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The Dynasts: An Epic Drama Of The War With Napoleon, a play by Thomas Hardy |
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Part 3 - Act 1 - Scene 1. The Banks Of The Niemen, Near Kowno |
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_ PART THIRD. ACT FIRST. SCENE I. [The foreground is a hillock on a broken upland, seen in evening twilight. On the left, further back, are the dusky forests of Wilkowsky; on the right is the vague shine of a large river. Emerging from the wood below the eminence appears a shadowy amorphous thing in motion, the central or Imperial column of NAPOLEON'S Grand Army for the invasion of Russia, comprising the corps of OUDINOT, NEY, and DAVOUT, with the Imperial Guard. This, with the right and left columns, makes up the host of nearly half a million, all starting on their march to Moscow. While the rearmost regiments are arriving, NAPOLEON rides ahead with GENERAL HAXEL and one or two others to reconnoitre the river. NAPOLEON'S horse stumbles and throws him. He picks himself up before he can be helped.]
The portent is an ill one, Emperor;
Whose voice was that, jarring upon my thought
Sire, we spoke no word.
Then, whoso spake, such portents I defy! [He remounts. When the reconnoitrers again came back to the foreground of the scene the huge array of columns is standing quite still, in circles of companies, the captain of each in the middle with a paper in his hand. He reads from it a
Soldiers, wild war is on the board again; She offers us the choice of sword or shame; [The midsummer night darkens. They all make their bivouacs and sleep.]
Something is tongued afar.
The hostile hatchings of Napoleon's brain
Ha! "Liberty" is quaint, and pleases me, [Midsummer-day breaks, and the sun rises on the right, revealing the position clearly. The eminence overlooks for miles the river Niemen, now mirroring the morning rays. Across the river three temporary bridges have been thrown, and towards them the French masses streaming out of the forest descend in three columns. They sing, shout, fling their shakos in the air and repeat words from the proclamation, their steel and brass flashing in the sun. They narrow their columns as they gain the three bridges, and begin to cross--horse, foot, and artillery. NAPOLEON has come from the tent in which he has passed the night to the high ground in front, where he stands watching through his glass the committal of his army to the enterprise. DAVOUT, NEY, MURAT, OUDINOT, Generals HAXEL and EBLE, NARBONNE, and others surround him. It is a day of drowsing heat, and the Emperor draws a deep breath as he shifts his weight from one puffed calf to the other. The light cavalry, the foot, the artillery having passed, the heavy horse now crosses, their glitter outshining the ripples on the stream. A messenger enters. NAPOLEON reads papers that are brought, and frowns.]
The English heads decline to recognize But this long journey now just set a-trip
Why doth he go?--
I'll show you why. [The unnatural light before seen usurps that of the sun, bringing into view, like breezes made visible, the films or brain-tissues of the Immanent Will, that pervade all things, ramifying through the whole army, NAPOLEON included, and moving them to Its inexplicable artistries.]
That which has worked will work!--Since Lodi Bridge [The natural light returns and the anatomy of the Will disappears. NAPOLEON mounts his horse and descends in the rear of his host to the banks of the Niemen. His face puts on a saturnine humour, and he hums an air.] Malbrough s'en va-t-en guerre, [Exeunt NAPOLEON and his staff.]
It is kind of his Imperial Majesty to give me a lead. (Sings.) Monsieur d'Malbrough est mort, [Anon the figure of NAPOLEON, diminished to the aspect of a doll, reappears in front of his suite on the plain below. He rides across the swaying bridge. Since the morning the sky has grown overcast, and its blackness seems now to envelope the retreating array on the other side of the stream. The storm bursts with thunder and lightning, the river turns leaden, and the scene is blotted out by the torrents of rain.] _ |