domestic life. The real fact, however, was that the ravine furnished wood and water; and as Nature also provided one wall of the house,--as in the well-known example of aboriginal cave dwellings,--its peculiar construction commended itself to Sidon on the ground of involving little labor.

Howbeit, from the two open windows of the sitting-room which they had entered only the faint pattering of dripping boughs and a slight murmur from the swollen brook indicated the storm that shook the upper plain, and the cool breath of laurel, syringa, and alder was wafted through the neat apartment. Passing through that pleasant rural atmosphere they entered the kitchen, a much larger room, which appeared to serve occasionally as a dining-room, and where supper was already laid out. A stout, comfortable-looking woman--who had, however, a singularly permanent expression of pained sympathy upon her face--welcomed them in tones of gentle commiseration.

"Ah, there you be, you two! Now sit ye right down, dears; DO. You must be tired out; and you, Phemie, love, draw up by your poor father. There--that's right. You'll be better soon."

There was certainly no visible sign of suffering or exhaustion on the part of either father or daughter, nor the slightest apparent earthly reason why they should be expected to exhibit any. But, as already intimated, it was part of Mrs. Harkutt's generous idiosyncrasy to look upon all humanity as suffering and toiling; to be petted, humored, condoled with, and fed. It had, in the course of years, imparted a singularly caressing sadness to her voice, and given her the habit of ending her sentences with a melancholy cooing and an unintelligible murmur of agreement. It was undoubtedly sincere and sympathetic, but at times inappropriate and distressing. It had lost her the friendship of the one humorist of Tasajara, whose best jokes she had received with such heartfelt commiseration and such pained appreciation of the evident labor involved as to reduce him to silence.

Accustomed as Mr. Harkutt was to his wife's peculiarity, he was not above assuming a certain slightly fatigued attitude befitting it. "Yes," he said, with a vague sigh, "where's Clemmie?"

"Lyin' down since dinner; she reckoned she wouldn't get up to supper," she returned soothingly. "Phemie's goin' to take her up some sass and tea. The poor dear child wants a change."

"She wants to go to 'Frisco, and so do I, pop," said Phemie, leaning her elbow half over her father's plate. "Come, pop, say do,--just for a week."

"Only for a week," murmured the commiserating Mrs. Harkutt.

"Perhaps," responded Harkutt, with gloomy sarcasm, "ye wouldn't mind tellin' me how you're goin' to get there, and where the money's comin' from to take you? There's no teamin' over Tasajara till the rain stops, and no money comin' in till the ranchmen can move their stuff. There ain't a hundred dollars in all Tasajara; at least there ain't been the first red cent of it paid across my counter for a fortnit! Perhaps if you do go you wouldn't mind takin' me and the store along with ye, and leavin' us there."

"Yes, dear," said Mrs. Harkutt, with sympathetic but shameless tergiversation. "Don't bother your poor father, Phemie, love; don't you see he's just tired out? And you're not eatin' anything, dad."

As Mr. Harkutt was uneasily conscious that he had been eating heartily in spite of his financial difficulties, he turned the subject abruptly. "Where's John Milton?"

Mrs. Harkutt shaded her eyes with her hand, and gazed meditatively on the floor before the fire and in the chimney corner for her only son, baptized under that historic title. "He was here a minit ago," she said doubtfully. "I really can't think where he's gone. But," assuringly, "it ain't far."

"He's skipped with one o' those story-books he's borrowed," said Phemie. "He's always doin' it. Like as not he's reading with a candle in the wood-shed. We'll all be burnt up some night."

"But he's got through his chores," interposed Mrs. Harkutt deprecatingly.

"Yes," continued Harkutt, aggrievedly, "but instead of goin' to bed, or addin' up bills, or takin' count o' stock, or even doin' sums or suthin' useful, he's ruinin' his eyes and wastin' his time over trash." He rose and walked slowly into the sitting-room, followed by his daughter and a murmur of commiseration from his wife. But Mrs. Harkutt's ministration for the present did not pass beyond her domain, the kitchen.

"I reckon ye ain't expectin' anybody tonight, Phemie?" said Mr. Harkutt, sinking into a chair, and placing his slippered feet against the wall.

"No," said Phemie, "unless something possesses that sappy little Parmlee to make one of his visitations. John Milton says that out on the road it blows so you can't stand up. It's just like that idiot Parmlee to be blown in here, and not have strength of mind enough to get away again."

Mr. Harkutt smiled. It was that arch yet approving, severe yet satisfied smile with which the deceived male parent usually receives any depreciation of the ordinary young man by his daughters. Euphemia was no giddy thing to be carried away by young men's attentions,--not she! Sitting back comfortably in his rocking-chair, he said, "Play something."

The young girl went to the closet and took from the top shelf an excessively ornamented accordion,--the opulent gift of a reckless admirer. It was so inordinately decorated, so gorgeous in the blaze of papier mache, mother-of-pearl, and tortoise-shell on keys and keyboard, and so ostentatiously radiant in the pink silk of its bellows that it seemed to overawe the plainly furnished room with its splendors. "You ought to keep it on the table in a glass vase, Phemie," said her father admiringly.

"And have HIM think I worshiped it! Not me, indeed! He's conceited enough already," she returned, saucily.

Mr. Harkutt again smiled his approbation, then deliberately closed his eyes and threw his head back in comfortable anticipation of the coming strains.

It is to be regretted that in brilliancy, finish, and even cheerfulness of quality they were not up to the suggestions of the keys and keyboard. The most discreet and cautious effort on the part of the young performer seemed only to produce startlingly unexpected, but instantly suppressed complaints from the instrument, accompanied by impatient interjections of "No, no," from the girl herself. Nevertheless, with her pretty eyebrows knitted in some charming distress of memory, her little mouth half open between an apologetic smile and the exertion of working the bellows, with her white, rounded arms partly lifted up and waving before her, she was pleasantly distracting to the eye. Gradually, as the scattered strains were marshaled into something like an air, she began to sing also, glossing over the instrumental weaknesses, filling in certain dropped notes and omissions, and otherwise assisting the ineffectual accordion with a youthful but not unmusical voice. The song was a lugubrious religious chant; under its influence the house seemed to sink into greater quiet, permitting in the intervals the murmur of the swollen creek to appear more distinct, and even the far moaning of the wind on the plain to become faintly audible. At last, having fairly mastered the instrument, Phemie got into the full swing of the chant. Unconstrained by any criticism, carried away by the sound of her own voice, and perhaps a youthful love for mere uproar, or possibly desirous to drown her father's voice, which had unexpectedly joined in with a discomposing bass, the conjoined utterances seemed to threaten the frail structure of their dwelling, even as the gale had distended the store behind them. When they ceased at last it was in an accession of dripping from the apparently stirred leaves outside. And then a voice, evidently from the moist depths of the abyss below, called out,--

"Hullo, there!"

Phemie put down the accordion, said, "Who's that now?" went to the window, lazily leaned her elbows on the sill, and peered into the darkness. Nothing was to be seen; the open space of dimly outlined landscape had that blank, uncommunicative impenetrability with which Nature always confronts and surprises us at such moments. It seemed to Phemie that she was the only human being present. Yet after the feeling had passed she fancied she heard the wash of the current against some object in the stream, half stationary and half resisting.

"Is any one down there? Is that you, Mr. Parmlee?" she called.

There was a pause. Some invisible auditor said to another, "It's a young lady." Then the first voice rose again in a more deferential tone: "Are we anywhere near Sidon?"

"This is Sidon," answered Harkutt, who had risen, and was now quite obliterating his daughter's outline at the window.

"Thank you," said the voice. "Can we land anywhere here, on this bank?"

"Run down, pop; they're strangers," said the girl, with excited, almost childish eagerness.

"Hold on," called out Harkutt, "I'll be thar in a moment!" He hastily thrust his feet into a pair of huge boots, clapped on an oilskin hat and waterproof, and disappeared through a door that led to a lower staircase. Phemie, still at the window, albeit with a newly added sense of self-consciousness, hung out breathlessly. Presently a beam of light from the lower depths of the house shot out into the darkness. It was her father with a bull's-eye lantern. As he held it up and clambered cautiously down the bank, its rays fell upon the turbid rushing stream, and what appeared to be a rough raft of logs held with difficulty against the bank by two men with long poles. In its centre was a roll of blankets, a valise and saddle-bags, and the shining brasses of some odd-looking instruments.

As Mr. Harkutt, supporting himself by a willow branch that overhung the current, held up the lantern, the two men rapidly transferred their freight from the raft to the bank, and leaped ashore. The action gave an impulse to the raft, which, no longer held in position by the poles, swung broadside to the current and was instantly swept into the darkness.

Not a word had been spoken, but now the voices of the men rose freely together. Phemie listened with intense expectation. The explanation was simple. They were surveyors who had been caught by the overflow on Tasajara plain, had abandoned their horses on the bank of Tasajara Creek, and with a hastily constructed raft had intrusted themselves and their instruments to the current. "But," said Harkutt quickly, "there is no connection between Tasajara Creek and this stream."

The two men laughed. "There is NOW," said one of them.

"But Tasajara Creek is a part of the bay," said the astonished Harkutt, "and this stream rises inland and only runs into the bay four miles lower down. And I don't see how--

"You're almost twelve feet lower here than Tasajara Creek," said the first man, with a certain professional authority, "and that's WHY. There's more water than Tasajara Creek can carry, and it's seeking the bay this way. Look," he continued, taking the lantern from Harkutt's hand and casting its rays on the stream, "that's salt drift from the upper bay, and part of Tasajara Creek's running by your house now! Don't be alarmed," he added reassuringly, glancing at the staring storekeeper. "You're all right here; this is only the overflow and will find its level soon."

But Mr. Harkutt remained gazing abstractedly at the smiling speaker. From the window above the impatient Phemie was wondering why he kept the strangers waiting in the rain while he talked about things that were perfectly plain. It was so like a man!

"Then there's a waterway straight to Tasajara Creek?" he said slowly.

"There is, as long as this flood lasts," returned the first speaker promptly; "and a cutting through the bank of two or three hundred yards would make it permanent. Well, what's the matter with that?"

"Nothin'," said Harkutt hurriedly. "I am only considerin'! But come in, dry yourselves, and take suthin'."

The light over the rushing water was withdrawn, and the whole prospect sank back into profound darkness. Mr. Harkutt had disappeared with his guests. Then there was the familiar shuffle of his feet on the staircase, followed by other more cautious footsteps that grew delicately and even courteously deliberate as they approached. At which the young girl, in some new sense of decorum, drew in her pretty head, glanced around the room quickly, reset the tidy on her father's chair, placed the resplendent accordion like an ornament in the exact centre of the table, and then vanished into the hall as Mr. Harkutt entered with the strangers.

They were both of the same age and appearance, but the principal speaker was evidently the superior of his companion, and although their attitude to each other was equal and familiar, it could be easily seen that he was the leader. He had a smooth, beardless face, with a critical expression of eye and mouth that might have been fastidious and supercilious but for the kindly, humorous perception that tempered it. His quick eye swept the apartment and then fixed itself upon the accordion, but a smile lit up his face as he said quietly,--

"I hope we haven't frightened the musician away. It was bad enough to have interrupted the young lady."

"No, no," said Mr. Harkutt, who seemed to have lost his abstraction in the nervousness of hospitality. "I reckon she's only lookin' after her sick sister. But come into the kitchen, both of you, straight off, and while you're dryin' your clothes, mother'll fix you suthin' hot."

"We only need to change our boots and stockings; we've some dry ones in our pack downstairs," said the first speaker hesitatingly.

"I'll fetch 'em up and you can change in the kitchen. The old woman won't mind," said Harkutt reassuringly. "Come along." He led the way to the kitchen; the two strangers exchanged a glance of humorous perplexity and followed.

The quiet of the little room was once more unbroken. A far-off commiserating murmur indicated that Mrs. Harkutt was receiving her guests. The cool breath of the wet leaves without slightly stirred the white dimity curtains, and somewhere from the darkened eaves there was a still, somnolent drip. Presently a hurried whisper and a half-laugh appeared to be suppressed in the outer passage or hall. There was another moment of hesitation and the door opened suddenly and ostentatiously, disclosing Phemie, with a taller and slighter young woman, her elder sister, at her side. Perceiving that the room was empty, they both said "Oh!" yet with a certain artificiality of manner that was evidently a lingering trace of some previous formal attitude they had assumed. Then without further speech they each selected a chair and a position, having first shaken out their dresses, and gazed silently at each other.

It may be said briefly that sitting thus--in spite of their unnatural attitude, or perhaps rather because of its suggestion of a photographic pose--they made a striking picture, and strongly accented their separate peculiarities. They were both pretty, but the taller girl, apparently the elder, had an ideal refinement and regularity of feature which was not only unlike Phemie, but gratuitously unlike the rest of her family, and as hopelessly and even wantonly inconsistent with her surroundings as was the elaborately ornamented accordion on the centre-table. She was one of those occasional creatures, episodical in the South and West, who might have been stamped with some vague ante-natal impression of a mother given to over-sentimental contemplation of books of beauty and albums rather than the family features; offspring of typical men and women, and yet themselves incongruous to any known local or even general type. The long swan-like neck, tendriled hair, swimming eyes, and small patrician head, had never lived or moved before in Tasajara or the West, nor perhaps even existed except as a personified "Constancy," "Meditation," or the "Baron's Bride," in mezzotint or copperplate. Even the girl's common pink print dress with its high sleeves and shoulders could not conventionalize these original outlines; and the hand that rested stiffly on the back of her chair, albeit neither over-white nor well kept, looked as if it had never held anything but a lyre, a rose, or a good book. Even the few sprays of wild jessamine which she had placed in the coils of her waving hair, although a local fashion, became her as a special ornament.

The two girls kept their constrained and artificially elaborated attitude for a few moments, accompanied by the murmur of voices in the kitchen, the monotonous drip of the eaves before the window, and the far-off sough of the wind. Then Phemie suddenly broke into a constrained giggle, which she however quickly smothered as she had the accordion, and with the same look of mischievous distress.

"I'm astonished at you, Phemie," said Clementina in a deep contralto voice, which seemed even deeper from its restraint. "You don't seem to have any sense. Anybody'd think you never had seen a stranger before."

"Saw him before you did," retorted Phemie pertly. But here a pushing of chairs and shuffling of feet in the kitchen checked her. Clementina fixed an abstracted gaze on the ceiling; Phemie regarded a leaf on the window sill with photographic rigidity as the door opened to the strangers and her father.

The look of undisguised satisfaction which lit the young men's faces relieved Mr. Harkutt's awkward introduction of any embarrassment, and almost before Phemie was fully aware of it, she found herself talking rapidly and in a high key with Mr. Lawrence Grant, the surveyor, while her sister was equally, although more sedately, occupied with Mr. Stephen Rice, his assistant. But the enthusiasm of the strangers, and the desire to please and be pleased was so genuine and contagious that presently the accordion was brought into requisition, and Mr. Grant exhibited a surprising faculty of accompaniment to Mr. Rice's tenor, in which both the girls joined.

Then a game of cards with partners followed, into which the rival parties introduced such delightful and shameless obviousness of cheating, and displayed such fascinating and exaggerated partisanship that the game resolved itself into a hilarious melee, to which peace was restored only by an exhibition of tricks of legerdemain with the cards by the young surveyor. All of which Mr. Harkutt supervised patronizingly, with occasional fits of abstraction, from his rocking-chair; and later Mrs. Harkutt from her kitchen threshold, wiping her arms on her apron and commiseratingly observing that she "declared, the young folks looked better already."

But it was here a more dangerous element of mystery and suggestion was added by Mr. Lawrence Grant in the telling of Miss Euphemia's fortune from the cards before him, and that young lady, pink with excitement, fluttered her little hands not unlike timid birds over the cards to be drawn, taking them from him with an audible twitter of anxiety and great doubts whether a certain "fair-haired gentleman" was in hearts or diamonds.

"Here are two strangers," said Mr. Grant, with extraordinary gravity laying down the cards, "and here is a 'journey;' this is 'unexpected news,' and this ten of diamonds means 'great wealth' to you, which you see follows the advent of the two strangers and is some way connected with them."

"Oh, indeed," said the young lady with great pertness and a toss of her head. "I suppose they've got the money with them."

"No, though it reaches you through them," he answered with unflinching solemnity. "Wait a bit, I have it! I see, I've made a mistake with this card. It signifies a journey or a road. Queer! isn't it, Steve? It's THE ROAD."

"It is queer," said Rice with equal gravity; "but it's so. The road, sure!" Nevertheless he looked up into the large eyes of Clementina with a certain confidential air of truthfulness.

"You see, ladies," continued the surveyor, appealing to them with unabashed rigidity of feature, "the cards don't lie! Luckily we are in a position to corroborate them. The road in question is a secret known only to us and some capitalists in San Francisco. In fact even THEY don't know that it is feasible until WE report to them. But I don't mind telling you now, as a slight return for your charming hospitality, that the road is a RAILROAD from Oakland to Tasajara Creek of which we've just made the preliminary survey. So you see what the cards mean is this: You're not far from Tasajara Creek; in fact with a very little expense your father could connect this stream with the creek, and have a WATERWAY STRAIGHT TO THE RAILROAD TERMINUS. That's the wealth the cards promise; and if your father knows how to take a hint he can make his fortune!"

It was impossible to say which was the most dominant in the face of the speaker, the expression of assumed gravity or the twinkling of humor in his eyes. The two girls with superior feminine perception divined that there was much truth in what he said, albeit they didn't entirely understand it, and what they did understand--except the man's good-humored motive--was not particularly interesting. In fact they were slightly disappointed. What had promised to be an audaciously flirtatious declaration, and even a mischievous suggestion of marriage, had resolved itself into something absurdly practical and business-like.

Not so Mr. Harkutt. He quickly rose from his chair, and, leaning over the table, with his eyes fixed on the card as if it really signified the railroad, repeated quickly: "Railroad, eh! What's that? A railroad to Tasajara Creek? Ye don't mean it!--That is--it ain't a SURE thing?"

"Perfectly sure. The money is ready in San Francisco now, and by this time next year--"

"A railroad to Tasajara Creek!" continued Harkutt hurriedly. "What part of it? Where?"

"At the embarcadero naturally," responded Grant. "There isn't but the one place for the terminus. There's an old shanty there now belongs to somebody."

"Why, pop!" said Phemie with sudden recollection, "ain't it 'Lige Curtis's house? The land he offered"--

"Hush!" said her father.

"You know, the one written in that bit of paper," continued the innocent Phemie.

"Hush! will you? God A'mighty! are you goin' to mind me? Are you goin' to keep up your jabber when I'm speakin' to the gentlemen? Is that your manners? What next, I wonder!"

The sudden and unexpected passion of the speaker, the incomprehensible change in his voice, and the utterly disproportionate exaggeration of his attitude towards his daughters, enforced an instantaneous silence. The rain began to drip audibly at the window, the rush of the river sounded distinctly from without, even the shaking of the front part of the dwelling by the distant gale became perceptible. An angry flash sprang for an instant to the young assistant's eye, but it met the cautious glance of his friend, and together both discreetly sought the table. The two girls alone remained white and collected. "Will you go on with my fortune, Mr. Grant?" said Phemie quietly.

A certain respect, perhaps not before observable, was suggested in the surveyor's tone as he smilingly replied, "Certainly, I was only waiting for you to show your confidence in me," and took up the cards.

Mr. Harkutt coughed. "It looks as if that blamed wind had blown suthin' loose in the store," he said affectedly. "I reckon I'll go and see." He hesitated a moment and then disappeared in the passage. Yet even here he stood irresolute, looking at the closed door behind him, and passing his hand over his still flushed face. Presently he slowly and abstractedly ascended the flight of steps, entered the smaller passage that led to the back door of the shop and opened it.

He was at first a little startled at the halo of light from the still glowing stove, which the greater obscurity of the long room had heightened rather than diminished. Then he passed behind the counter, but here the box of biscuits which occupied the centre and cast a shadow over it compelled him to grope vaguely for what he sought. Then he stopped suddenly, the paper he had just found dropping from his fingers, and said sharply,--

"Who's there?"

"Me, pop."

"John Milton?"

"Yes, sir."

"What the devil are you doin' there, sir?"

"Readin'."

It was true. The boy was half reclining in a most distorted posture on two chairs, his figure in deep shadow, but his book was raised above his head so as to catch the red glow of the stove on the printed page. Even then his father's angry interruption scarcely diverted his preoccupation; he raised himself in his chair mechanically, with his eyes still fixed on his book. Seeing which his father quickly regained the paper, but continued his objurgation.

"How dare you? Clear off to bed, will you! Do you hear me? Pretty goin's on," he added as if to justify his indignation. "Sneakin' in here and--and lyin' 'round at this time o' night! Why, if I hadn't come in here to"--

"What?" asked the boy mechanically, catching vaguely at the unfinished sentence and staring automatically at the paper in his father's hand.

"Nothin', sir! Go to bed, I tell you! Will you? What are you standin' gawpin' at?" continued Harkutt furiously.

The boy regained his feet slowly and passed his father, but not without noticing with the same listless yet ineffaceable perception of childhood that he was hurriedly concealing the paper in his pocket. With the same youthful inconsequence, wondering at this more than at the interruption, which was no novel event, he went slowly out of the room.

Harkutt listened to the retreating tread of his bare feet in the passage and then carefully locked the door. Taking the paper from his pocket, and borrowing the idea he had just objurgated in his son, he turned it towards the dull glow of the stove and attempted to read it. But perhaps lacking the patience as well as the keener sight of youth, he was forced to relight the candle which he had left on the counter, and reperused the paper. Yes! there was certainly no mistake! Here was the actual description of the property which the surveyor had just indicated as the future terminus of the new railroad, and here it was conveyed to him--Daniel Harkutt! What was that? Somebody knocking? What did this continual interruption mean? An odd superstitious fear now mingled with his irritation.

The sound appeared to come from the front shutters. It suddenly occurred to him that the light might be visible through the crevices. He hurriedly extinguished it, and went to the door.

"Who's there?"

"Me,--Peters. Want to speak to you."

Mr. Harkutt with evident reluctance drew the bolts. The wind, still boisterous and besieging, did the rest, and precipitately propelled Peters through the carefully guarded opening. But his surprise at finding himself in the darkness seemed to forestall any explanation of his visit.

"Well," he said with an odd mingling of reproach and suspicion. "I declare I saw a light here just this minit! That's queer."

"Yes, I put it out just now. I was goin' away," replied Harkutt, with ill-disguised impatience.

"What! been here ever since?"

"No," said Harkutt curtly.

"Well, I want to speak to ye about 'Lige. Seein' the candle shinin' through the chinks I thought he might be still with ye. If he ain't, it looks bad. Light up, can't ye! I want to show you something."

There was a peremptoriness in his tone that struck Harkutt disagreeably, but observing that he was carrying something in his hand, he somewhat nervously re-lit the candle and faced him. Peters had a hat in his hand. It was 'Lige's!

"'Bout an hour after we fellers left here," said Peters, "I heard the rattlin' of hoofs on the road, and then it seemed to stop just by my house. I went out with a lantern, and, darn my skin! if there warn't 'Lige's hoss, the saddle empty, and 'Lige nowhere! I looked round and called him--but nothing were to be seen. Thinkin' he might have slipped off--tho' ez a general rule drunken men don't, and he is a good rider--I followed down the road, lookin' for him. I kept on follerin' it down to your run, half a mile below."

"But," began Harkutt, with a quick nervous laugh, "you don't reckon that because of that he"--

"Hold on!" said Peters, grimly producing a revolver from his side-pocket with the stock and barrel clogged and streaked with mud. "I found THAT too,--and look! one barrel discharged! And," he added hurriedly, as approaching a climax, "look ye,--what I nat'rally took for wet from the rain--inside that hat--was--blood!"

"Nonsense!" said Harkutt, putting the hat aside with a new fastidiousness. "You don't think"--

"I think," said Peters, lowering his voice, "I think, by God! HE'S BIN AND DONE IT!"

"No!"

"Sure! Oh, it's all very well for Billings and the rest of that conceited crowd to sneer and sling their ideas of 'Lige gen'rally as they did jess now here,--but I'd like 'em to see THAT." It was difficult to tell if Mr. Peters' triumphant delight in confuting his late companions' theories had not even usurped in his mind the importance of the news he brought, as it had of any human sympathy with it.

"Look here," returned Harkutt earnestly, yet with a singularly cleared brow and a more natural manner. "You ought to take them things over to Squire Kerby's, right off, and show 'em to him. You kin tell him how you left 'Lige here, and say that I can prove by my daughter that he went away about ten minutes after,--at least, not more than fifteen." Like all unprofessional humanity, Mr. Harkutt had an exaggerated conception of the majesty of unimportant detail in the eye of the law. "I'd go with you myself," he added quickly, "but I've got company--strangers--here."

"How did he look when he left,--kinder wild?" suggested Peters.

Harkutt had begun to feel the prudence of present reticence. "Well," he said, cautiously, "YOU saw how he looked."

"You wasn't rough with him?--that might have sent him off, you know," said Peters.

"No," said Harkutt, forgetting himself in a quick indignation, "no, I not only treated him to another drink, but gave him"--he stopped suddenly and awkwardly.

"Eh?" said Peters.

"Some good advice,--you know," said Harkutt, hastily. "But come, you'd better hurry over to the squire's. You know YOU'VE made the discovery; YOUR evidence is important, and there's a law that obliges you to give information at once."

The excitement of discovery and the triumph over his disputants being spent, Peters, after the Sidon fashion, evidently did not relish activity as a duty. "You know," he said dubiously, "he mightn't be dead, after all."

Harkutt became a trifle distant. "You know your own opinion of the thing," he replied after a pause. "You've circumstantial evidence enough to see the squire, and set others to work on it; and," he added significantly, "you've done your share then, and can wipe your hands of it, eh?"

"That's so," said Peters, eagerly. "I'll just run over to the squire."

"And on account of the women folks, you know, and the strangers here, I'll say nothin' about it to-night," added Harkutt.

Peters nodded his head, and taking up the hat of the unfortunate Elijah with a certain hesitation, as if he feared it had already lost its dramatic intensity as a witness, disappeared into the storm and darkness again. A lurking gust of wind lying in ambush somewhere seemed to swoop down on him as if to prevent further indecision and whirl him away in the direction of the justice's house; and Mr. Harkutt shut the door, bolted it, and walked aimlessly back to the counter.

From a slow, deliberate and cautious man, he seemed to have changed within an hour to an irresolute and capricious one. He took the paper from his pocket, and, unlocking the money drawer of his counter, folded into a small compass that which now seemed to be the last testament of Elijah Curtis, and placed it in a recess. Then he went to the back door and paused, then returned, reopened the money drawer, took out the paper and again buttoned it in his hip pocket, standing by the stove and staring abstractedly at the dull glow of the fire. He even went through the mechanical process of raking down the ashes,--solely to gain time and as an excuse for delaying some other necessary action.

He was thinking what he should do. Had the question of his right to retain and make use of that paper been squarely offered to him an hour ago, he would without doubt have decided that he ought not to keep it. Even now, looking at it as an abstract principle, he did not deceive himself in the least. But Nature has the reprehensible habit of not presenting these questions to us squarely and fairly, and it is remarkable that in most of our offending the abstract principle is never the direct issue. Mr. Harkutt was conscious of having been unwillingly led step by step into a difficult, not to say dishonest, situation, and against his own seeking. He had never asked Elijah to sell him the property; he had distinctly declined it; it had even been forced upon him as security for the pittance he so freely gave him. This proved (to himself) that he himself was honest; it was only the circumstances that were queer. Of course if Elijah had lived, he, Harkutt, might have tried to drive some bargain with him before the news of the railroad survey came out--for THAT was only business. But now that Elijah was dead, who would be a penny the worse or better but himself if he chose to consider the whole thing as a lucky speculation, and his gift of five dollars as the price he paid for it? Nobody could think that he had calculated upon 'Lige's suicide, any more than that the property would become valuable. In fact if it came to that, if 'Lige had really contemplated killing himself as a hopeless bankrupt after taking Harkutt's money as a loan, it was a swindle on his--Harkutt's--good-nature. He worked himself into a rage, which he felt was innately virtuous, at this tyranny of cold principle over his own warm-hearted instincts, but if it came to the LAW, he'd stand by law and not sentiment. He'd just let them--by which he vaguely meant the world, Tasajara, and possibly his own conscience--see that he wasn't a sentimental fool, and he'd freeze on to that paper and that property!

Only he ought to have spoken out before. He ought to have told the surveyor at once that he owned the land. He ought to have said: "Why, that's my land. I bought it of that drunken 'Lige Curtis for a song and out of charity." Yes, that was the only real trouble, and that came from his own goodness, his own extravagant sense of justice and right,--his own cursed good-nature. Yet, on second thoughts, he didn't know why he was obliged to tell the surveyor. Time enough when the company wanted to buy the land. As soon as it was settled that 'Lige was dead he'd openly claim the property. But what if he wasn't dead? or they couldn't find his body? or he had only disappeared? His plain, matter-of-fact face contracted and darkened. Of course he couldn't ask the company to wait for him to settle that point. He had the power to dispose of the property under that paper, and--he should do it. If 'Lige turned up, that was another matter, and he and 'Lige could arrange it between them. He was quite firm here, and oddly enough quite relieved in getting rid of what appeared only a simple question of detail. He never suspected that he was contemplating the one irretrievable step, and summarily dismissing the whole ethical question.

He turned away from the stove, opened the back door, and walked with a more determined step through the passage to the sitting-room. But here he halted again on the threshold with a quick return of his old habits of caution. The door was slightly open; apparently his angry outbreak of an hour ago had not affected the spirits of his daughters, for he could hear their hilarious voices mingling with those of the strangers. They were evidently still fortune-telling, but this time it was the prophetic and divining accents of Mr. Rice addressed to Clementina which were now plainly audible.

"I see heaps of money and a great many friends in the change that is coming to you. Dear me! how many suitors! But I cannot promise you any marriage as brilliant as my friend has just offered your sister. You may be certain, however, that you'll have your own choice in this, as you have in all things."

"Thank you for nothing," said Clementina's voice. "But what are those horrid black cards beside them?--that's trouble, I'm sure."

"Not for you, though near you. Perhaps some one you don't care much for and don't understand will have a heap of trouble on your account,--yes, on account of these very riches; see, he follows the ten of diamonds. It may be a suitor; it may be some one now in the house, perhaps."

"He means himself, Miss Clementina," struck in Grant's voice laughingly.

"You're not listening, Miss Harkutt," said Rice with half-serious reproach. "Perhaps you know who it is?"

But Miss Clementina's reply was simply a hurried recognition of her father's pale face that here suddenly confronted her with the opening door.

"Why, it's father!" _

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