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Flappers and Philosophers by F Scott Fitzgerald

The Cut-Glass Bowl - Chapter IV

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If Evylyn's beauty had hesitated an her early thirties it came to
an abrupt decision just afterward and completely left her. A
tentative outlay of wrinkles on her face suddenly deepened and
flesh collected rapidly on her legs and hips and arms. Her
mannerism of drawing her brows together had become an
expression--it was habitual when she was reading or speaking and
even while she slept. She was forty-six.

As in most families whose fortunes have gone down rather than up,
she and Harold had drifted into a colorless antagonism. In
repose they looked at each other with the toleration they might
have felt for broken old chairs; Evylyn worried a little when he
was sick and did her best to be cheerful under the wearying
depression of living with a disappointed man.

Family bridge was over for the evening and she sighed with
relief. She had made more mistakes than usual this evening and
she didn't care. Irene shouldn't have made that remark about the
infantry being particularly dangerous. There had been no letter
for three weeks now, and, while this was nothing out of the
ordinary, it never failed to make her nervous; naturally she
hadn't known how many clubs were out.

Harold had gone up-stairs, so she stepped out on the porch for a
breath of fresh air. There was a bright glamour of moonlight
diffusing on the sidewalks and lawns, and with a little half
yawn, half laugh, she remembered one long moonlight affair of her
youth. It was astonishing to think that life had once been the
sum of her current love-affairs. It was now the sum of her
current problems.

There was the problem of Julie--Julie was thirteen, and lately
she was growing more and more sensitive about her deformity and
preferred to stay always in her room reading. A few years before
she had been frightened at the idea of going to school, and
Evylyn could not bring herself to send her, so she grew up in her
mother's shadow, a pitiful little figure with the artificial
hand that she made no attempt to use but kept forlornly in her
pocket. Lately she had been taking lessons in using it because
Evylyn had feared she would cease to lift the arm altogether, but
after the lessons, unless she made a move with it in listless
obedience to her mother, the little hand would creep back to the
pocket of her dress. For a while her dresses were made without
pockets, but Julie had moped around the house so miserably at a
loss all one month that Evylyn weakened and never tried the
experiment again.

The problem of Donald had been different from the start. She had
attempted vainly to keep him near her as she had tried to teach
Julie to lean less on her--lately the problem of Donald had been
snatched out of her hands; his division had been abroad for three
months.

She yawned again--life was a thing for youth. What a happy youth
she must have had! She remembered her pony, Bijou, and the trip
to Europe with her mother when she was eighteen---

"Very, very complicated," she said aloud and severely to the
moon, and, stepping inside, was about to close the door when she
heard a noise in the library and started.

It was Martha, the middle-aged servant: they kept only one now.

"Why, Martha!" she said in surprise.

Martha turned quickly.

"Oh, I thought you was up-stairs. I was jist---"

"Is anything the matter?"

Martha hesitated.

"No; I---" She stood there fidgeting. "It was a letter, Mrs.
Piper, that I put somewhere.

"A letter? Your own letter?" asked Evylyn.

"No, it was to you. 'Twas this afternoon, Mrs. Piper, in the last
mail. The postman give it to me and then the back door-bell
rang. I had it in my hand, so I must have stuck it somewhere. I
thought I'd just slip in now and find it."

"What sort of a letter? From Mr. Donald?"

"No, it was an advertisement, maybe, or a business letter. It was
a long narrow one, I remember."

They began a search through the music-room, looking on trays and
mantelpieces, and then through the library, feeling on the tops
of rows of books. Martha paused in despair.

"I can't think where. I went straight to the kitchen. The
dining-room, maybe." She started hopefully for the dining-room,
but turned suddenly at the sound of a gasp behind her. Evylyn had
sat down heavily in a Morris chair, her brows drawn very close
together eyes blanking furiously.

"Are you sick?"

For a minute there was no answer. Evylyn sat there very still and
Martha could see the very quick rise and fall of her bosom.

"Are you sick?" she repeated.

"No," said Evylyn slowly, "but I know where the letter is. Go
'way, Martha. I know."

Wonderingly, Martha withdrew, and still Evylyn sat there, only
the muscles around her eyes moving --contracting and relaxing and
contracting again. She knew now where the letter was--she knew
as well as if she had put it there herself. And she felt
instinctively and unquestionably what the letter was. It was long
and narrow like an advertisement, but up in the corner in large
letters it said "War Department" and, in smaller letters below,
"Official Business." She knew it lay there in the big bowl with
her name in ink on the outside and her soul's death within.

Rising uncertainly, she walked toward the dining-room, feeling
her way along the bookcases and through the doorway. After a
moment she found the light and switched it on.

There was the bowl, reflecting the electric light in crimson
squares edged with black and yellow squares edged with blue,
ponderous and glittering, grotesquely and triumphantly ominous.
She took a step forward and paused again; another step and she
would see over the top and into the inside--another step and she
would see an edge of white--another step--her hands fell on the
rough, cold surface--

In a moment she was tearing it open, fumbling with an obstinate
fold, holding it before her while the typewritten page glared out
and struck at her. Then it fluttered like a bird to the floor.
The house that had seemed whirring, buzzing a moment since, was
suddenly very quiet; a breath of air crept in through the open
front door carrying the noise of a passing motor; she heard faint
sounds from upstairs and then a grinding racket in the pipe
behind the bookcases-her husband turning of a water-
tap---

And in that instant it was as if this were not, after all,
Donald's hour except in so far as he was a marker in the
insidious contest that had gone on in sudden surges and long,
listless interludes between Evylyn and this cold, malignant thing
of beauty, a gift of enmity from a man whose face she had long
since forgotten. With its massive, brooding passivity it lay
there in the centre of her house as it had lain for years,
throwing out the ice-like beams of a thousand eyes, perverse
glitterings merging each into each, never aging, never changing.

Evylyn sat down on the edge of the table and stared at it
fascinated. It seemed to be smiling now, a very cruel smile, as
if to say:

"You see, this time I didn't have to hurt you directly. I didn't
bother. You know it was I who took your son away. You know how
cold I am and how hard and how beautiful, because once you were
just as cold and hard and beautiful."

The bowl seemed suddenly to turn itself over and then to distend
and swell until it became a great canopy that glittered and
trembled over the room, over the house, and, as the walls melted
slowly into mist, Evylyn saw that it was still moving out, out
and far away from her, shutting off far horizons and suns and
moons and stars except as inky blots seen faintly through it. And
under it walked all the people, and the light that came through
to them was refracted and twisted until shadow seamed light and
light seemed shadow--until the whole panoply of the world became
changed and distorted under the twinkling heaven of
the bowl.

Then there came a far-away, booming voice like a low, clear bell.
It came from the centre of the bowl and down the great sides to
the ground and then bounced toward her eagerly.

"You see, I am fate," it shouted, "and stronger than your puny
plans; and I am how-things-turn-out and I am different from your
little dreams, and I am the flight of time and the end of beauty
and unfulfilled desire; all the accidents and imperceptions and
the little minutes that shape the crucial hours are mine. I am
the exception that proves no rules, the limits of your control,
the condiment in the dish of life."

The booming sound stopped; the echoes rolled away over the wide
land to the edge of the bowl that bounded the world and up the
great sides and back to the centre where they hummed for a moment
and died. Then the great walls began slowly to bear down upon
her, growing smaller and smaller, coming closer and closer as if
to crush her; and as she clinched her hands and waited for the
swift bruise of the cold glass, the bowl gave a sudden wrench and
turned over--and lay there on the side-board, shining and
inscrutable, reflecting in a hundred prisms, myriad, many-colored
glints and gleams and crossings and interlaces of light.

The cold wind blew in again through to front door, and with a
desperate, frantic energy Evylyn stretched both her arms around
the bowl. She must be quick--she must be strong. She tightened
her arms until they ached, tauted the thin strips of muscle under
her soft flesh, and with a mighty effort raised it and held it.
She felt the wind blow cold on her back where her dress had come
apart from the strain of her effort, and as she felt it she
turned toward it and staggered under the great weight out through
the library and on toward the front door. She must be
quick--she must be strong. The blood in her arms throbbed dully
and her knees kept giving way under her, but the feel of the cool
glass was good.

Out the front door she tottered and over to the stone steps, and
there, summoning every fibre of her soul and body for a last
effort, swung herself half around--for a second, as she tried to
loose her hold, her numb fingers clung to the rough surface, and
in that second she slipped and, losing balance, toppled forward
with a despairing cry, her arms still around the bowl . . . down
. . .

Over the way lights went on; far down the block the crash was
heard, and pedestrians rushed up wonderingly; up-stairs a tired
man awoke from the edge of sleep and a little girl whimpered in a
haunted doze. And all over the moonlit sidewalk around the
still, black form, hundreds of prisms and cubes and splinters of
glass reflected the light in little gleams of blue, and black
edged with yellow, and yellow, and crimson edged with black.



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