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A Little Tour In France, a non-fiction book by Henry James

Chapter 24

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_ CHAPTER XXIV

At Narbonne I took up my abode at the house of a _serrurier mecanicien_, and was very thankful for the accommodation. It was my misfortune to arrive at this ancient city late at night, on the eve of market-day; and market-day at Narbonne is a very serious affair. The inns, on this occasion, are stuffed with wine-dealers; for the country roundabout, dedicated almost exclusively to Bacchus, has hitherto escaped the phylloxera. This deadly enemy of the grape is encamped over the Midi in a hundred places; blighted vineyards and ruined proprietors being quite the order of the day. The signs of distress are more frequent as you advance into Provence, many of the vines being laid under water, in the hope of washing the plague away. There are healthy regions still, however, and the vintners find plenty to do at Narbonne. The traffic in wine appeared to be the sole thought of the Narbonnais; every one I spoke to had something to say about the harvest of gold that bloomed under its influence. "C'est inoui, monsieur, l'argent qu'il y a dans ce pays. Des gens a qui la vente de leur vin rapporte jusqu'a 500,000 francs par an." That little speech, addressed to me by a gentleman at the inn, gives the note of these revelations. It must be said that there was little in the appearance either of the town or of its population to suggest the possession of such treasures. Narbonne is a _sale petite ville_ in all the force of the term, and my first impression on arriving there was an extreme regret that I had not remained for the night at the lovely Carcassonne. My journey from that delectable spot lasted a couple of hours, and was performed in darkness, - a darkness not so dense, however, but that I was able to make out, as we passed it, the great figure of Beziers, whose ancient roofs and towers, clustered on a goodly hill-top, looked as fantastic as you please. I know not what appearance Beziers may present by day; but by night it has quite the grand air. On issuing from the station at Narbonne, I found that the only vehicle in waiting was a kind of bastard tramcar, a thing shaped as if it had been meant to go upon rails; that is, equipped with small wheels, placed beneath it, and with a platform at either end, but destined to rattle over the stones like the most vulgar of omnibuses. To complete the oddity of this conveyance, it was under the supervision, not of a conductor, but of a conductress. A fair young woman, with a pouch suspended from her girdle, had command of the platform; and as soon as the car was full she jolted us into the town through clouds of the thickest dust I ever have swallowed. I have had occasion to speak of the activity of women in France, - of the way they are always in the ascendant; and here was a signal example of their general utility. The young lady I have mentioned conveyed her whole company to the wretched little Hotel de France, where it is to be hoped that some of them found a lodging. For myself, I was informed that the place was crowded from cellar to attic, and that its inmates were sleeping three or four in a room. At Carcassonne I should have had a bad bed, but at Narbonne, apparently, I was to have no bed at all. I passed an hour or two of flat suspense, while fate settled the question of whether I should go on to Perpignan, return to Beziers, or still discover a modest couch at Narbonne. I shall not have suffered in vain, however, if my example serves to deter other travellers from alighting unannounced at that city on a Wednesday evening. The retreat to Beziers, not attempted in time, proved impossible, and I was assured that at Perpignan, which I should not reach till midnight, the affluence of wine-dealers was not less than at Narbonne. I interviewed every hostess in the town, and got no satisfaction but distracted shrugs. Finally, at an advanced hour, one of the servants of the Hotel de France, where I had attempted to dine, came to me in triumph to proclaim that he had secured for me a charming apartment in a _maison bourgeoise_. I took possession of it gratefully, in spite of its having an entrance like a stable, and being pervaded by an odor compared with which that of a stable would have been delicious. As I have mentioned, my landlord was a locksmith, and he had strange machines which rumbled and whirred in the rooms below my own. Nevertheless, I slept, and I dreamed of Carcassonne. It was better to do that than to dream of the Hotel de France.

I was obliged to cultivate relations with the cuisine of this establishment. Nothing could have been more _meridional_; indeed, both the dirty little inn and Narbonne at large seemed to me to have the infirmities of the south, without its usual graces. Narrow, noisy, shabby, belittered and encumbered, filled with clatter and chatter, the Hotel de France would have been described in perfection by Alphonse Daudet. For what struck me above all in it was the note of the Midi, as he has represented it, - the sound of universal talk. The landlord sat at supper with sundry friends, in a kind of glass cage, with a genial indifference to arriving guests; the waiters tumbled over the loose luggage in the hall; the travellers who had been turned away leaned gloomily against door-posts; and the landlady, surrounded by confusion, unconscious of responsibility, and animated only by the spirit of conversation, bandied high-voiced compliments with the _voyageurs de commerce_. At ten o'clock in the morning there was a table d'hote for breakfast, - a wonderful repast, which overflowed into every room and pervaded the whole establishment. I sat down with a hundred hungry marketers, fat, brown, greasy men, with a good deal of the rich soil of Languedoc adhering to their hands and their boots. I mention the latter articles because they almost put them on the table. It was very hot, and there were swarms of flies; the viands had the strongest odor; there was in particular a horrible mixture known as _gras-double_, a light gray, glutinous, nauseating mess, which my companions devoured in large quantities. A man opposite to me had the dirtiest fingers I ever saw; a collection of fingers which in England would have excluded him from a farmers' ordinary. The conversation was mainly bucolic; though a part of it, I remember, at the table at which I sat, consisted of a discussion as to whether or no the maid-servant were _sage_, - a discussion which went on under the nose of this young lady, as she carried about the dreadful _gras-double_, and to which she contributed the most convincing blushes. It was thoroughly _meridional_.

In going to Narbonne I had of course counted upon Roman remains; but when I went forth in search of them I perceived that I had hoped too fondly. There is really nothing in the place to speak of; that is, on the day of my visit there was nothing but the market, which was in complete possession. "This intricate, curious, but lifeless town," Murray calls it; yet to me it appeared overflowing with life. Its streets are mere crooked, dirty lanes, bordered with perfectly insignificant houses; but they were filled with the same clatter and chatter that I had found at the hotel. The market was held partly in the little square of the hotel de ville, a structure which a flattering wood-cut in the Guide-Joanne had given me a desire to behold. The reality was not impressive, the old color of the front having been completely restored away. Such interest as it superficially possesses it derives from a fine mediaeval tower which rises beside it, with turrets at the angles, - always a picturesque thing. The rest of the market was held in another _place_, still shabbier than the first, which lies beyond the canal. The Canal du Midi flows through the town, and, spanned at this point by a small suspension-bridge, presented a certain sketchability. On the further side were the venders and chafferers, - old women under awnings and big umbrellas, rickety tables piled high with fruit, white caps and brown faces, blouses, sabots, donkeys. Beneath this picture was another, - a long row of washerwomen, on their knees on the edge of the canal, pounding and wringing the dirty linen of Narbonne, - no great quantity, to judge by the costume of the people. Innumerable rusty men, scattered all over the place, were buying and selling wine, straddling about in pairs, in groups, with their hands in their pockets, and packed together at the doors of the cafes. They were mostly fat and brown and unshaven; they ground their teeth as they talked; they were very _meridionaux_.

The only two lions at Narbonne are the cathedral and the museum, the latter of which is quartered in the hotel de ville. The cathedral, closely shut in by houses, and with the west front undergoing repairs, is singular in two respects. It consists exclusively of a choir, which is of the end of the thirteenth century and the beginning of the next, and of great magnificence. There is absolutely nothing else. This choir, of extraordinary elevation, forms the whole church. I sat there a good while; there was no other visitor. I had taken a great dislike to poor little Narbonne, which struck me as sordid and overheated, and this place seemed to extend to me, as in the Middle Ages, the privilege of sanctuary. It is a very solemn corner. The other peculiarity of the cathedral is that, externally, it bristles with battlements, having anciently formed part of the defences of the _archeveche_, which is beside it and which connects it with the hotel de ville. This combination of the church and the fortress is very curious, and during the Middle Ages was not without its value. The palace of the former archbishops of Narbonne (the hotel de ville of to-day forms part of it) was both an asylum and an arsenal during the hideous wars by which the Languedoc was ravaged in the thirteenth century. The whole mass of buildings is jammed together in a manner that from certain points of view makes it far from apparent which feature is which. The museum occupies several chambers at the top of the hotel de ville, and is not an imposing collection. It was closed, but I induced the portress to let me in, - a silent, cadaverous person, in a black coif, like a _beguine_, who sat knitting in one of the windows while I went the rounds. The number of Roman fragments is small, and their quality is not the finest; I must add that this impression was hastily gathered. There is indeed a work of art in one of the rooms which creates a presumption in favor of the place, - the portrait (rather a good one) of a citizen of Narbonne, whose name I forget, who is described as having devoted all his time and his intelligence to collecting the objects by which the. visitor is surrounded. This excellent man was a connoisseur, and the visitor is doubtless often an ignoramus. _

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