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The Dynasts: An Epic Drama Of The War With Napoleon, a play by Thomas Hardy

Part 3 - Act 1 - Scene 5. The Same

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_ PART THIRD. ACT FIRST. SCENE V.

[The prospect lightens with dawn, and the sun rises red. The spacious field of battle is now distinct, its ruggedness being bisected by the great road from Smolensk to Moscow, which runs centrally from beneath the spectator to the furthest horizon. The field is also crossed by the stream Kalotcha, flowing from the right-centre foreground to the left-centre background, thus forming an "X" with the road aforesaid, intersecting it in mid- distance at the village of Borodino.

Behind this village the Russians have taken their stand in close masses. So stand also the French, who have in their centre the Shevardino redoubt beyond the Kalotcha. Here NAPOLEON, in his usual glue-grey uniform, white waistcoat, and white leather breeches, chooses his position with BERTHIER and other officers of his suite.]

DUMB SHOW

It is six o'clock, and the firing of a single cannon on the French side proclaims that the battle is beginning. There is a roll of drums, and the right-centre masses, glittering in the level shine, advance under NEY and DAVOUT and throw themselves on the Russians, here defended by redoubts.

The French enter the redoubts, whereupon a slim, small man, GENERAL BAGRATION, brings across a division from the Russian right and expels them resolutely.

Semenovskoye is a commanding height opposite the right of the French, and held by the Russians. Cannon and columns, infantry and cavalry, assault it by tens of thousands, but cannot take it.

Aides gallop through the screeching shot and haze of smoke and dust between NAPOLEON and his various marshals. The Emperor walks about, looks through his glass, goes to a camp-stool, on which he sits down, and drinks glasses of spirits and hot water to relieve his still violent cold, as may be discovered from his red eyes, raw nose, rheumatic manner when he moves, and thick voice in giving orders.


SPIRIT OF THE PITIES

So he fulfils the inhuman antickings
He thinks imposed upon him. . . . What says he?


SPIRIT OF RUMOUR

He says it is the sun of Austerlitz!


The Russians, so far from being driven out of their redoubts, issue from them towards the French. But they have to retreat, BAGRATION and his Chief of Staff being wounded. NAPOLEON sips his grog hopefully, and orders a still stronger attack on the great redoubt in the centre.

It is carried out. The redoubt becomes the scene of a huge massacre. In other parts of the field also the action almost ceases to be a battle, and takes the form of wholesale butchery by the thousand, now advantaging one side, now the other.


SPIRIT OF THE YEARS

Thus do the mindless minions of the spell
In mechanized enchantment sway and show
A Will that wills above the will of each,
Yet but the will of all conjunctively;
A fabric of excitement, web of rage,
That permeates as one stuff the weltering whole.


SPIRIT OF THE PITIES

The ugly horror grossly regnant here
Wakes even the drowsed half-drunken Dictator
To all its vain uncouthness!


SPIRIT OF RUMOUR

Murat cries
That on this much-anticipated day
Napoleon's genius flags inoperative.


The firing from the top of the redoubt has ceased. The French have got inside. The Russians retreat upon their rear, and fortify themselves on the heights there. PONIATOWSKI furiously attacks them. But the French are worn out, and fall back to their station before the battle. So the combat dies resultlessly away. The sun sets, and the opposed and exhausted hosts sink to lethargic repose. NAPOLEON enters his tent in the midst of his lieutenants, and night descends.


SHADE OF THE EARTH

The fumes of nitre and the reek of gore
Make my airs foul and fulsome unto me!


SPIRIT IRONIC

The natural nausea of a nurse, dear Dame.


SPIRIT OF RUMOUR

Strange: even within that tent no notes of joy
Throb as at Austerlitz! (signifying Napoleon's tent).


SPIRIT OF THE PITIES

But mark that roar--
A mash of men's crazed cries entreating mates
To run them through and end their agony;
Boys calling on their mothers, veterans
Blaspheming God and man. Those shady shapes
Are horses, maimed in myriads, tearing round
In maddening pangs, the harnessings they wear
Clanking discordant jingles as they tear!


SPIRIT OF THE YEARS

It is enough. Let now the scene be closed.


The night thickens. _

Read next: Part 3: Act 1: Scene 6. Moscow

Read previous: Part 3: Act 1: Scene 4. The Field Of Borodino

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