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_ However, properly speaking, he lived in the Rue Plumet, and he
had arranged his existence there in the following fashion:--
Cosette and the servant occupied the pavilion; she had the big
sleeping-room with the painted pier-glasses, the boudoir with the
gilded fillets, the justice's drawing-room furnished with tapestries
and vast arm-chairs; she had the garden. Jean Valjean had a canopied
bed of antique damask in three colors and a beautiful Persian rug
purchased in the Rue du Figuier-Saint-Paul at Mother Gaucher's, put
into Cosette's chamber, and, in order to redeem the severity of these
magnificent old things, he had amalgamated with this bric-a-brac all
the gay and graceful little pieces of furniture suitable to young girls,
an etagere, a bookcase filled with gilt-edged books, an inkstand,
a blotting-book, paper, a work-table incrusted with mother of pearl,
a silver-gilt dressing-case, a toilet service in Japanese porcelain.
Long damask curtains with a red foundation and three colors,
like those on the bed, hung at the windows of the first floor.
On the ground floor, the curtains were of tapestry. All winter long,
Cosette's little house was heated from top to bottom. Jean Valjean
inhabited the sort of porter's lodge which was situated at the end
of the back courtyard, with a mattress on a folding-bed, a white
wood table, two straw chairs, an earthenware water-jug, a few old
volumes on a shelf, his beloved valise in one corner, and never
any fire. He dined with Cosette, and he had a loaf of black bread
on the table for his own use.
When Toussaint came, he had said to her: "It is the young lady who is
the mistress of this house."--"And you, monsieur?" Toussaint replied in
amazement.--"I am a much better thing than the master, I am the father."
Cosette had been taught housekeeping in the convent, and she
regulated their expenditure, which was very modest. Every day,
Jean Valjean put his arm through Cosette's and took her for a walk.
He led her to the Luxembourg, to the least frequented walk,
and every Sunday he took her to mass at Saint-Jacques-du-Haut-Pas,
because that was a long way off. As it was a very poor quarter,
he bestowed alms largely there, and the poor people surrounded him
in church, which had drawn down upon him Thenardier's epistle:
"To the benevolent gentleman of the church of Saint-Jacques-du-Haut-Pas."
He was fond of taking Cosette to visit the poor and the sick.
No stranger ever entered the house in the Rue Plumet. Toussaint brought
their provisions, and Jean Valjean went himself for water to a
fountain near by on the boulevard. Their wood and wine were put
into a half-subterranean hollow lined with rock-work which lay near
the Rue de Babylone and which had formerly served the chief-justice
as a grotto; for at the epoch of follies and "Little Houses" no love
was without a grotto.
In the door opening on the Rue de Babylone, there was a box destined
for the reception of letters and papers; only, as the three inhabitants
of the pavilion in the Rue Plumet received neither papers nor letters,
the entire usefulness of that box, formerly the go-between of a
love affair, and the confidant of a love-lorn lawyer, was now limited
to the tax-collector's notices, and the summons of the guard.
For M. Fauchelevent, independent gentleman, belonged to the national
guard; he had not been able to escape through the fine meshes of the
census of 1831. The municipal information collected at that time had
even reached the convent of the Petit-Picpus, a sort of impenetrable
and holy cloud, whence Jean Valjean had emerged in venerable guise,
and, consequently, worthy of mounting guard in the eyes of the townhall.
Three or four times a year, Jean Valjean donned his uniform and
mounted guard; he did this willingly, however; it was a correct
disguise which mixed him with every one, and yet left him solitary.
Jean Valjean had just attained his sixtieth birthday, the age
of legal exemption; but he did not appear to be over fifty;
moreover, he had no desire to escape his sergeant-major nor
to quibble with Comte de Lobau; he possessed no civil status,
he was concealing his name, he was concealing his identity,
so he concealed his age, he concealed everything; and, as we have
just said, he willingly did his duty as a national guard; the sum
of his ambition lay in resembling any other man who paid his taxes.
This man had for his ideal, within, the angel, without, the bourgeois.
Let us note one detail, however; when Jean Valjean went out with Cosette,
he dressed as the reader has already seen, and had the air of a
retired officer. When he went out alone, which was generally at night,
he was always dressed in a workingman's trousers and blouse, and wore
a cap which concealed his face. Was this precaution or humility?
Both. Cosette was accustomed to the enigmatical side of her destiny,
and hardly noticed her father's peculiarities. As for Toussaint,
she venerated Jean Valjean, and thought everything he did right.
One day, her butcher, who had caught a glimpse of Jean Valjean,
said to her: "That's a queer fish." She replied: "He's a saint."
Neither Jean Valjean nor Cosette nor Toussaint ever entered or emerged
except by the door on the Rue de Babylone. Unless seen through
the garden gate it would have been difficult to guess that they
lived in the Rue Plumet. That gate was always closed. Jean Valjean
had left the garden uncultivated, in order not to attract attention.
In this, possibly, he made a mistake. _
Read next: VOLUME IV: BOOK THIRD - THE HOUSE IN THE RUE PLUMET: CHAPTER III. Foliis ac Frondibus
Read previous: VOLUME IV: BOOK THIRD - THE HOUSE IN THE RUE PLUMET: CHAPTER I. The House with a Secret
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