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The Dynasts: An Epic Drama Of The War With Napoleon, a play by Thomas Hardy |
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Part 1 - Act 1 - Scene 6. Milan. The Cathedral |
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_ PART FIRST. ACT FIRST. SCENE VI. [The interior of the building on a sunny May day. The walls, arched, and columns are draped in silk fringed with gold. A gilded throne stand in front of the High Altar. A closely packed assemblage, attired in every variety of rich fabric and fashion, waits in breathless expectation.]
From a private corridor leading to a door in the aisle the EMPRESS JOSEPHINE enters, in a shining costume, and diamonds that collect rainbow-colours from the sunlight piercing the clerestory windows. She is preceded by PRINCESS ELIZA, and surrounded by her ladies. A pause follows, and then comes the procession of the EMPEROR, consisting of hussars, heralds, pages, aides-de-camp, presidents of institutions, officers of the state bearing the insignia of the Empire and of Italy, and seven ladies with offerings. The Emperor himself in royal robes, wearing the Imperial crown, and carrying the sceptre. He is followed my ministers and officials of the household. His gait is rather defiant than dignified, and a bluish pallor overspreads his face. He is met by the Cardinal Archbishop of CAPRARA and the clergy, who burn incense before him as he proceeds towards the throne. Rolling notes of music burn forth, and loud applause from the congregation.
What is the creed that these rich rites disclose?
A local cult, called Christianity,
I did not recognize it here, forsooth;
Sire, with that clemency and right goodwill
Thus are the self-styled servants of the Highest
Thou reasonest ever thuswise--even if
Do not the prelate's accents falter thin,
Soft, jester; scorn not puppetry so skilled,
Yea; that they feel, and puppetry remain,
The lady's remark is apposite, and reminds me that I may as well
O would that I could move It to enchain thee,
Would thou couldst!
The spectacle proceeds.
And we may as well give all attention thereto, for the evils at work in other continents are not worth eyesight by comparison. [The ceremonial in the Cathedral continues. NAPOLEON goes to the front of the altar, ascends the steps, and, taking up the crown of Lombardy, places it on his head.]
'Tis God has given it to me. So be it. [The Sacrament of the Mass. NAPOLEON reads the Coronation Oath in a loud voice.]
Give ear! Napoleon, Emperor of the French
Long live the Emperor and King. Huzza! [Music. The Te Deum.]
That vulgar stroke of vauntery he displayed [He throws a whisper into NAPOLEON'S ear.] Lieutenant Bonaparte,
Who spoke to me?
Not I, Sire. Not a soul.
Dear Josephine, my queen, didst call my name?
I spoke not, Sire.
Thou didst not, tender spouse; [The service closes. The clergy advance with the canopy to the foot of the throne, and the procession forms to return to the Palace.]
Officious sprite,
I feel, Sire, as I must! This tale of Will
Let me then once again [The scene assumes the preternatural transparency before mentioned, and there is again beheld as it were the interior of a brain which seems to manifest the volitions of a Universal Will, of whose tissues the personages of the action form portion.]
Enough. And yet for very sorriness
Affection ever was illogical.
How should the Sprite own to such logic--a mere juvenile-- who only came into being in what the earthlings call their Tertiary Age! [The scene changes. The exterior of the Cathedral takes the place of the interior, and the point of view recedes, the whole fabric smalling into distance and becoming like a rare, delicately carved alabaster ornament. The city itself sinks to miniature, the Alps show afar as a white corrugation, the Adriatic and the Gulf of Genoa appear on this and on that hand, with Italy between them, till clouds cover the panorama.] _ |