Bindo Altoviti
A street in Rome. BINDO ALTOVITI, standing at the door of his
house.
MICHAEL ANGELO, passing.
BINDO.
Good-morning, Messer Michael Angelo!
MICHAEL ANGELO.
Good-morning, Messer Bindo Altoviti!
BINDO.
What brings you forth so early?
MICHAEL ANGELO.
The same reason
That keeps you standing sentinel at your door,--
The air of this delicious summer morning.
What news have you from Florence?
BINDO.
Nothing new;
The same old tale of violence and wrong.
Since the disastrous day at Monte Murlo,
When in procession, through San Gallo's gate,
Bareheaded, clothed in rags, on sorry steeds,
Philippo Strozzi and the good Valori
Were led as prisoners down the streets of Florence,
Amid the shouts of an ungrateful people,
Hope is no more, and liberty no more.
Duke Cosimo, the tyrant, reigns supreme.
MICHAEL ANGELO.
Florence is dead: her houses are but tombs;
Silence and solitude are in her streets.
BINDO.
Ah yes; and often I repeat the words
You wrote upon your statue of the Night,
There in the Sacristy of San Lorenzo:
"Grateful to me is sleep; to be of stone
More grateful, while the wrong and shame endure;
To see not, feel not, is a benediction;
Therefore awake me not; oh, speak in whispers."
MICHAEL ANGELO.
Ah, Messer Bindo, the calamities,
The fallen fortunes, and the desolation
Of Florence are to me a tragedy
Deeper than words, and darker than despair.
I, who have worshipped freedom from my cradle,
Have loved her with the passion of a lover,
And clothed her with all lovely attributes
That the imagination can conceive,
Or the heart conjure up, now see her dead,
And trodden in the dust beneath the feet
Of an adventurer! It is a grief
Too great for me to bear in my old age.
BINDO.
I say no news from Florence: I am wrong,
For Benvenuto writes that he is coming
To be my guest in Rome.
MICHAEL ANGELO.
Those are good tidings.
He hath been many years away from us.
BINDO.
Pray you, come in.
MICHAEL ANGELO.
I have not time to stay,
And yet I will. I see from here your house
Is filled with works of art. That bust in bronze
Is of yourself. Tell me, who is the master
That works in such an admirable way,
And with such power and feeling?
BINDO.
Benvenuto.
MICHAEL ANGELO.
Ah? Benvenuto? 'T is a masterpiece!
It pleases me as much, and even more,
Than the antiques about it; and yet they
Are of the best one sees. But you have placed it
By far too high. The light comes from below,
And injures the expression. Were these windows
Above and not beneath it, then indeed
It would maintain its own among these works
Of the old masters, noble as they are.
I will go in and study it more closely.
I always prophesied that Benvenuto,
With all his follies and fantastic ways,
Would show his genius in some work of art
That would amaze the world, and be a challenge
Unto all other artists of his time.
[They go in.]
Content of PART THIRD III - Bindo Altoviti [Henry Wadsworth Longfellow's poem]
Read next: PART THIRD#IV - In the Coliseum
Read previous: PART THIRD#II - Vigna di Papa Giulio
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