________________________________________________
_ When Gaston Probert came that evening he was received by Dosson and
Delia, and when he asked where Francie might be was told by the latter
that she would show herself in half an hour. Francie had instructed her
sister that as their friend would have, first of all, information to
give their father about the business he had transacted in America he
wouldn't care for a lot of women in the room. When Delia reported this
speech to Mr. Dosson that gentleman protested that he wasn't in any
hurry for the business; what he wanted to find out most was whether Mr.
Probert had a good time--whether he had liked it over there. Gaston
might have liked it, but he didn't look as if he had had a very good
time. His face told of reverses, of suffering; and Delia declared to him
that if she hadn't received his assurance to the contrary she would have
believed he was right down sick. He allowed that he had been very sick
at sea and was still feeling the effect of it, but insisted that there
was nothing the matter with him now. He sat for some time with Mr.
Dosson and Delia, and never once alluded to the cloud that hung over
their relations. The girl had schooled her father to a waiting attitude
on this point, and the manner in which she had descended on him in the
morning, after Mr. Flack had come upstairs, was a lesson he wasn't
likely soon to forget. It had been impressed on him that she was indeed
wiser than he could pretend to be, and he was now mindful that he
mustn't speak of the "piece in the paper" unless young Probert should
speak of it first. When Delia rushed down to him in the court she began
by asking him categorically whom he had wished to do good to by sending
Mr. Flack up to their parlour. To Francie or to her? Why the way they
felt then, they detested his very name. To Mr. Flack himself? Why he had
simply exposed him to the biggest snub he had ever got in his life.
"Well, hanged if I understand!" poor Mr. Dosson had said. "I thought you
liked the piece--you think it's so queer THEY don't like it." "They," in
the parlance of the Dossons, now never meant anything but the Proberts
in congress assembled.
"I don't think anything's queer but you!" Delia had retorted; and she
had let her father know that she had left Francie in the very act of
"handling" Mr. Flack.
"Is that so?" the old gentleman had quavered in an impotence that made
him wince with a sense of meanness--meanness to his bold initiator of so
many Parisian hours.
Francie's visitor came down a few minutes later and passed through the
court and out of the hotel without looking at them. Mr. Dosson had been
going to call after him, but Delia checked him with a violent pinch. The
unsociable manner of the young journalist's departure deepened Mr.
Dosson's dull ache over the mystery of things. I think this may be said
to have been the only incident in the whole business that gave him a
personal pang. He remembered how many of his cigars he had smoked with
Mr. Flack and how universal a participant he had made him. This
haughtiness struck him as the failure of friendship--not the publication
of details about the Proberts. Interwoven with Mr. Dosson's nature was
the view that if these people had done bad things they ought to be
ashamed of themselves and he couldn't pity them, and that if they hadn't
done them there was no need of making such a rumpus about other people's
knowing. It was therefore, in spite of the young man's rough exit, still
in the tone of American condonation that he had observed to Delia: "He
says that's what they like over there and that it stands to reason that
if you start a paper you've got to give them what they like. If you want
the people with you, you've got to be with the people."
"Well, there are a good many people in the world. I don't think the
Proberts are with us much."
"Oh he doesn't mean them," said Mr. Dosson.
"Well, I do!" cried Delia.
At one of the ormolu tables, near a lamp with a pink shade, Gaston
insisted on making at least a partial statement. He didn't say that he
might never have another chance, but Delia felt with despair that this
idea was in his mind. He was very gentle, very polite, but distinctly
cold, she thought; he was intensely depressed and for half an hour
uttered not the least little pleasantry. There was no particular
occasion for that when he talked about "preferred bonds" with her
father. This was a language Delia couldn't translate, though she had
heard it from childhood. He had a great many papers to show Mr. Dosson,
records of the mission of which he had acquitted himself, but Mr. Dosson
pushed them into the drawer of the ormolu table with the remark that he
guessed they were all right. Now, after the fact, he appeared to attach
but little importance to Gaston's achievements--an attitude which Delia
perceived to be slightly disconcerting to their visitor. Delia
understood it: she had an instinctive sense that her father knew a great
deal more than Gaston could tell him even about the work he had
committed to him, and also that there was in such punctual settlements
an eagerness, a literalism, totally foreign to Mr. Dosson's domestic
habits and to which he would even have imputed a certain pettifogging
provinciality--treatable however with dry humour. If Gaston had cooled
off he wanted at least to be able to say that he had rendered them
services in America; but now her father, for the moment at least,
scarcely appeared to think his services worth speaking of: an incident
that left him with more of the responsibility for his cooling. What Mr.
Dosson wanted to know was how everything had struck him over there,
especially the Pickett Building and the parlour-cars and Niagara and the
hotels he had instructed him to go to, giving him an introduction in two
or three cases to the gentleman in charge of the office. It was in
relation to these themes that Gaston was guilty of a want of spring, as
the girl phrased it to herself; that he could produce no appreciative
expression. He declared however, repeatedly, that it was a most
extraordinary country--most extraordinary and far beyond anything he had
had any conception of. "Of course I didn't like EVERYTHING" he said,"
any more than I like everything anywhere."
"Well, what didn't you like?" Mr. Dosson enquired, at this, after a
short silence.
Gaston Probert made his choice. "Well, the light for instance."
"The light--the electric?"
"No, the solar! I thought it rather hard, too much like the scratching
of a slate-pencil." As Mr. Dosson hereupon looked vague and rather as if
the reference were to some enterprise (a great lamp company) of which he
had not heard--conveying a suggestion that he was perhaps staying away
too long, Gaston immediately added: "I really think Francie might come
in. I wrote to her that I wanted particularly to see her."
"I'll go and call her--I'll make her come," said Delia at the door. She
left her companions together and Gaston returned to the subject of Mr.
Munster, Mr. Dosson's former partner, to whom he had taken a letter and
who had shown him every sort of civility. Mr. Dosson was pleased at
this; nevertheless he broke out suddenly:
"Look here, you know; if you've got anything to say that you don't think
very acceptable you had better say it to ME." Gaston changed colour, but
his reply was checked by Delia's quick return. She brought the news that
her sister would be obliged if he would go into the little dining-room--
he would find her there. She had something for his ear that she could
mention only in private. It was very comfortable; there was a lamp and a
fire. "Well, I guess she CAN take care of herself!" Mr. Dosson, at this,
commented with a laugh. "What does she want to say to him?" he asked
when Gaston had passed out.
"Gracious knows! She won't tell me. But it's too flat, at his age, to
live in such terror."
"In such terror?"
"Why of your father. You've got to choose."
"How, to choose?"
"Why if there's a person you like and he doesn't like."
"You mean you can't choose your father," said Mr. Dosson thoughtfully.
"Of course you can't."
"Well then please don't like any one. But perhaps _I_ should like him,"
he added, faithful to his easier philosophy.
"I guess you'd have to," said Delia.
In the small salle-a-manger, when Gaston went in, Francie was standing
by the empty table, and as soon as she saw him she began.
"You can't say I didn't tell you I should do something. I did nothing
else from the first--I mean but tell you. So you were warned again and
again. You knew what to expect."
"Ah don't say THAT again; if you knew how it acts on my nerves!" the
young man groaned. "You speak as if you had done it on purpose--to carry
out your absurd threat."
"Well, what does it matter when it's all over?"
"It's not all over. Would to God it were!"
The girl stared. "Don't you know what I sent for you to come in here
for? To bid you good-bye."
He held her an instant as if in unbelievable view, and then "Francie,
what on earth has got into you?" he broke out. "What deviltry, what
poison?" It would have been strange and sad to an observer, the
opposition of these young figures, so fresh, so candid, so meant for
confidence, but now standing apart and looking at each other in a wan
defiance that hardened their faces.
"Don't they despise me--don't they hate me? You do yourself! Certainly
you'll be glad for me to break off and spare you decisions and troubles
impossible to you."
"I don't understand; it's like some hideous dream!" Gaston Probert
cried. "You act as if you were doing something for a wager, and you make
it worse by your talk. I don't believe it--I don't believe a word of
it."
"What don't you believe?" she asked.
"That you told him--that you told him knowingly. If you'll take that
back (it's too monstrous!) if you'll deny it and give me your assurance
that you were practised upon and surprised, everything can still be
arranged."
"Do you want me to lie?" asked Francie Dosson. "I thought you'd like
pleasant words."
"Oh Francie, Francie!" moaned the wretched youth with tears in his eyes.
"What can be arranged? What do you mean by everything?" she went on.
"Why they'll accept it; they'll ask for nothing more. It's your
participation they can't forgive."
"THEY can't? Why do you talk to me of 'them'? I'm not engaged to
'them'!" she said with a shrill little laugh.
"Oh Francie _I_ am! And it's they who are buried beneath that filthy
rubbish!"
She flushed at this characterisation of Mr. Flack's epistle, but
returned as with more gravity: "I'm very sorry--very sorry indeed. But
evidently I'm not delicate."
He looked at her, helpless and bitter. "It's not the newspapers in your
country that would have made you so. Lord, they're too incredible! And
the ladies have them on their tables."
"You told me we couldn't here--that the Paris ones are too bad," said
Francie.
"Bad they are, God knows; but they've never published anything like
that--poured forth such a flood of impudence on decent quiet people who
only want to be left alone."
Francie sank to a chair by the table as if she were too tired to stand
longer, and with her arms spread out on the lamplit plush she looked up
at him. "Was it there you saw it?"
He was on his feet opposite, and she made at this moment the odd
reflexion that she had never "realised" he had such fine lovely uplifted
eyebrows. "Yes, a few days before I sailed. I hated them from the moment
I got there--I looked at them very little. But that was a chance. I
opened the paper in the hall of an hotel--there was a big marble floor
and spittoons!--and my eyes fell on that horror. It made me ill."
"Did you think it was me?" she patiently gaped.
"About as soon as I supposed it was my father. But I was too mystified,
too tormented."
"Then why didn't you write to me, if you didn't think it was me?"
"Write to you? I wrote to you every three days," he cried.
"Not after that."
"Well, I may have omitted a post at the last--I thought it might be
Delia," Gaston added in a moment.
"Oh she didn't want me to do it--the day I went with him, the day I told
him. She tried to prevent me," Francie insisted.
"Would to God then she had!" he wailed.
"Haven't you told them she's delicate too?" she asked in her strange
tone.
He made no answer to this; he only continued: "What power, in heaven's
name, has he got over you? What spell has he worked?"
"He's a gay old friend--he helped us ever so much when we were first in
Paris."
"But, my dearest child, what 'gaieties,' what friends--what a man to
know!"
"If we hadn't known him we shouldn't have known YOU. Remember it was Mr.
Flack who brought us that day to Mr. Waterlow's."
"Oh you'd have come some other way," said Gaston, who made nothing of
that.
"Not in the least. We knew nothing about any other way. He helped us in
everything--he showed us everything. That was why I told him--when he
asked me. I liked him for what he had done."
Gaston, who had now also seated himself, listened to this attentively.
"I see. It was a kind of delicacy."
"Oh a 'kind'!" She desperately smiled.
He remained a little with his eyes on her face. "Was it for me?"
"Of course it was for you."
"Ah how strange you are!" he cried with tenderness. "Such
contradictions--on s'y perd. I wish you'd say that to THEM, that way.
Everything would be right."
"Never, never!" said the girl. "I've wronged them, and nothing will ever
be the same again. It was fatal. If I felt as they do I too would loathe
the person who should have done such a thing. It doesn't seem to me so
bad--the thing in the paper; but you know best. You must go back to
them. You know best," she repeated.
"They were the last, the last people in France, to do it to. The sense
of desecration, of pollution, you see"--he explained as if for
conscience.
"Oh you needn't tell me--I saw them all there!" she answered.
"It must have been a dreadful scene. But you DIDN'T brave them, did
you?"
"Brave them--what are you talking about? To you that idea's incredible!"
she then hopelessly sighed.
But he wouldn't have this. "No, no--I can imagine cases." He clearly had
SOME vision of independence, though he looked awful about it.
"But this isn't a case, hey?" she demanded. "Well then go back to them--
go back," she repeated. At this he half-threw himself across the table
to seize her hands, but she drew away and, as he came nearer, pushed her
chair back, springing up. "You know you didn't come here to tell me
you're ready to give them up."
"To give them up?" He only echoed it with all his woe at first. "I've
been battling with them till I'm ready to drop. You don't know how they
feel--how they MUST feel."
"Oh yes I do. All this has made me older, every hour."
"It has made you--so extraordinarily!--more beautiful," said Gaston
Probert.
"I don't care. Nothing will induce me to consent to any sacrifice."
"Some sacrifice there must be. Give me time--give me time, I'll manage
it. I only wish they hadn't seen you there in the Bois."
"In the Bois?"
"That Marguerite hadn't seen you--with that lying blackguard. That's the
image they can't get over."
Well, it was as if it had been the thing she had got herself most
prepared for--so that she must speak accordingly. "I see you can't
either, Gaston. Anyhow I WAS there and I felt it all right. That's all I
can say. You must take me as I am," said Francie Dosson.
"Don't--don't; you infuriate me!" he pleaded, frowning.
She had seemed to soften, but she was in a sudden flame again. "Of
course I do, and I shall do it again. We're too terribly different.
Everything makes you so. You CAN'T give them up--ever, ever. Good-bye--
good-bye! That's all I wanted to tell you."
"I'll go and throttle him!" the young man almost howled.
"Very well, go! Good-bye." She had stepped quickly to the door and had
already opened it, vanishing as she had done the other time.
"Francie, Francie!" he supplicated, following her into the passage. The
door was not the one that led to the salon; it communicated with the
other apartments. The girl had plunged into these--he already heard her
push a sharp bolt. Presently he went away without taking leave of Mr.
Dosson and Delia.
"Why he acts just like Mr. Flack," said the old man when they discovered
that the interview in the dining-room had come to an end.
The next day was a bad one for Charles Waterlow, his work in the Avenue
de Villiers being terribly interrupted. Gaston Probert invited himself
to breakfast at noon and remained till the time at which the artist
usually went out--an extravagance partly justified by the previous
separation of several weeks. During these three or four hours Gaston
walked up and down the studio while Waterlow either sat or stood before
his easel. He put his host vastly out and acted on his nerves, but this
easy genius was patient with him by reason of much pity, feeling the
occasion indeed more of a crisis in the history of the troubled youth
than the settlement of one question would make it. Waterlow's compassion
was slightly tinged with contempt, for there was being settled above
all, it seemed to him, and, alas, in the wrong sense, the question of
his poor friend's character. Gaston was in a fever; he broke out into
passionate pleas--he relapsed into gloomy silences. He roamed about
continually, his hands in his pockets and his hair in a tangle; he could
take neither a decision nor a momentary rest. It struck his companion
more than ever before that he was after all essentially a foreigner; he
had the foreign sensibility, the sentimental candour, the need for
sympathy, the communicative despair. A true young Anglo-Saxon would have
buttoned himself up in his embarrassment and been dry and awkward and
capable, and, however conscious of a pressure, unconscious of a drama;
whereas Gaston was effusive and appealing and ridiculous and graceful--
natural above all and egotistical. Indeed a true young Anglo-Saxon
wouldn't have known the particular acuteness of such a quandary, for he
wouldn't have parted to such an extent with his freedom of spirit. It
was the fact of this surrender on his visitor's part that excited
Waterlow's secret scorn: family feeling was all very well, but to see it
triumph as a superstition calling for the blood-sacrifice made him feel
he would as soon be a blackamoor on his knees before a fetish. He now
measured for the first time the root it had taken in Gaston's nature. To
act like a man the hope of the Proberts must pull up the root, even if
the operation should be terribly painful, should be attended with cries
and tears and contortions, with baffling scruples and a sense of
sacrilege, the sense of siding with strangers against his own flesh and
blood. Now and again he broke out: "And if you should see her as she
looks just now--she's too lovely, too touching!--you'd see how right I
was originally, when I found her such a revelation of that rare type,
the French Renaissance, you know, the one we talked about." But he
reverted with at least equal frequency to the oppression he seemed
unable to throw off, the idea of something done of cruel purpose and
malice, with a refinement of outrage: such an accident to THEM, of all
people on earth, the very last, the least thinkable, those who, he
verily believed, would feel it more than any family in the world. When
Waterlow asked what made them of so exceptionally fine a fibre he could
only answer that they just happened to be--not enviably, if one would;
it was his father's influence and example, his very genius, the worship
of privacy and good manners, a hatred of all the new familiarities and
profanations. The artist sought to know further, at last and rather
wearily, what in two words was the practical question his friend desired
he should consider. Whether he should be justified in throwing the girl
over--was that the issue?
"Gracious goodness, no! For what sort of sneak do you take me? She made
a mistake, but any innocent young creature might do that. It's whether
it strikes you I should be justified in throwing THEM over."
"It depends upon the sense you attach to justification."
"I mean should I be miserably unhappy? Would it be in their power to
make me so?"
"To try--certainly, if they're capable of anything so nasty. The only
fair play for them is to let you alone," Waterlow wound up.
"Ah, they won't do that--they like me too much!" Gaston ingenuously
cried.
"It's an odd way of liking! The best way to show their love will be to
let you marry where your affections, and so many other charming things,
are involved."
"Certainly--only they question the charming things. They feel she
represents, poor little dear, such dangers, such vulgarities, such
possibilities of doing other dreadful things, that it's upon THEM--I
mean on those things--my happiness would be shattered."
"Well," the elder man rather dryly said, "if you yourself have no
secrets for persuading them of the contrary I'm afraid I can't teach you
one."
"Yes, I ought to do it myself," Gaston allowed in the candour of his
meditations. Then he went on in his torment of hesitation: "They never
believed in her from the first. My father was perfectly definite about
it. At heart they never accepted her; they only pretended to do so
because I guaranteed her INSTINCTS--that's what I did, heaven help me!
and that she was incapable of doing a thing that could ever displease
them. Then no sooner was my back turned than she perpetrated that!"
"That was your folly," Waterlow remarked, painting away.
"My folly--to turn my back?"
"No, no--to guarantee."
"My dear fellow, wouldn't you?"--and Gaston stared.
"Never in the world."
"You'd have thought her capable--?"
"Capabilissima! And I shouldn't have cared."
"Do you think her then capable of breaking out again in some new way
that's as bad?"
"I shouldn't care if she was. That's the least of all questions."
"The least?"
"Ah don't you see, wretched youth," cried the artist, pausing from his
work and looking up--"don't you see that the question of her
possibilities is as nothing compared to that of yours? She's the
sweetest young thing I ever saw; but even if she happened not to be I
should still urge you to marry her, in simple self-preservation."
Gaston kept echoing. "In self-preservation?"
"To save from destruction the last scrap of your independence. That's a
much more important matter even than not treating her shabbily. They're
doing their best to kill you morally--to render you incapable of
individual life."
Gaston was immensely struck. "They are--they are!" he declared with
enthusiasm.
"Well then, if you believe it, for heaven's sake go and marry her to-
morrow!" Waterlow threw down his implements and added: "And come out of
this--into the air."
Gaston, however, was planted in his path on the way to the door. "And if
she goes again and does the very same?"
"The very same--?" Waterlow thought.
"I mean something else as barbarous and as hard to bear."
"Well," said Waterlow, "you'll at least have got rid of your family."
"Yes, if she lets me in again I shall be glad they're not there! They're
right, pourtant, they're right," Gaston went on, passing out of the
studio with his friend.
"They're right?"
"It was unimaginable that she should."
"Yes, thank heaven! It was the finger of providence--providence taking
you off your guard to give you your chance." This was ingenious, but,
though he could glow for a moment in response to it, Francie's lover--if
lover he may in his so infirm aspect be called--looked as if he
mistrusted it, thought it slightly sophistical. What really shook him
however was his companion's saying to him in the vestibule, when they
had taken their hats and sticks and were on the point of going out:
"Lord, man, how can you be so impenetrably dense? Don't you see that
she's really of the softest finest material that breathes, that she's a
perfect flower of plasticity, that everything you may have an
apprehension about will drop away from her like the dead leaves from a
rose and that you may make of her any perfect and enchanting thing you
yourself have the wit to conceive?"
"Ah my dear friend!"--and poor Gaston, with another of his revulsions,
panted for gratitude.
"The limit will be yours, not hers," Waterlow added.
"No, no, I've done with limits," his friend ecstatically cried.
That evening at ten o'clock Gaston presented himself at the Hotel de
l'Univers et de Cheltenham and requested the German waiter to introduce
him into the dining-room attached to Mr. Dosson's apartments and then go
and tell Miss Francina he awaited her there.
"Oh you'll be better there than in the zalon--they've villed it with
their luccatch," said the man, who always addressed him in an intention
of English and wasn't ignorant of the tie that united the visitor to the
amiable American family, or perhaps even of the modifications it had
lately undergone.
"With their luggage?"
"They leave to-morrow morning--ach I don't think they themselves know
for where, sir."
"Please then say to Miss Francina that I've called on the most urgent
business and am extraordinarily pressed."
The special ardour possessing Gaston at that moment belonged to the
order of the communicative, but perhaps the vividness with which the
waiter placed this exhibition of it before the young lady is better
explained by the fact that her lover slipped a five-franc piece into his
hand. She at any rate entered his place of patience sooner than Gaston
had ventured to hope, though she corrected her promptitude a little by
stopping short and drawing back when she saw how pale he was and how he
looked as if he had been crying.
"I've chosen--I've chosen," he said expressively, smiling at her in
denial of these indications.
"You've chosen?"
"I've had to give them up. But I like it so better than having to give
YOU up! I took you first with their assent. That was well enough--it was
worth trying for. But now I take you without it. We can live that way
too."
"Ah I'm not worth it. You give up too much!" Francie returned. "We're
going away--it's all over." She averted herself quickly, as if to carry
out her meaning, but he caught her more quickly still and held her--held
her fast and long. She had only freed herself when her father and sister
broke in from the salon, attracted apparently by the audible commotion.
"Oh I thought you had at least knocked over the lamp!" Delia exclaimed.
"You must take me with you if you're going away, Mr. Dosson," Gaston
said. "I'll start whenever you like."
"All right--where shall we go?" that amiable man asked.
"Hadn't you decided that?"
"Well, the girls said they'd tell me."
"We were going home," Francie brought out.
"No we weren't--not a wee mite!" Delia professed.
"Oh not THERE" Gaston murmured, with a look of anguish at Francie.
"Well, when you've fixed it you can take the tickets," Mr. Dosson
observed with detachment.
"To some place where there are no newspapers, darling," Gaston went on.
"I guess you'll have hard work to find one," Mr. Dosson pursued.
"Dear me, we needn't read them any more. We wouldn't have read that one
if your family hadn't forced us," Delia said to her prospective brother-
in-law.
"Well, I shall never be forced--I shall never again in my life look at
one," he very gravely declared.
"You'll see, sir,--you'll have to!" Mr. Dosson cheerfully persisted.
"No, you'll tell us enough."
Francie had kept her eyes on the ground; the others were all now rather
unnaturally smiling. "Won't they forgive me ever?" she asked, looking
up.
"Yes, perfectly, if you can persuade me not to stick to you. But in that
case what good will their forgiveness do you?"
"Well, perhaps it's better to pay for it," the girl went on.
"To pay for it?"
"By suffering something. For it WAS dreadful," she solemnly gloomily
said.
"Oh for all you'll suffer--!" Gaston protested, shining down on her.
"It was for you--only for you, as I told you," Francie returned.
"Yes, don't tell me again--I don't like that explanation! I ought to let
you know that my father now declines to do anything for me," the young
man added to Mr. Dosson.
"To do anything for you?"
"To make me any allowance."
"Well, that makes me feel better. We don't want your father's money, you
know," this more soothable parent said with his mild sturdiness.
"There'll be enough for all; especially if we economise in newspapers"--
Delia carried it elegantly off.
"Well, I don't know, after all--the Reverberator came for nothing," her
father as gaily returned.
"Don't you be afraid he'll ever send it now!" she shouted in her return
of confidence.
"I'm very sorry--because they were all lovely," Francie went on to
Gaston with sad eyes.
"Let us wait to say that till they come back to us," he answered
somewhat sententiously. He really cared little at this moment whether
his relatives were lovely or not.
"I'm sure you won't have to wait long!" Delia remarked with the same
cheerfulness.
"'Till they come back'?" Mr. Dosson repeated. "Ah they can't come back
now, sir. We won't take them in!" The words fell from his lips with a
fine unexpected austerity which imposed itself, producing a momentary
silence, and it is a sign of Gaston's complete emancipation that he
didn't in his heart resent this image of eventual favours denied his
race. The resentment was rather Delia's, but she kept it to herself, for
she was capable of reflecting with complacency that the key of the house
would after all be hers, so that she could open the door for the
Proberts if the Proberts should knock. Now that her sister's marriage
was really to take place her consciousness that the American people
would have been resoundingly told so was still more agreeable. The party
left the Hotel de l'Univers et de Cheltenham on the morrow, but it
appeared to the German waiter, as he accepted another five-franc piece
from the happy and now reckless Gaston, that they were even yet not at
all clear as to where they were going.
THE END.
'The Reverberator', by Henry James. _
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